Signed Artist's Proof Classic Canvas Giclée
Edition size: 10
Image size: 25" x 31"
Includes a Certificate of Authenticity
Artist's Description: "Colonel Turner Ashby was the most skilled horseman in the Confederacy. Known as the "Black Knight" before the war, Ashby had won many equestrian events throughout Virginia and rode a large white stallion named "Tom Telegraph". In the early morning fog or on moonlit nights, Federal troops described a ghostly figure on a white horse moving along the hilltops and ridges of the mountains; it was Ashby. Federal leaders were constantly concerned about Ashby and his raids. One of their commanders complained to a cavalry officer about the damage Ashby and his soldiers were doing to the army. The officer replied, "I can't catch them sir. They leap the fences and walls like deer. Neither our men nor our horses are so trained." As Stonewall Jackson's cavalry commander, Colonel Ashby led his men by example. His bold and brave leadership style was advantageous during combat operations, but his cavalry troopers lacked discipline, which at times created a problem for General Jackson when a large organized fighting force was needed. However when Colonel Ashby and his men were assigned to scout or strike at key enemy positions on the move, none were better than Ashby and his cavalry. Such was the case in the Spring of 1862 when General Jackson relied on Colonel Ashby to cover the withdrawal of his army up the Valley Turnpike, with the Federal Army under General Nathaniel P. Banks in pursuit. Jackson's army had lost their first engagement with the Federal Army at Kernstown and was now vulnerable to follow up attacks. Ashby's cavalry had about 26 companies together with Chew's battery, to slow the enemy's advance. Their constant assaults and flanking maneuvers were conducted masterfully. One of the key skirmishes took place around the little town of Toms Brook on April 2nd. Using the stream and steep terrain to their advantage, Ashby and his men so rattled General Banks, that his advance stalled and would stop at the village of Edinburg. Thanks to Ashby, Jackson's Army was now able to fall back to the strong position of Rude's Hill outside of Mount Jackson to regroup in safety."
About John Paul Strain: Mr. Strain and his paintings have been featured on the television shows of C-Span's Washington Journal, The History Channel, and Extreme Makeover Home Edition. Throughout his career he has won many awards for his art. Reproductions of his work have won numerous 1st place awards and "Best of Show" honors, such as the PICA Awards, The Printing Industry of the Carolina's, and at the PIAG Awards in Georgia. Strain is a featured artist for internationally known collector art companies the Bradford Exchange and the Franklin Mint for which he has created a Civil War Chess Set, several limited edition plate series, sculptures, and many other collectible items featuring his paintings. John Paul has also completed a number of commissioned works for the United States Army, which are on permanent display at Fort Leavenworth, Kansas, Fort McNair, Washington D.C., and the battlefield visitor's center at Normandy, France. Today, his original paintings can be found in many noted museums such as the Museum of Fredericksburg, and at Thomas Jefferson's home, Monticello. Over 90,000 pieces of limited edition art and original paintings by John Paul Strain have been sold and treasured throughout the world.