Kurt Schwitters Lithography 1980 (Joseph Beuys Man Ray Le Corbusier)
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'Merz's language now finds a common consensus and today there is almost no artist working with materials other than painting who does not relate in some way to Schwitters. In his bold and wide-ranging experiments he can be seen as the forerunner of Pop Art, Happenings, Concept Art, Fluxus, multimedia art and postmodernism.'
– Excerpt from Gwendolyn Webster –
Kurt Schwitters
"Customs open"
Chromolithograph printed in 1980 in 180 copies by Atlantis Verlag, Freiburg
31 x 40 cm
Signature Kurt Schwitters on the plate
Embossed stamp and authentication by the publishing house
The progressive number may be different from the one published.
© Atlantis Kunst Verlag Freiburg
'Merz's language now finds a common consensus and today there is almost no artist working with materials other than painting who does not relate in some way to Schwitters. In his bold and wide-ranging experiments he can be seen as the forerunner of Pop Art, Happenings, Concept Art, Fluxus, multimedia art and postmodernism.' – Excerpt from Gwendolyn Webster – Kurt Schwitters "Customs open" Chromolithograph printed in 1980 in 180 copies by Atlantis Verlag, Freiburg 31 x 40 cm Signature Kurt Schwitters on the plate Embossed stamp and authentication by the publishing house The progressive number may be different from the one published. © Atlantis Kunst Verlag Freiburg