Natalie Wood (born Natalia Nikolaevna Zacharenko;[1] July 20, 1938 – November 29, 1981) was an American film and television actress best known for her screen roles in Miracle on 34th Street, Splendor in the Grass, Rebel Without a Cause, and West Side Story. After first working in films as a child, Wood became a successful Hollywood star as a young adult, receiving three Academy Award nominations before she was 25 years old. Wood began acting in movies at the age of four and at age eight was given a co-starring role in the classic Christmas film Miracle on 34th Street.[2] As a teenager, her performance in Rebel Without a Cause (1955) earned her a nomination for the Academy Award for Best Supporting Actress. She starred in the musical films West Side Story (1961) and Gypsy (1962), and received Academy Award for Best Actress nominations for her performances in Splendor in the Grass (1961) and Love with the Proper Stranger (1963). Her career continued with films such as Bob & Carol & Ted & Alice (1969). After this she took a break from acting and had two children, appearing in only two theatrical films during the 1970s. She was married to actor Robert Wagner twice, and to producer Richard Gregson in between her marriages to Wagner. She had one daughter by each: Natasha Gregson Wagner and Courtney Wagner. Her younger sister, Lana Wood, is also an actress. Wood starred in several television productions, including a remake of the film From Here to Eternity (1979) for which she won a Golden Globe Award. During her career, from child actress to adult star, her films represented a "coming of age" for both her and Hollywood films in general.[3] At age 43, Wood drowned near Santa Catalina Island, California at the time her last film, Brainstorm (1983), was in production with co-star Christopher Walken. Her death was declared an accident for 31 years; in 2012 after a new investigation the cause was reclassified as "undetermined".Wood was born Natalia Nikolaevna Zacharenko in San Francisco, to Russian immigrant parents Maria Stepanovna (née Zudilova; 1912–1996) and Nikolai Stepanovich Zacharenko. As an adult, she stated, "I'm very Russian, you know."[4] She spoke both English and Russian with an American accent.[5] Her father was born in Vladivostok and he, his mother, and two brothers, emigrated to Montreal, Quebec, and later to San Francisco. There, he worked as a day laborer and carpenter.[6][7] Her paternal grandfather Stepan worked in a chocolate factory in Russia and was killed in street fighting between Red and White Russian soldiers in 1918.[8] Natalie's mother originally came from Barnaul, southern Siberia,[9] but grew up in the Chinese city of Harbin.[10] She described her family by weaving mysterious tales of being either gypsies or landowning aristocrats.[11] In her youth, her mother dreamed of becoming an actress or ballet dancer. She was raised as a Russian Orthodox Christian and remained in the church.[citation needed]Biographer Warren Harris writes that under the family's "needy circumstances", her mother may have transferred those ambitions to her middle daughter, Natalie. Her mother would take Natalie to the movies as often as she could: "Natalie's only professional training was watching Hollywood child stars from her mother's lap," notes Harris.[12] Wood would later recall this time:My mother used to tell me that the cameraman who pointed his lens out at the audience at the end of the Paramount newsreel was taking my picture. I'd pose and smile like he was going to make me famous or something. I believed everything my mother told me.[12]Shortly after Wood's birth in San Francisco, her family moved to nearby Sonoma County, and lived in Santa Rosa, California, where Wood was noticed during a film shoot in downtown Santa Rosa. Her mother soon moved the family to Los Angeles and pursued a career for her daughter. Wood's younger sister, Svetlana Zacharenko—now known as Lana Wood—also became an actress and later a Bond girl. She and Lana have an older half sister, Olga Viripaeff. Though Natalie had been born "Natalia Zacharenko",[13] her father later changed the family name to "Gurdin" and Natalie was often known as "Natasha", the diminutive of Natalia.[14] The studio executives at RKO Radio Pictures, David Lewis and William Goetz, later changed her name to "Natalie Wood".[15]Child actressWood made her film début a few weeks before turning five during a fifteen-second scene in the 1943 film Happy Land. Despite the brief part, she attracted the notice of the director, Irving Pichel,[16] who remained in contact with Wood's family for two years when another role came up. The director telephoned Wood's mother and asked her to bring her daughter to Los Angeles for a screen test. Wood's mother became so excited at the possibilities, she overreacted and "packed the whole family off to Los Angeles to live," writes Harris. Wood's father opposed the idea, but his wife's "overpowering ambition to make Natalie a star" took priority.