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Audio Source: Librivox, Public Domain
Therese Raquin

Émile ZOLA (1840 - 1902), translated by Ernest Alfred VIZETELLY (1853 - 1922)

An unsatisfied wife kills her weak husband in order to carry on a sordid affair with another man. However, her selfish plans are spoiled when her husband continues to haunt her. This is often said to be Zola's first great novel. (Summary by BellonaTimes)

Genre(s): Crime & Mystery Fiction, Horror & Supernatural Fiction
Audio Source : Public Domain, Librivox



Germinal

Émile ZOLA (1840 - 1902), translated by Havelock ELLIS (1859 - 1939)
This epic about French coal miners and the burgeoning labor movement is considered one of Zola's finest novels. - Summary by Matt Pierard

Genre(s): Published 1800 -1900


The Ladies' Paradise

Émile ZOLA (1840 - 1902), translated by Ernest Alfred VIZETELLY (1853 - 1922)
Zola's original French publication, Au Bonheur des Dames ("The Ladies' Delight"), published 1882, is the eleventh novel in his Rougon-Macquart series. This English translation by Ernest Alfred Vizetelly, was published in 1886. It's a glitzy, fast paced Parisian drama depicting life at the world's first department store, revealing its many innovative marketing concepts, fashion, glamour, lust, greed, courage, deception, human foibles, and the vision and financial risk-taking that led to a world transformation in shopping -- one that set all the little shop keepers on their heads. All this is contrasted by our heroine Denise, a young sales woman who struggles through financial hardship, back-stabbing friendships, and incredible temptations with a quiet courage that helps her rise to the top. As she passes through fire and emerges from it unscathed, we get Zola's masterful depiction of social upheaval and feminine resistance to evil. In 2012 the BBC used the novel as the basis for an eight-part television series set in northern England titled The Paradise. A second season followed in 2013. The novel was also was adapted into a play, The Ladies' Delight, for BBC Radio 4, premiering in September 2010. ~ Solo by Kristinjg, Edited by Michele Fry, Summary by Michele Fry

Genre(s): Historical Fiction


The Fortune of the Rougons

Émile ZOLA (1840 - 1902), translated by Ernest Alfred VIZETELLY (1853 - 1922)
The Fortune of the Rougons (French: La Fortune des Rougon), originally published in 1871, is the first novel in Émile Zola's monumental twenty-volume series Les Rougon-Macquart. In his introduction Zola indicates that this series is intended to demonstrate the interaction of heredity and environment along the lines of natural selection and evolution. While Zola's metascience is questionable, this novel is successful in its analysis of the interaction of momentous social and political events and the everyday lives and aspirations of a provincial society. In a satisfyingly intricate, vast and integrated plot, set in the time of Napoleon III's coup d'etat and establishment of the Second Empire, the fates and fortunes of the disparate descendents of one Provencal family are traced in detail. The novel ranges from idyll to cynical observation of base motives, and ends in a way that anticipates its many sequels. Summary by the soloist.

Genre(s): Historical Fiction

His Masterpiece

Émile ZOLA (1840 - 1902), translated by Ernest Alfred VIZETELLY (1853 - 1922)
“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert

Genre(s): Historical Fiction


L'Assommoir

Émile ZOLA (1840 - 1902), translated by Ernest Alfred VIZETELLY (1853 - 1922)

Émile François Zola (French pronunciation: [emil zɔˈla]) (2 April 1840 – 29 September 1902) was an influential French writer, the most important exemplar of the literary school of naturalism. More than half of Zola’s novels were part of a set of twenty novels about a family under the Second Empire collectively known as Les Rougon-Macquart.

L’Assommoir (1877) is the seventh novel in the series. Usually considered one of Zola’s masterpieces, the novel—a harsh and uncompromising study of alcoholism and poverty in the working-class districts of Paris—was a huge commercial success and established Zola’s fame and reputation throughout France and the world. (Summary edited from Wikipedia)

Genre(s): Published 1800 -1900

The Markets of Paris

Émile ZOLA (1840 - 1902)
The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin

Genre(s): General Fiction

The Mysteries of Marseilles

Émile ZOLA (1840 - 1902), translated by Ernest Alfred VIZETELLY (1853 - 1922)
The elopement of Philippe Cayol, an aspiring liberal, poor and untitled with Blanche De Cazalis, niece of a powerful millionaire and politician sets the stage in this novel full of twists and turns with villains a plenty. Philippe's brother Marius strives to protect the two lovers from the De Cazalis' uncontrolled fury. Although written in his youth Zola's signature style, his indignation about injustice and his vivid characterization of the noble, the wealthy and common man is very evident in this non stop adventure. - Summary by Celine Major

Genre(s):

Language: English