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This painting was acquired on March 28, 2015 at the German auction house "Bergmann". Its auctioneer ascribed it to the well-known Munich battle and horse artist Albrecht Adam (1786-1862) and gave it the title "Berittene Krim-Tataren auf einer Anhöhe" (English: "Mounted Crimean Tatars on the hill"; see our image nr.20). However, the persons depicted in this painting are in no way "Crimean Tatars" but Bashkir Cossacks who were participating in the Foreign Campaign of 1813/14 on the territory of Germany and France. Here, they are accompanied by several Don Cossacks (one of them is the frontal officer in blue uniform visible with his back to the viewer; three other Don Cossacks (with lances) can be seen at the right edge in the background).
While we refer to these warriors as Bashkirs, they could have well beeen Kazakhs ("Kirghiz-Kaisaks"), (non-Crimean) Tatars, or even Kalmyks. As early as 1812, at the beginning of the Russo-French (Patriotic) War, Russia saw the formation of several dozens of Cossack regiments that were recruited from ethnic Bashkirs, Kazakhs and Tatars populating the Orenburg, Saratov, Vyatka and Perm gubernias, as well as Kalmyks from Volga steppe region. Each of these regiments counted 500 riders and 30 staff members.
First, these regiments fought against the Napoleonic Army in Russia, then (in 1813 and early 1814) - on the territories of Poland and German states and finally (in late spring of 1814) - in France. In autumn 1813, they participated in various combats and major battles (among others, in the battles of Dresden and Leipzig; we assume that the group depicted in this painting is shown on the bank of river Elbe by Dresden).
We would like to add that we are in possession of several other paintings and prints with Bashkir Cossacks.

As for the possible authorship, we totally disagree with the "Bergmann" auctioneer who ascribed the painting to Albrecht Adam. On the contrary, with almost 100% certainty, it is a work of another Munich horse and battle artist, who was working at the same time as Adam, and who (alike Adam) was often depicting Russians in Anti-Napoleonic Wars.
His name was Peter von Hess, and he was the author of a similar scene with Bashkirs in Germany of which he made several variations (variously sized) - see our images nr.11-12. Similarly, a comparison with von Hess's other works strongly supports this attribution.