First edition, near fine copy, of Russian Gold and Silver by Alexander von Solodkoff.  Hard cover. Dust jacket near fine condition, not price clipped, book also in near fine condition in original cloth, but small stamp at bottom of f.e.p. for library Birmingham assay office (see photo 7). Oblong 4to, 238 pages, index, tightly bound and profusely illustrated with colour and b/w illustrations. A very nice copy.

From inside front cover.

The colour, vigour and originality of traditional Russian silver, gold and jewellery, distinguishes it from Western work: the bold decoration and unusual forms used by the Russian craftsman epitomises the distinction between Russian and European culture. In fact, the history of the decorative arts in Russia, and metalwork in particular, is a story of interaction between the native traditions and outside influences - from both east and west.

Alexander von Solodkoff, co-author of the much acclaimed Faberge, provides a general introduction to Russian gold and silver from its beginnings up to the Revolution of 1917. He also examines the many specialised techniques, such as niello and cloisonne enamelling, as well as some which are particularly the province of the Russian craftsmen, the Kovsh, the oklad and the padstakannik for example. The author discusses regional differences in style and taste, for example the conservatism of Moscow compared with the fashion-conscious St. Petersburg, and explains the intricacies of the Russian system of marking silver, providing a comprehensive list of marks - an invaluable asset to the collector.

In order for it to be properly appreciated and understood, Alexander von Solodkoff has placed Russian gold and silver in its historical, social and artistic perspective. The influence of western artefacts, especially after the reign of Peter the Great, and later, in the nineteenth century, the nationalistic, historicising trend which brought about a revival of traditional forms are given detailed attention. The role of the Imperial court as patron is also discussed as is the development of Artels and factories to meet the growing demand for decorative boxes, cigarette-cases and, of course, Easter eggs in the nineteenth century.