'The Metro' limited edition (number 3 of 6) wood cut by Naul Ojeda. The viewable print area measures 11 inches long by 8 wide. The paper measures 18.5 inches long by 12 wide. This print is my personal favorite from my Ojeda collection with its fantasy vision of the Washington, D.C. Metro stuffed full of frightening creatures. The print will be shipped rolled in a sturdy tube to reduce shipping cost. Please view the pictures carefully, ask all questions, request more pictures if needed before bidding. International buyers welcome. Import costs are the responsibility of the buyer. 

Some biographical information copied from the Washington Post obituary June 7, 2002: 'Naul Ojeda, 62, a painter and printmaker whose work has been included in private and museum collections, including the Smithsonian Institution's National Museum of American Art and the OAS Art Museum of the Americas in Washington, died June 6 at Arlington Hospital. He died of respiratory failure and complications after exploratory lung surgery. Mr. Ojeda was best known for his woodblock and linoleum prints, which he pulled by hand in small editions. A native of Uruguay, he settled in Washington in the late 1970s, making woodblock prints, his preferred medium. Going from gallery to gallery looking for an outlet for his production, Mr. Ojeda visited the Franz Bader Gallery. In Bader, an immigrant from Austria and a respected art dealer, Mr. Ojeda found a kindred spirit. He was invited to be included in Bader's stable of gallery artists, and his work, evoking his Latin American roots, was well received by the Bader clientele. Mr. Ojeda worked out of a studio in Dupont Circle, and more recently at his residence in Tenleytown. He received his artistic training at the School of Fine Arts of University of Uruguay in the early 1960s. In 1970, he was invited to participate in the Bienal of Graphic Art in Santiago, Chile, where he later became a photographer covering the presidential campaign of Salvador Allende. As a photographer, he covered the Allende presidency, then fled Chile after the 1973 coup that brought Augusto Pinochet to power. Mr. Ojeda's work has been featured in The Washington Post's Book World, and in publications for Curbstone Press, the University of Chicago Press, Americas Magazine, the Letelier Moffitt Foundation and National Public Radio. He received fellowship awards from the D.C. Commission on the Arts and Humanities in 1981, 1987 and 1988 and the Distinguished Immigrant Award from the American Immigration Law Foundation. An exhibition of his recent work is on view at International Visions Gallery on Connecticut Avenue.'

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