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Moncler 2 in 1 Pleated Drawstring Skirt Plisseerock Rock Elastic Waistbandwith Removable silk underskirt. The skirt has a separate silk underskirt

DESIGN COUNTRY: ITALY - MODEL NUMBER F10948H70110

SIZE WOMENS : MONCLER 0 - USA XS- DE 34 - FR36 - JAPAN 7 - UK 8 - IT40

Moncler Genius 2 Moncler 1952 Pleated Drawstring Skirt Plisseerock.Two-tone pleated skirt with elastic waistband - Pleated technical jersey mid-length

skirt colorblocked with Removable silk underskirt. The skirt has a separate silk underskirt.High-rise. Multicolor drawstring at elasticized waistband. Textile

logo flag at back waist. Satin slip lining in beige. Silver-tone hardware. Part of the 2 Moncler 1952 collection.French brand Moncler is world-renowned for

its superior craftsmanship, rich history and its effortless ability to merge function with fashion. This season Moncler introduce 1952 as one of the collaborators

bringing a new identity to the brand as part of the Moncler Genius Project. The 2 1952 Pleated Skirt is crafted from a technical fabrication in a lightweight

crepe weave, featuring all-over pleats, contrast panels, drawstring waist and woven cord ties with metal aglets ends. Technical fabrication in a lightweight crepe

weave All-over pleats Contrast panels Drawstring waist Woven cord ties with metal aglet ends Detached silk slip with elasticated waistband Contemporary design.

A classic and elegant look combined with sporty designs. Can be worn in winter with a wool sweater and boots, but also very nice in summer with a t-shirt.

Moncler Genius midi skirt from the 1952 line in two-tone georgette with a slightly glossy finish, enriched with a laqué nylon waistband with drawstring.

Removable silk underskirt - The model is 177 cm tall and wears a size S - Composition: Polyster 100%, Silk 100% - Technical fabrication in a lightweight crepe weave

All-over pleats - Contrast panels - Drawstring waist - Woven cord ties with metal aglet ends - Detached silk slip with elasticated waistband - Contemporary design

100% Polyester. Lining: 100% Silk. Dry clean.

Moncler has outdone itself with the pleated skirt! The skirt comes in a midi length and elegantly swings with the pleats and creates a feminine silhouette. Elastic

waistband with elastic completes the individual design. The waistband also has eye-catching ties. - On the back is a loop with Moncler label - Two-tone - making

it an absolute eye-catcher.The skirt has a separate silk underskirt.

DESCRIPTION : Moncler 1952 - Pleated skirt. - MATERIAL : 100% polyester / Lining: 100% silk - COLOR : kaki_lilac

SIZE & MEASUREMENTS : The model is 3ft 28in / wears a size S. Fits true to size, take your normal size - COUNTRY OF MANUFACTURE : Italy

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Biography - THE STORY OF A FRENCH JACKET EMBRACED IN MILAN THAT WENT GLOBAL

From a mountain village near Grenoble to the “paninari” of Milan, and on to the world’s runways: a journey through the world of Moncler.In December 2020, Moncler

made headlines in Italy with its acquisition of Stone Island, or rather the Sportwear Company that holds the brand, giving life to a hub of Italian luxury. But the purchase

is just the latest move for the historic label, dating back to 1952 in France (the name is simply the abbreviation of Monestier de Clermont, a mountain village near Grenoble).

Behind it all was the entrepreneur René Ramillon, who with this new brand dedicated himself to producing padded sleeping bags, a lined jacket and tents with a telescopic

structure, just as Europe was discovering mountain vacations.

While the snowy landscapes were filled with tourists and alpinists, Moncler’s jackets remained in fabric, worn by workers over their overalls to keep warm. At least until

1954, when alpinist Lionel Terray decided to explore the potential of technical clothing for excursions, working with Moncler on a specialty line for the Italian expedition

in the Karakorum along with Achille Compagnoni and Lino Lacedelli. Wearing Moncler, they would summit the second tallest peak in the world.From that moment, it was a

landslide of physical feats in the most rigid of climates, all while wearing the French jackets that had become increasingly manageable and light. But it wasn’t until the early

‘70s that we’d see the first down jackets as we understand them today: the real turning point came with the “Nepal” model, equipped with leather shoulders to rest skis on

without damaging the fabric and worn by countless skiers discovering a new tourism on the snow, soon destined to become a mass phenomenon across Europe.

It wouldn’t take long for the transition from ski holidays to fashion week. With the arrival of the ‘80s, Parisian stylist Chantal Thomas began to collaborate with Moncler,

replacing zippers with buttons and introducing fur linings, satin, and reversible fabrics for down jackets in the city.Among the first to intercept the new Moncler jackets

and to establish them as a distinctive accessory were the teens of Milan’s upper class, meeting in front of the Il Panino snack bar, listening to New Wave music on their

Vespas and earning the nickname of paninari, a style that went on to sweep the nation. On their feet, Timberland boots were paired with cuffed jeans and button-up shirts o

r checkered polos. But the real must-have, what we still remember them for, were the puffy Moncler jackets in brilliant bold colors. “In the mid-’80s, at the peak of the

paninari boom, Moncler sold about 40,000 pieces worldwide,” Remo Ruffini told the New York Times just a few years ago. “Of those, 30,000 were in the Milan area.”

The phenomenon lasted just a few years, because, as Ruffini explains, those jackets were designed for the snow, and weren’t water-resistant: when it rained during a ride on

the Vespa, the jacket wound up weighing 5 or 10 kgs!

In fact, the brand’s city jackets arrived with Ruffini, the current President and CEO, who purchased the company in 2003 and organized a plan to relaunch the label by

weaving together its heritage, technological innovation and aesthetic research. “In 2003, Moncler was a company that had forgotten where it came from, but it was still

very much alive in the collective imaginary, that shiny and colorful jacket, an emblem of the ‘80s,” he explained in a recent interview. “My initial idea was to restart from

the roots of Moncler, to remind everyone of its history, its French origins, the moments of glory between the Olympics of Grenoble and the alpine achievements. But, at

the same time, I wanted to created something ‘global’. My dream was that, one day, in everyday language, we’d say ‘Moncler’ to express the term “down jacket’, just like we

say Bic for a ballpoint pen.”

In 2006, the Haute Couture Moncler Gamme Rouge collection arrived, designed first by Alessandra Facchinetti and then by Giambattista Valli, which was followed by the

Moncler Gamme Blue men’s line (2009), designed in collaboration with American stylist Thom Browne. Then there was Moncler Grenoble (2010), with which the brand revisited

its history, giving a contemporary spin to skiwear and after-ski fashion.

Collaborations with artists and stylists followed along with new markets (above all, the line of Moncler Lunettes glasses), all the way to the Genius project, launched in 2018:

“A republic of imagination” and “a hub of exceptional minds operating in unison while simultaneously cultivating their singularity.” The first creatives invited were Pierpaolo Piccioli,

Simone Rocha, Craig Green, Kei Ninomiya with his brand Noir, Hiroshi Fujiwara, Palm Angels, with Liya Kebede, Sergio Zambon and Veronica Leoni, Sandro Mandrino, Matthew

Williams of 1017 ALYX 9SM, Richard Quinn, Francesco Ragazzi and Poldo Dog Couture, and JW Anderson arriving later.

With this, we arrive in 2020, and the recent acquisition of Stone Island, the last piece of a great project that looks to redefine our idea of luxury, understood (to quote Ruffini)

as “an open and participatory universe, which thrives on community, experientiality and cultural exchanges, where communication is always interaction and where aspirations go

beyond possession to become ‘belonging’.”