DATE OF THIS ** ORIGINAL ** ILLUSTRATED COVER: 1945
SPECIAL CHARACTERISTICS/DESCRIPTIVE WORDS: When collecting ILLUSTRATED COVER ART one can do so by content, artist, year, theme, etc etc... with plenty of each to fill a wall or portfolio... Prices are normally based on condition, artist, condition, theme, condition, publishing year, condition... and condition... (DO YA SEE THE PATTEN...HAHA) Most of the covers where mailed folded (and / or folded by the owner to fit the back pocket or purse). Those covers which have no center fold have a higher premium in any collection. Because of the gloss paper used and the richness of inks for most covers, age wear + use from handling are very important factors in pricing (see above value line for pricing factors)
ILLUSTRATED COVER artwork is fun, exciting and well worth COLLECTING, as each year takes it's toll... the remaining covers available in the market have shrunk AND THUS those that survive consistently keep INCREASING in value.. Framed correctly with acid free techniques and quality matting, backing and frames will no doubt increase their value as the years pass. and in the meantime one gets to derive the pleasure of enjoyment and sharing with friends..
COVER ART works well to display not only in the home but certainly does well for any office, or business establishment.. Always getting plenty of "viewing", questions and comments...
ART COVER MESSY OFFICE OF MAN FILING TAXES HOME STUDY HOME DECOR Norman Perceval Rockwell, The Saturday Evening Post’s most famous illustrator, is considered by many to be one of America’s greatest artists. He was a master storyteller via canvas and paint, and his works, capturing the triumphs and foibles of the common man, are as popular today as they were in decades past. Rockwell’s talent flourished during a period referred to as “The Golden Age of Illustration,” when the nation enjoyed the brilliance of such illustrators as Winslow Homer, J.C. Leyendecker, Maxfield Parrish, N.C. Wyeth, and Ellen Pyle. Born in New York City on February 3, 1894, Rockwell always wanted to be an illustrator. He transferred to the Chase Art School at the age of 14, and then went on to the National Academy of Design and the Art Students League. There, he was taught by famous artists such as Thomas Fogarty, George Bridgman, and Frank Vincent DuMond. Rockwell’s first major commission came in 1912, when he was just 18, with his first book illustration for Carl H. Claudy’s Tell Me Why: Stories about Mother Nature. Rockwell later produced works for St. Nicholas Magazine and the Boy Scouts of America’s publication Boys’ Life, of which he later became the art editor. During his three year tenure (1913–1916), he painted several covers, the first, Scout at Ship’s Wheel, appearing on the Boys’ Life September 1913 edition. Some of Rockwell’s fondest early memories were of summers spent in the country enjoying an adventuresome and carefree existence. His parents took in and cared for boarders, leaving young Rockwell the freedom to spend his days as he wished. Rockwell recalled in his autobiography, “I have no bad memories of my summers in the country,” and remarked that his recollection of this time “all together formed an image of sheer blissfulness.” Many of his experiences during this special time are reflected in his later paintings. Rockwell’s involvement with The Saturday Evening Post began in 1916. His family had moved to New Rochelle, New York, where a then 21-year-old Rockwell shared a studio with cartoonist Clyde Forsythe, who worked for the Post. Forsythe helped Rockwell submit his first successful cover painting, Mother’s Day Off, to the Post in 1916. Forty-seven years later, Rockwell’s work had appeared 322 times on the cover of The Saturday Evening Post — the last, a portrait of John F. Kennedy, appeared in 1963, a week after the president’s assassination. Rockwell spent the last 10 years of his career painting about civil rights, poverty, and space exploration for Look magazine. He received the Pre
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IF YOU WISH TO PURCHASE A RE-MASTERED COPY PLEASE SEE "MODERN POSTERS" IN OUR STORE.
As graphic collectors ourselves, we take great pride in doing the best job we can to preserve and extend the wonderful historic graphics of the past.
PLEASE LOOK AT OUR PHOTO CLOSELY AS IT IS (ALBEIT LOWER RESOLUTION) THE PRODUCT BEING SOLD.....NOT STOCK IMAGES
**NOTE** : PAGES MAY SHOW AGE WEAR AND IMPERFECTIONS TO MARGINS, WITH CLOSED NICKS AND CUTS, WHICH DO NOT AFFECT AD IMAGE OR TEXT WHEN MATTED AND FRAMED. SOMETIMES THE PAGES HAVE BEEN TRIMMED.. PLEASE NOTE THE ACTUAL SIZE OF SELLING AD IN THE ATTACHED PHOTO IMAGE... WHAT YOU SEE IS WHAT YOU GET...
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COV1451
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