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MONCLER Victoire Fox Fur Trimmed Slip-on Sneakers Trainers Shoes Fell Schuhe

COUNTRY OF ORIGIN : ITALY - DESIGN COUNTRY: ITALY - MODEL NUMBER 2031200019BJ902

SIZE : EU41 - UK7 - US11 - 3,5cm-1.5' platform (size EU 38)

MONCLER Victoire white fur insert sneakers - Buffed leather slip-on sneakers in white and grey. Round toe. Beige lamb fur foldover tongue. Logo-embossed

Velcro strap at vamp. Padded collar. Rubber sole in white. Tonal stitching. Upper: textile leather lamb fur.The Victoire fur sneakers are back in a two-tone

model from Moncler's new collection. Designed in calfskin and sheepskin, these bold sneakers rest atop an imposing, flat sole in tone-on-tone rubber. This model

has a Velcro opening, rounded toe, and a padded ankle with a back patch that matches the colored panels on the sides.

Moncler's chic sneakers have been crafted in Italy from smooth leather and are trimmed with plush lamb fur. Showcase yours with cropped denim.

upper: leather lining: leather trim: lamb fur sole: leather insole, rubber sole almond toe VELCRO®-fastening ankle strap Made in Italy True to size

European sizes 3,5cm-1.5' platform (size EU 38)

Composition and details : 100% Leather - Details: 100% Fur - Sole: 100% Sole - Color: White - Gender: Women - Season: FallWinter - Brand ID: 2031200019BJ902

Slowly the signs are increasing: It's getting wet, cold and winter. The alarm bells go off for fans of sneakers, because most current sneakers are largely made of fine

mesh material that lets water through as well as cold wind. So it's high time to winterize the sneakers or look around for suitable ones. We have selected the most beautiful.

THE WINTER PARTY DAD SNEAKER

Thanks to their wide sole, which resembles a platform, most dad sneakers are ideal for wading through medium-deep puddles anyway. But that doesn't help if it's

dripping from above or the wind is whistling cold. It's good that the chunky sneaker is also available in lined and smooth leather (or synthetic leather). So you can

trudge on like a transformer. Additional bonus: In the case of strong gusts of wind, the massive treads ground enormously. If you preferred to wear your sneakers

with small socks and bare legs in summer, you can now let your lust for conscious ugliness run free: Patterned wool tights are the perfect statement for dad sneakers

of the cold season. And they also make your legs warm.

THE FLUFFLE SNEAKER FOR WINTER

A sneaker can also cope with severe cold. Admittedly, most specimens cannot be taken in deep snow and slush is not the right environment either. But a long walk through

a winter landscape adorned with frost can be taken with the luxuriously fur-puffed or lined warm sneakers. Those who value animal welfare look for specimens with fake

fur. The furry sneakers go well with classic blue denim or camel hair-colored coats.Chic Sneaks! Kicks You Can Wear to the Office and Beyond- Do you ever have one of

those perfect days where, as you head off to work, the air around you glorious and crisp, you really feel like you’re just nailing it, professionally? Or at least, you’re on

the cusp of nailing it? Yes, you think, I will get my assignments in two days early. I will grab my career by the horns and I will get that raise. And this is, you’re aware,

in large part due to your office look. You stop in front of a reflective storefront window to take it all in, but as you shuffle around in your tote to top up that lipstick—horror!

You are stabbed by the point of a dirty vertiginous heel, one that has reared its microbe-slathered head from the depths of your bag. That’s right: You’re wearing commuter shoes.

Back to reality: The commuter sneaker is the Working Girl–era's dirty little secret, the footwear that will always rain on your parade. It’s dirty. It’s cumbersome. It’s

why you can’t carry those cute little minibags, even though you love them. And it’s emotional baggage for your feet. But look! There’s another way: Skip the plastic sacks

of high heels and downtrodden soles and opt for a fancy sneaker that you’d actually be proud to be seen in. Men have been getting away with the sneaker-in-cubicle look

for years—Silicon Valley CEOs like Steve Jobs and Aaron Levie haven’t let comfort hold them back—why should you?

But this isn’t just about comfort: Chic sneaks are a great way to add a punch of contrast to your outfit. Try highlighting a tailored black suit with blazing red high-tops, or

adding a subtle touch of color with a woven design. Have a casual Friday where you can take a creative liberty in the boardroom? Slip on a pair of funky patchworked kicks to

go with your loose slacks and blazer. Maybe you have a meeting with the boss? Fit your foot into some sleek black leather low-tops. Whatever you choose, you can navigate

the workroom stylishly—and sans the extra baggage. So go ahead: Walk to work this week.

