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Avatar:Music From the Motion Picture is the official score album to Oscar-winning filmmaker James Camerons epic adventure movie. Featuring music composed and conducted by Academy Award-winner James Horner, the album also includes the film's end title song, "I See You", performed by Grammy Award nominated singer Leona Lewis. From writer-director James Cameron (Titanic, Aliens, The Terminator, Terminator 2: Judgment Day, True Lies, The Abyss), Avatar takes us to a spectacular world beyond imagination, where a reluctant hero embarks on an epic adventure, ultimately fighting to save the alien world he has learned to call home. Avatar stars Sam Worthington (Terminator Salvation), Zo Saldana (Star Trek), Michelle Rodriguez (Lost, Fast & Furious), and Sigourney Weaver (Aliens, Galaxy Quest). The film is produced by James Cameron and Jon Landau. Review Though its unlikely to have slipped by many radars, for those whove not ventured outside of their house for the past six months, turned on the television or tuned the radio: James Camerons new film, Avatar, is A Very Big Deal Indeed. Less so for its somewhat clichd, rather hodgepodge plot more for its amazing three-dimensional visuals, which really do push the cinematic experience to a whole new level of immersion. Ostensibly an all-action sci-fi offering as the movie is, itd be natural to expect James Horners soundtrack to be every bit as mercilessly assaulting of the ears as Avatars awe-inspiring visuals are the eyes. But the multi-award-winning composerwho worked with Cameron on Titanic and Alienstakes an admirably counter-intuitive approach, with the earliest cues on this set notable for their restraint. Pure Spirits of the Forest threatens to break into a sweat, but its percussive punch is short-lived, much of its run time consumed by starry twinkles and strange whistles. It, like several pieces here, also exhibits string elements familiar to fans of Celtic musicsomething thats become a Horner trademark, for better or worse. The ethereal vocals of You Dont Dream in Cryo are teleportal in their suggestion of a faraway land populated by wonderful, surreal beings. The aliens of Avatar, the Naviwhose home world humans have targeted for its natural resources (the films ecological message not lost on todays climate change-aware audience)are represented aurally by motifs incorporating African rhythms, percussively playful but accessible enough so that world music-shy listeners can enjoy themthink more Paul Simon than Staff Benda Bilili. Climbing Up IknimayaThe Path to Heaven is one such piece, vocally rooted in the rainforests and savannas but released to soar like the most stirring orchestral highs. Jakes First Flight furthers this impression, its skittering beats and snatches of indigenous speech as suitable at WOMAD as they are complementing interplanetary adventuring. While itll appeal mostly to fans of the movieof whom there are sure to be several thousand alreadyHorners Avatar score stands up well as an independent listen, too. Such are its nuances that it necessitates a detailed listen, and that one will only lead to further explorations as every subtlety is sought out for enjoyment. The final, complete picture in the minds eye is a wonderful one that its matched on screen is testament indeed to Camerons unfaltering creativity. --Mike Diver This link will take you offin a new window