[17] According to Wood's sister, Lana Wood, Pichel "discovered her and wanted to adopt her."[18]Wood, then seven years old, got the part and played a German orphan opposite Orson Welles and Claudette Colbert in Tomorrow Is Forever (1946). Welles later said that Wood was a born professional, "so good, she was terrifying."[19] After Wood acted in another film directed by Pichel, her mother signed her up with 20th Century Fox studio for her first major role, the 1947 Christmas classic Miracle on 34th Street; the film made her one of the top child stars in Hollywood. Within a few months after the film's release, Wood was so popular that Macy's invited her to appear in the store's annual Thanksgiving Day parade.[17]Film historian John C. Tibbetts writes that for the next few years following her success in Miracle, Wood played roles as a daughter in a series of family films: Fred MacMurray's daughter in Father Was a Fullback and Dear Brat, Margaret Sullavan's daughter in No Sad Songs for Me, James Stewart's daughter in The Jackpot, Joan Blondell's neglected daughter in The Blue Veil, and the daughter of Bette Davis' character in The Star.[3] In all, Wood appeared in over 20 films as a child.Because she was a minor, Wood's formal education took place on the studio lots wherever she was contracted. California law required that until age 18, actors had to spend at least three hours per day in the classroom, notes Harris. "She was a straight A student", and one of the few child actors to excel at arithmetic. Director Joseph L. Mankiewicz, who directed her in The Ghost and Mrs. Muir (1947), said that "In all my years in the business, I never met a smarter moppet."[17] Wood remembered that period in her life, saying, "I always felt guilty when I knew the crew was sitting around waiting for me to finish my three hours. As soon as the teacher let us go, I ran to the set as fast as I could".[17]As a child actress, Wood received media attention. By age nine, she had been named the "most exciting juvenile motion picture star of the year" by Parents.[20] At age twelve, Wood was judged Child Star of the Year by the Children's Day National Council of New York.Teen stardomIn the 1953–1954 television season, Wood played Ann Morrison, the teenage daughter in the ABC situation comedy, The Pride of the Family, with Paul Hartman cast as her father, Albie Morrison; Fay Wray, as her mother, Catherine; and Robert Hyatt, as her brother, Junior Morrison.[21]Wood successfully made the transition from child star to ingenue at age 16 when she co-starred with James Dean and Sal Mineo in Rebel Without a Cause (1955), Nicholas Ray's film about teenage rebellion. She was nominated for an Academy Award for Best Supporting Actress. She followed this with a small but crucial role in John Ford's western The Searchers (1956), which starred John Wayne and also featured Wood's sister, Lana, who played a younger version of her character in the film's earlier scenes.Wood graduated in 1956 from Van Nuys High School.[22]Signed to Warner Brothers, Wood was kept busy during the remainder of the decade in many 'girlfriend' roles that she found unsatisfying.[23] The studio cast her in two films opposite Tab Hunter, hoping to turn the duo into a box office draw that never materialized. Among the other films made at this time were 1958's Kings Go Forth and Marjorie Morningstar. As Marjorie Morningstar, Wood played the role of a young Jewish girl in New York City who has to deal with the social and religious expectations of her family, as she tries to forge her own path and separate identity.However, she had her detractors. The film critic Pauline Kael referred to her as "clever little Natalie Wood," the "most machine-tooled of Hollywood ingenues."[3]Adult careerWood's characters in Rebel Without a Cause, The Searchers (1956, a classic western directed by John Ford) and Marjorie Morningstar (1958) began to show her range of acting style widening considerably, observes Tibbetts.[3] Her former "childlike sweetness" was now being combined with a noticeable "restlessness that was characteristic of the youth of the 1950s." After Wood appeared in the box office flop All the Fine Young Cannibals (1960), her career was salvaged by her casting in director Elia Kazan's Splendor in the Grass (1961) opposite Warren Beatty, which earned Wood Best Actress Nominations at the Academy Awards, Golden Globes and BAFTA Awards.Wood's career was in a transition period, having until then consisted of roles as a child or as a teenager. She was now hoping to be cast in adult roles. Biographer Suzanne Finstad notes that a "turning point" in her life as an actress took place upon seeing the film A Streetcar Named Desire (1951): "She was transformed, in awe of director Elia Kazan and of Vivien Leigh's performance ... [who] became a role model for Natalie."[24] "Her roles raised the possibility that one's sensitivity could mark a person as a kind of victim," noted Tibbetts.[3]In 1961, after a "series of bad films, her career was already in decline", notes Rathgeb.