Turkish Rug Kilim, Hand Woven Rug, Wool Vintage Rug, Large Runner Rug 3 x 16 Rug
Size: 40" x 197" or 3'4" x 16'5" / Metric : 102 cm x 500 cm
Material: made of wool on wool and natural dyes.
Condition: Turkish Kilim Rug is used. Hand Woven Rug In VERY Good Condition. Vintage Rug is washed and cleaned professionally, 3 x 16 ft approx Rug is ready to use.
Origin: Anatolia
Age: about 50-60 years old
Material: made of wool on wool and natural dyes.
Condition: Turkish Kilim Rug is used. Hand Woven Rug In VERY Good Condition. Vintage Rug is washed and cleaned professionally, 3 x 16 ft approx Rug is ready to use.
Origin: Anatolia
Age: about 50-60 years old
Weight: 9 lbs - 4.1 kg
Sku: BS6711
Sku: BS6711
All images are of the actual item being purchased & taken indoor with daylight.
Please kindly note that; the image color may differ from the actual item colors and colors may differ from screen to screen.
Please kindly note that; the image color may differ from the actual item colors and colors may differ from screen to screen.
Buyer please note : Rug have some ABRASH.
What is the abrash :
Anyone who looks closely at the photographs of rugs in this web site will notice that, in many of them, colors change in horizontal bands throughout the rugs. A band of darker red, for instance, may lie between larger areas of lighter red. That kind of color-variation is called abrash. Most often abrash is caused by variation in dyelots and is most often encountered when rugs are woven in relatively primitive conditions where each dyelot may consist of only 20 or 30 gallons- as opposed to dye mixed in cities that may consist of 500 or 1000 gallon batches. But there are other causes of abrash as well. There can be large differences in the kind and the natural color of wool used in one rug, and each wool absorbs dye a little differently. Also, when wool is spun by hand, the tension of the spin varies and consequently so does the capacity of the wool to absorb dye. That band of darker blue that we cited above may result from a batch of loosely spun wool that absorbed a lot of dye.
Is abrash a flaw?
The answer lies in the eyes of the beholder. Germans, by and large, don’t like abrash. Other people enjoy the character that abrash seems to add to oriental rugs. We would like to suggest that strong abrash is not appropriate to finely knotted rugs and carpets made in city workshop conditions—rugs like Kashans and Nains that seem to aim for a kind of perfection. On the other hand, in tribal and village rugs, abrash often looks good and is by no means a flaw. But you, the connoisseur, are the final judge.
Outside of US Buyers Please Note:
a) Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer’s responsibility.
a) Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer’s responsibility.
b) Please check with your country’s customs office to determine what these additional costs will be prior to bidding/buying.
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runner rug, Distressed Rugs, Low Pile Rugs, Oushak Design, Kilim Antique
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Size Rugs, Over size Rugs and carpets,large runners, 5x13 rugs
What is the Kilim (From Wikipedia)
A kilim (Turkish: Kilim; Turkmen: Kilim; Azerbaijani: Kilim; Persian: Gilīm) is a flat tapestry-woven carpet or rug traditionally produced in countries of the former Persian Empire, including Iran, the Balkans and the Turkic countries. Kilims can be purely decorative or can function as prayer rugs. Modern kilims are popular floor coverings in Western households.
Etymology
The term 'kilim' originates from the Persian galīm where it means 'to spread roughly', perhaps of Akkadian or Aramean origin. another name for Galim(Gilim) is Plas, Ferdowsi and other persian poet mentioned both Galim and plas as synonyms in Shahnameh No 35 mentioned as Plas(plus) No14 mentioned as Galim
Like pile carpets, kilim have been produced since ancient times. The explorer Mark Aurel Stein found kilims dating to at least the fourth or fifth century CE in Hotan, China:
"As kilims are much less durable than rugs that have a pile to protect the warp and weft, it is not surprising that few of great age remain.
Weaving technique
Kilims are produced by tightly interweaving the warp and weft strands of the weave to produce a flat surface with no pile. Kilim weaves are tapestry weaves, technically weft-faced plain weaves, that is, the horizontal weft strands are pulled tightly downward so that they hide the vertical warp strands.
Turkish kilim, folded to show slits between different coloured areas
When the end of a color boundary is reached, the weft yarn is wound back from the boundary point. Thus, if the boundary of a field is a straight vertical line, a vertical slit forms between the two different color areas where they meet. For this reason, most kilims can be classed as "slit woven" textiles. The slits are beloved by collectors, as they produce very sharp-etched designs, emphasizing the geometry of the weave. Weaving strategies for avoiding slit formation, such as interlocking, produce a more blurred design image.
The weft strands, which carry the visible design and color, are almost always wool, whereas the hidden warp strands can be either wool or cotton. The warp strands are only visible at the ends, where they emerge as the fringe. This fringe is usually tied in bunches, to ensure against loosening or unraveling of the weave.
Motifs
Many motifs are used in Turkish kilims, each with many variations. A few examples are illustrated here, with meanings as described by Güran Erbek in Kilim. A widely used motif is the elibelinde, a stylized female figure, motherhood and fertility. Other motifs express the tribal weavers' desires for protection of their families' flocks from wolves with the wolf's mouth or the wolf's foot motif (Turkish: Kurt Aǧzi, Kurt İzi), or for safety from the sting of the scorpion (Turkish: Akrep). Several motifs hope for the safety of the weaver's family from the evil eye (Turkish: Nazarlık, also used as a motif), which could be divided into four with a cross symbol (Turkish: Haç), or averted with the symbol of a hook (Turkish: Çengel), a human eye (Turkish: Göz), or an amulet (Turkish: Muska; often, a triangular package containing a sacred verse).Such an amulet woven into a rug is not a picture of the thing itself: it actually is an amulet, believed to confer protection by its presence.
