PTV PT 5664 Waveform Monitor 
Digital & Analog Component Composite WFM 
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General
The PT 5664 Digital & Analog component/composite WFM is a multiformat waveform monitor
and vectorscope for digital and analog component signals. Pushbuttons on the front enable
switching between the display of SDI or analog component.
The PT 5664 automatically adjusts to 525-lines or to 625-lines system.
PT 5664 covers the following input formats:
¨ SDI (serial Digital Component)
¨ Y, PB, PR (analog component, SMPTE/EBU format)
¨ RGB
¨ BETACAM, 3-wire
¨ M II, 3-wire
¨ M II, 2-wire (only Waveform mode)
¨ Composite video signals
It provides the well-known display for both the analog component and digital SDI signals, i.e.
waveform, parade, vector, star etc.
In the waveform and parade the display format is selectable between the YPBPR or RGB
display.
The PT 5664 has the following inputs:
¨ One SDI input
¨ One set of analog component inputs
¨ One Analog Composite input
The inputs are selectable by means of pushbuttons on the front.
The PT 5664 provides the following outputs:
¨ The digital interface provides a re-clocked and cable equalised SDI output of the incoming
SDI signal
¨ The PIX-monitor output is a RGB output for monitoring purpose only
SDI and YPBPR inputs are automatically converted to the RGB format. The output has also
overlay of the gamut detection, indicating visually where the colour space has been violated.
A violation of the colour space is also indicated with the Gamut LED’s on the front plate.
Main functions are directly accessible by means of pushbuttons, while format settings and more
special features are menu-controlled.
The PT 5664 Digital & Analogue
Component/Composite WFM provides
new dimensions in alignment and
monitoring in component and composite video environments. It features the
well-known analogue displays for
Serial Digital Component, Analogue
Component and Analogue Composite
signals. Its natural application is in
Studios, OB vans, Production- and
Post Production Houses.
Signals generated in Graphics Stations,
DVEs, VTRs, Cameras and mixers can
be quality checked both before and
after their encoding to PAL or NTSC.
Incorrect adjustment of such equipment quite often jeopardizes the quality
of the video signal. Errors in amplitude
and timing of the component signals
can cause serious faults in the picture,
such as wrong colours and badly defined transitions.
Some digital non-linear editors and
DVEs quite often result in signals with
illegal colours, i.e. video signals with
colours outside the valid colour gamut
range. This may cause errors later in
the encoding processes, for instance
when coding to analogue composite or MPEG.
In order to ensure high quality of the
program material, it is therefore necessary, not only to monitor the video signals on the picture monitors, but also
quantitatively check the signals.