[25] Kazan, himself writes that the "sages" of the film community declared her "washed up" as an actress, although he still wanted to interview her for his next film:When I saw her, I detected behind the well-mannered 'young wife' front a desperate twinkle in her eyes ... I talked with her more quietly then and more personally. I wanted to find out what human material was there, what her inner life was ... Then she told me she was being psychoanalyzed. That did it. Poor R.J., I said to myself. I liked Bob Wagner, I still do.[26]Kazan cast Wood as the female lead in Splendor in the Grass, and her career rebounded. He felt that despite her earlier, innocent roles, she had the talent and maturity to go beyond them. In the film, Warren Beatty's character was deprived of sexual love with Natalie's character, and as a result turns to another "looser" girl; Natalie's character, likewise, couldn't handle the issue, but ended up in a mental institution. Kazan writes that he cast her in the role partly because he saw in Wood's personality a "true-blue quality with a wanton side that is held down by social pressure," adding that "she clings to things with her eyes," a quality he found especially "appealing."[3]Finstad feels that despite Wood's never receiving training in Method acting techniques, "working with Kazan brought her to the greatest emotional heights of her career. The experience was exhilarating but wrenching for Natalie, who faced her demons on Splendor."[27] She adds that a scene in the film, as a result of "Kazan's wizardry ... produced a hysteria in Natalie that may be her most powerful moment as an actress."[28] Actor Gary Lockwood, who also acted in the film, felt that "Kazan and Natalie were a terrific marriage, because you had this beautiful girl, and you had somebody that could get things out of her." Kazan's favorite scene in the movie was the last one, when Wood goes back to see her lost first love, Bud (Beatty). "It's terribly touching to me. I still like it when I see it," writes Kazan.[29]In 1961, Wood played Maria in the Jerome Robbins and Robert Wise musical West Side Story, which was a major box office and critical success.Tibbetts notes similarities in her role in this film and the earlier Rebel Without a Cause. Here, she also plays the role of a restless adolescent reflecting the "restlessness of American youth in the 1950s", expressed by youth gangs and juvenile delinquency, along with early rock & roll. Both films, he observes, were "modern allegories based on the 'Romeo and Juliet' theme, including private restlessness and public alienation. Where in Rebel she falls in love with the character played by James Dean, whose gang-like friends and violent temper alienated him from his family, in West Side Story she also enters into a romance with a gang member and his threatening world of outcasts, also alienated from their families and the law.[3]Although the singing parts were sung by Marni Nixon,[30] West Side Story is still regarded as one of Wood's best films. Wood did sing when she starred in the 1962 film Gypsy.[31] She co-starred in the slapstick comedy The Great Race (1965), with Jack Lemmon, Tony Curtis, and Peter Falk. Her ability to speak Russian was an asset given to her character Maggie DuBois, justifying the character's recording the progress of the race across Siberia, and entering the race at the beginning as a contestant. In 1964, Wood was nominated for her third Academy Award nomination for Love with the Proper Stranger, making Wood, 25 at the time, the youngest actress to ever net three Oscar nominations. Wood held the record for exactly 50 years until 23 years-old Jennifer Lawrence received her third nomination in 2014.Although many of Wood's films were commercially profitable, her acting was criticized at times. In 1966, she won the Harvard Lampoon Worst Actress of the Year Award. She was the first performer in the award's history to accept it in person and the The Harvard Crimson wrote she was "quite a good sport".[32] Director Sydney Pollack was quoted as saying about Wood, "When she was right for the part, there was no one better. She was a damn good actress." Other notable films starring Wood were Inside Daisy Clover (1965) and This Property Is Condemned (1966), both of which co-starred Robert Redford and brought subsequent Golden Globe nominations for Best Actress. In both films, which were set during the Great Depression, Wood played small-town teens with big dreams. After the release of the films, Wood suffered emotionally and sought professional therapy.[33] During this time, she turned down the Faye Dunaway role in Bonnie and Clyde because she did not want to be separated from her analyst.[33]After three years away from acting, Wood co-starred in the hit Bob & Carol & Ted & Alice (1969), a comedy about sexual liberation. According to Tibbets, this was the first film in which "the saving leavening of humor was brought to bear upon the many painful dilemmas portrayed in her adult films".