Other motifs symbolised fertility, as with the trousseau chest motif (Turkish: Sandıklı), or the explicit fertility (Turkish: Bereket, ) motif. The motif for running water (Turkish: Su Yolu) similarly depicts the resource literally. The desire to tie a family or lovers together could be depicted with a fetter motif (Turkish: Bukaǧı). Several other motifs represented the desire for good luck and happiness, as for instance the bird (Turkish: Kuş) and the star or Solomon's seal (Turkish: Yıldız). The oriental symbol of Yin/Yang is used for love and unison (Turkish: Aşk ve Birleşim).
Anatolian (Turkish)
Perhaps the best known and most highly regarded, these kilims are traditionally distinguished by the areas, villages or cities in which they are produced, such as Oushak (Uşak - Usak), Konya, Malatya, Karapinar and Hotamis. Most Anatolian kilims are slit woven. Larger antique kilims were woven in two to three separate sections on small nomadic horizontal floor looms in three feet wide long strips, then carefully sewn together matching the patterns edges to create an ultimately wider rug. These pieces are still being produced in very limited quantities by nomadic tribes for their personal use and are commonly known as cicims.
Cicim or Jijim or Jajim are kilims woven in narrow strips that are sewn together.[
Zili is a rough supplementary-weft method used to decorate practical objects such as mats, sacks, cushions and tents
A kilim (Turkish: Kilim; Turkmen: Kilim; Azerbaijani: Kilim; Persian: Gilīm) is a flat tapestry-woven carpet or rug traditionally produced in countries of the former Persian Empire, including Iran, the Balkans and the Turkic countries. Kilims can be purely decorative or can function as prayer rugs. Modern kilims are popular floor coverings in Western households.
Etymology
The term 'kilim' originates from the Persian galīm where it means 'to spread roughly', perhaps of Akkadian or Aramean origin. another name for Galim(Gilim) is Plas, Ferdowsi and other persian poet mentioned both Galim and plas as synonyms in Shahnameh No 35 mentioned as Plas(plus) No14 mentioned as Galim
Like pile carpets, kilim have been produced since ancient times. The explorer Mark Aurel Stein found kilims dating to at least the fourth or fifth century CE in Hotan, China:
"As kilims are much less durable than rugs that have a pile to protect the warp and weft, it is not surprising that few of great age remain.
Weaving technique
Kilims are produced by tightly interweaving the warp and weft strands of the weave to produce a flat surface with no pile. Kilim weaves are tapestry weaves, technically weft-faced plain weaves, that is, the horizontal weft strands are pulled tightly downward so that they hide the vertical warp strands.
Turkish kilim, folded to show slits between different coloured areas
When the end of a color boundary is reached, the weft yarn is wound back from the boundary point. Thus, if the boundary of a field is a straight vertical line, a vertical slit forms between the two different color areas where they meet. For this reason, most kilims can be classed as "slit woven" textiles. The slits are beloved by collectors, as they produce very sharp-etched designs, emphasizing the geometry of the weave. Weaving strategies for avoiding slit formation, such as interlocking, produce a more blurred design image.
The weft strands, which carry the visible design and color, are almost always wool, whereas the hidden warp strands can be either wool or cotton. The warp strands are only visible at the ends, where they emerge as the fringe. This fringe is usually tied in bunches, to ensure against loosening or unraveling of the weave.
Motifs
Many motifs are used in Turkish kilims, each with many variations. A few examples are illustrated here, with meanings as described by Güran Erbek in Kilim. A widely used motif is the elibelinde, a stylized female figure, motherhood and fertility. Other motifs express the tribal weavers' desires for protection of their families' flocks from wolves with the wolf's mouth or the wolf's foot motif (Turkish: Kurt Aǧzi, Kurt İzi), or for safety from the sting of the scorpion (Turkish: Akrep). Several motifs hope for the safety of the weaver's family from the evil eye (Turkish: Nazarlık, also used as a motif), which could be divided into four with a cross symbol (Turkish: Haç), or averted with the symbol of a hook (Turkish: Çengel), a human eye (Turkish: Göz), or an amulet (Turkish: Muska; often, a triangular package containing a sacred verse).Such an amulet woven into a rug is not a picture of the thing itself: it actually is an amulet, believed to confer protection by its presence.
Other motifs symbolised fertility, as with the trousseau chest motif (Turkish: Sandıklı), or the explicit fertility (Turkish: Bereket, ) motif. The motif for running water (Turkish: Su Yolu) similarly depicts the resource literally. The desire to tie a family or lovers together could be depicted with a fetter motif (Turkish: Bukaǧı). Several other motifs represented the desire for good luck and happiness, as for instance the bird (Turkish: Kuş) and the star or Solomon's seal (Turkish: Yıldız). The oriental symbol of Yin/Yang is used for love and unison (Turkish: Aşk ve Birleşim).
Anatolian (Turkish)
Perhaps the best known and most highly regarded, these kilims are traditionally distinguished by the areas, villages or cities in which they are produced, such as Oushak (Uşak - Usak), Konya, Malatya, Karapinar and Hotamis. Most Anatolian kilims are slit woven. Larger antique kilims were woven in two to three separate sections on small nomadic horizontal floor looms in three feet wide long strips, then carefully sewn together matching the patterns edges to create an ultimately wider rug. These pieces are still being produced in very limited quantities by nomadic tribes for their personal use and are commonly known as cicims.
Cicim or Jijim or Jajim are kilims woven in narrow strips that are sewn together.[
Zili is a rough supplementary-weft method used to decorate practical objects such as mats, sacks, cushions and tents