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Biography - THE STORY OF A FRENCH JACKET EMBRACED IN MILAN THAT WENT GLOBAL

From a mountain village near Grenoble to the “paninari” of Milan, and on to the world’s runways: a journey through the world of Moncler.In December 2020, Moncler

made headlines in Italy with its acquisition of Stone Island, or rather the Sportwear Company that holds the brand, giving life to a hub of Italian luxury. But the purchase

is just the latest move for the historic label, dating back to 1952 in France (the name is simply the abbreviation of Monestier de Clermont, a mountain village near Grenoble).

Behind it all was the entrepreneur René Ramillon, who with this new brand dedicated himself to producing padded sleeping bags, a lined jacket and tents with a telescopic

structure, just as Europe was discovering mountain vacations.

While the snowy landscapes were filled with tourists and alpinists, Moncler’s jackets remained in fabric, worn by workers over their overalls to keep warm. At least until

1954, when alpinist Lionel Terray decided to explore the potential of technical clothing for excursions, working with Moncler on a specialty line for the Italian expedition

in the Karakorum along with Achille Compagnoni and Lino Lacedelli. Wearing Moncler, they would summit the second tallest peak in the world.From that moment, it was a

landslide of physical feats in the most rigid of climates, all while wearing the French jackets that had become increasingly manageable and light. But it wasn’t until the early

‘70s that we’d see the first down jackets as we understand them today: the real turning point came with the “Nepal” model, equipped with leather shoulders to rest skis on

without damaging the fabric and worn by countless skiers discovering a new tourism on the snow, soon destined to become a mass phenomenon across Europe.

It wouldn’t take long for the transition from ski holidays to fashion week. With the arrival of the ‘80s, Parisian stylist Chantal Thomas began to collaborate with Moncler,

replacing zippers with buttons and introducing fur linings, satin, and reversible fabrics for down jackets in the city.Among the first to intercept the new Moncler jackets

and to establish them as a distinctive accessory were the teens of Milan’s upper class, meeting in front of the Il Panino snack bar, listening to New Wave music on their

Vespas and earning the nickname of paninari, a style that went on to sweep the nation. On their feet, Timberland boots were paired with cuffed jeans and button-up shirts o

r checkered polos. But the real must-have, what we still remember them for, were the puffy Moncler jackets in brilliant bold colors. “In the mid-’80s, at the peak of the

paninari boom, Moncler sold about 40,000 pieces worldwide,” Remo Ruffini told the New York Times just a few years ago. “Of those, 30,000 were in the Milan area.”

The phenomenon lasted just a few years, because, as Ruffini explains, those jackets were designed for the snow, and weren’t water-resistant: when it rained during a ride on

the Vespa, the jacket wound up weighing 5 or 10 kgs!

In fact, the brand’s city jackets arrived with Ruffini, the current President and CEO, who purchased the company in 2003 and organized a plan to relaunch the label by

weaving together its heritage, technological innovation and aesthetic research. “In 2003, Moncler was a company that had forgotten where it came from, but it was still

very much alive in the collective imaginary, that shiny and colorful jacket, an emblem of the ‘80s,” he explained in a recent interview. “My initial idea was to restart from

the roots of Moncler, to remind everyone of its history, its French origins, the moments of glory between the Olympics of Grenoble and the alpine achievements. But, at

the same time, I wanted to created something ‘global’. My dream was that, one day, in everyday language, we’d say ‘Moncler’ to express the term “down jacket’, just like we

say Bic for a ballpoint pen.”

In 2006, the Haute Couture Moncler Gamme Rouge collection arrived, designed first by Alessandra Facchinetti and then by Giambattista Valli, which was followed by the

Moncler Gamme Blue men’s line (2009), designed in collaboration with American stylist Thom Browne. Then there was Moncler Grenoble (2010), with which the brand revisited

its history, giving a contemporary spin to skiwear and after-ski fashion.

Collaborations with artists and stylists followed along with new markets (above all, the line of Moncler Lunettes glasses), all the way to the Genius project, launched in 2018:

“A republic of imagination” and “a hub of exceptional minds operating in unison while simultaneously cultivating their singularity.” The first creatives invited were Pierpaolo Piccioli,

Simone Rocha, Craig Green, Kei Ninomiya with his brand Noir, Hiroshi Fujiwara, Palm Angels, with Liya Kebede, Sergio Zambon and Veronica Leoni, Sandro Mandrino, Matthew

Williams of 1017 ALYX 9SM, Richard Quinn, Francesco Ragazzi and Poldo Dog Couture, and JW Anderson arriving later.

With this, we arrive in 2020, and the recent acquisition of Stone Island, the last piece of a great project that looks to redefine our idea of luxury, understood (to quote Ruffini)

as “an open and participatory universe, which thrives on community, experientiality and cultural exchanges, where communication is always interaction and where aspirations go

beyond possession to become ‘belonging’.”