[3]After becoming pregnant with her first child, Natasha Gregson, in 1970, Wood went into semi-retirement and acted in only four more theatrical films during the remainder of her life. She made a very brief cameo appearance as herself in The Candidate (1972), reuniting her for a third time with Robert Redford. She also reunited on the screen with Robert Wagner in the television movie of the week The Affair (1973) and with Laurence Olivier and husband Wagner in an adaptation of Cat on a Hot Tin Roof (1976) broadcast as a special by NBC. She made cameo appearances on Wagner's prime-time detective series Switch in 1978 as "Bubble Bath Girl" and Hart to Hart in 1979 as "Movie Star". During the last two years of her life, Wood began to work more frequently as her daughters reached school age.Film roles Wood turned down during her career hiatus went to Ali MacGraw in Goodbye, Columbus; Mia Farrow in The Great Gatsby; and Faye Dunaway in The Towering Inferno.[33] Later, Wood chose to star in misfires like the disaster film Meteor (1979) with Sean Connery and the sex comedy The Last Married Couple in America (1980), although her performance in the latter was praised, and considered reminiscent of her performance in Bob & Carol & Ted & Alice. It was also in Last Married Couple that Wood broke ground by being an actress with a clean, middle class image, yet using the "F" word in a frank, marital discussion with her husband (George Segal). She found more success in television, receiving high ratings and critical acclaim in 1979 for The Cracker Factory and especially the miniseries film Here to Eternity, with Kim Basinger and William Devane. Wood's performance in the latter won her a Golden Globe Award for Best Actress in 1980. Later that year, she starred in The Memory of Eva Ryker, which proved to be her last completed production.At the time of her death, Wood was filming the science fiction film Brainstorm (1983), co-starring Christopher Walken and directed by Douglas Trumbull. She was also scheduled to star in a theatrical production of Anastasia with Wendy Hiller[34] and in a film called Country of the Heart, playing a terminally ill writer who has an affair with a teenager, to be played by Timothy Hutton.[33] Due to her untimely death, both of the latter projects were canceled and the ending of Brainstorm had to be re-written. A stand-in and sound-alikes were used to replace Wood for some of her critical scenes. The film was released posthumously on September 30, 1983, and was dedicated to her in the closing credits.Wood appeared in 56 films for cinema and television. Following her death, Time magazine noted that although critical praise for Wood had been sparse throughout her career, "she always had work".[35]Personal lifeWood's two marriages to actor Robert Wagner were highly publicized. Wood said that she had had a crush on Wagner since she was a child,[2] and on her 18th birthday she went on a studio-arranged date with the 26-year-old actor. They married a year later on December 28, 1957, a marriage that met with great protest from Wood's mother. In an article in February 2009, Wagner recalled their early romance:I saw Natalie around town but she never seemed interested. She was making Rebel Without a Cause and hanging out with James Dean; I was with an older crowd. The first time I remember really talking to her was at a fashion show in 1956. She was beautiful, but still gave no hint about the mad crush she had on me. I later found out she had signed with my agent simply because he was my agent. A month later, I invited Natalie to a premiere on what turned out to be her 18th birthday. At dinner, we both sensed things were different. I sent her flowers and the dates continued. I remember the instant I fell in love with her. One night on board a small boat I owned, she looked at me with love, her dark brown eyes lit by a table lantern. That moment changed my life.[36]Wood and Wagner separated in June 1961 and divorced in April 1962.[37]On May 30, 1969, Wood married British producer Richard Gregson. The couple dated for two and a half years prior to their marriage, while Gregson waited for his divorce to be finalized.[33] In 1970 they had a daughter, Natasha Gregson. They separated in August 1971 after Wood overheard an inappropriate telephone conversation between her secretary and Gregson.[33] The split also marked a brief estrangement between Wood and her family, when mother Maria and sister Lana told her to reconcile with Gregson for the sake of her newborn child. She filed for divorce, and it was finalized in April 1972.In early 1972, Wood resumed her relationship with Wagner.[38] The couple remarried on July 16, 1972, just five months after reconciling and only three months after she divorced Gregson. Their daughter, Courtney Wagner, was born in 1974. Wood's sister, Lana Wood, recalls this period:Her marriage was considered to be one of the best in Hollywood, and there is no question that she was a devoted, loving—even adoring—mother and stepmother. She and R.J. had begun with love and built from there. They had overcome each other's problems and had reached an accommodation with time, and the changes time brings. As with anybody else who has settled into making a long marriage work, they were far more determined than most people to make it work ...