“A Ready Defense” art print by GREG 'CRAOLA' SIMKINS. 

Released in 2013

Limited edition of  50

GICLÈE on 20” x  16” (51x41 cm) Acid free 300 gsm cotton rag

Each print is Signed, Numbered in pencil by the artist, with COA issued by the gallery.

Never displayed and kept flat in an acid free portfolio since purchase. 

MINT condition

Print will be  shipped in a polypropylene sleeve and sturdy tube to avoid damage during transit

Who is 'Craola'?

I haven’t always liked stretching canvas and never thought I would be doing it on a regular basis but these days, it has become more of an adventure than a chore. It is the sponge that soaks up all the thoughts going on in my head. Having an overactive imagination since a very young age, it has always made sense to me that any artwork I develop should be composed of these vivid thoughts. What used to take form in crayons and pencil, evolved into pen and ink drawings, spray painted murals and computer graphics, and has further morphed into the acrylic paintings I create these days.  My childhood obsessions with Disney cartoons, Lorne Greens’ New Wilderness and books such as Watership Down and The Phantom Tollbooth have become fodder for my work as it develops today.

I have become increasingly interested in the rabbit holes we fall down when daydreaming. So many have created worlds in their art in which to escape and inhabit, and for others to enjoy. We have seen glimpses of them in Narnia, Wonderland, Middle Earth, Neverland, and Hanalee. As homage to these types and shadows of other lands, I have attached the all-encompassing title, “The Outside”.  As our imagination takes over, we tend to leave what is ordinary and go outside of ourselves to visit these places. This is why I paint and what has inspired me over the years to grow as an artist. It is the constant search for what else is on the outside. 

After a family trip to Hawaii, I was struck by the beauty everywhere - from the flowers and the trees, sunsets and clouds - to the incredible colors of the fish and wildlife in the reefs just out front and buried in the ocean. I swam where fish and sea turtles where everywhere and I couldn’t feel more blessed to be interacting with such beautiful creatures. Upon watching a documentary shortly after on Yellowstone National Park, I was amazed at the number of different elements in nature that are so familiar to me but will never be realized by each other.  We will never see snow covered coral reefs inhabited by butterflies alongside moray eels. Deer will not gallop beside killer whales and birds will never share their nests with a family of jellyfish. Of course, it is now my job to make some introductions and see where they go.  These are some of the symbiotic relationships that are going on peripherally in the world I paint into. They are what make up the eco-structure of “The Outside”. My characters that live there find nothing foreign or strange about their surroundings and introduce them to newcomers as one would to their backyard garden. “The Outside” just…is.

At the end of the day, when the paint is hardening on the palette and the final coat of varnish has been applied, I sit back and lace my fingers behind my neck and escape into what was once trapped in my head. It is no longer the blank canvas that I cut my fingers assembling. A mass of wood, staples, linen and gesso the acrylic brush strokes are barely noticeable. The long journey from blank slate to finished piece is now finished and I now get to enjoy a glimpse of what is going on inside “The Outside”. 

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