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 These Photos are from The estate of Bandleader Entertainer Vincent Lopez obtained at an auction of his effects.

Vincent Lopez (December 30, 1895 – September 20, 1975)[1] was an American bandleader, actor, and pianist.
Noted musicians who played in his band included Artie Shaw, Xavier Cugat, Jimmy Dorsey, Tommy Dorsey, Bob Effros, Mike Mosiello, Fred Lowery, Joe Tarto and Glenn Miller.[1] He also featured singers Keller Sisters and Lynch, Betty Hutton, and Marion Hutton. Lopez's longtime drummer was the irreverent Mike Riley, who popularized the novelty hit "The Music Goes Round and Round".

Lopez's flamboyant style of piano playing influenced such later musicians as Eddy Duchin and Liberace.

In 1941, Lopez's Orchestra began a residency at the Taft Hotel in Manhattan that would last 25 years.[1]

In the early 1950s, Lopez along with Gloria Parker hosted a radio program broadcast from the Taft Hotel called Shake the Maracas in which audience members competed for small prizes by playing maracas with the orchestra.

In 1960 he published his autobiography Lopez Speaking.[7] Vincent Lopez died at the Villa Maria nursing home in North Miami, Florida, on September 20, 1975
 
 
Jayne Mansfield (born Vera Jayne Palmer; April 19, 1933 – June 29, 1967) was an American actress and Playboy Playmate. A sex symbol of the 1950s and early 1960s, Mansfield was known for her numerous publicity stunts and open personal life. Although her film career was short-lived, she had several box-office successes, and won a Theatre World Award and Golden Globe Award, and soon gained the nickname of Hollywood's "smartest dumb blonde."

Mansfield gained popularity after playing the role of fictional actress Rita Marlowe in Will Success Spoil Rock Hunter? (1955–1956) on Broadway, which she reprised in the film adaptation of the same name in 1957. Her other film roles include the musical comedy The Girl Can't Help It (1956), the drama The Wayward Bus (1957), the neo-noir Too Hot to Handle (1960), and the sex comedy Promises! Promises! (1963); the latter established Mansfield as the first major American actress to perform in a nude scene in a post-silent era film.