[39]They remained married until Wood's death seven years later on November 29, 1981.DeathDuring the making of her last film Brainstorm, Wood drowned while on a weekend boat trip to Santa Catalina Island, California, with her husband Robert Wagner, Brainstorm co-star Christopher Walken, and the boat's captain, Dennis Davern. Many facts surrounding her drowning are unknown, because no one admitted seeing how she entered the water. Wood's body was discovered by authorities at 8 am on November 29, 1981, one mile away from the boat, with a small inflatable dinghy found beached nearby. According to Wagner, when he went to bed, Wood was not there.[40] The autopsy report revealed that Wood had bruises on her body and arms as well as an abrasion on her left cheek.[41]Later, in his book Pieces of My Heart, Wagner acknowledged that he had had a fight with Wood before she had disappeared.[41] The autopsy also found that Wood's blood alcohol level was 0.14%, and there were traces of two types of medication in her bloodstream: a motion-sickness pill and a painkiller, which increase the effects of alcohol.[42] Following his investigation, Los Angeles County coroner Thomas Noguchi ruled her death an accident by drowning and hypothermia.[43] According to the coroner, Wood had been drinking and may have slipped while trying to re-board the dinghy.[41]The case was reopened in November 2011 after the captain of the boat, Dennis Davern, told NBC News that he had lied to police during the initial investigation and that Wood and Wagner had had a fight that evening, and alleged that Wagner was responsible for her death.[41][44] [45] After nine months of further investigation, Los Angeles County Chief Medical Examiner, Dr. Lakshmanan Sathyavagiswaran, amended Wood's death certificate and changed the cause of her death from accidental drowning to "drowning and other undetermined factors".[46] The amended document includes a statement that the circumstances of how Wood ended up in the water are "not clearly established". The coroner's office has been instructed by detectives not to discuss or comment on the case.[46]Wood was buried in Westwood Village Memorial Park Cemetery.[47] Scores of representatives of international media, photographers, and members of the public tried to attend Wood's funeral; however, all were required to remain outside the cemetery walls. Among the celebrity attendees were Frank Sinatra, Elizabeth Taylor, Fred Astaire, Rock Hudson, David Niven, Gregory Peck, Gene Kelly, Elia Kazan and Sir Laurence Olivier.[48] Olivier flew from London to Los Angeles to attend the service.[49]On January 14, 2013, the Los Angeles County coroner's office offered a 10-page addendum to Wood's autopsy report stating that some of the bruises on her body may have been sustained before she went into the water and drowned, but that could not be definitively determined.[50]Douglas Trumbull, director of Brainstorm, quit directing after Wood's death in 1981. In 2013, he explained that the uncertain circumstances of her death were the main reason for this decision. He has since decided to return to film making.[51]TributeSeveral songs were written about or mention Wood, including Natalie Wood (1980, written by Jay Alanski, cover by Jil Caplan), Natalie's Song (David Pack), and Eyes Like Natalie Wood (Kathy Fleischmann). Don Henley wrote the song Dirty Laundry to express his outrage at the tabloid press for their treatment of her after her death.[citation needed]. On 2002 The Handsome Family wrote a haunting song "Natalie Wood" later released on their Twilight album.A TV film titled The Mystery of Natalie Wood, directed by Peter Bogdanovich and starring Justine Waddell and Michael Weatherly, aired in 2004.[citation needed]Actress Natalie Wood was born in San Francisco on July 20, 1938. At 16, she co-starred with James Dean in Rebel Without a Cause (1955). In 1961, she played Maria in West Side Story and was nominated for an Academy Award for her performance in Splendor in the Grass. In 1981, Wood drowned during a boating trip with husband Robert Wagner and Brainstorm (1983) co-star Christopher Walken. The circumstances of her death remain controversial. A Child Actress The daughter of Russian immigrants, Natalie Wood was born on July 20, 1938, in San Francisco, California, and started performing an early age. Her mother Maria enrolled her ballet classes as a small child. At the age of 4, Wood landed her first film role, a bit part in Happy Land (1943), which happened to be filming in Santa Rosa, California, where she was living at the time. She had won over director Irving Pichel after her mother orchestrated their introduction. Later Wood said that her mother told her to "make Mr. Pichel love you." The dark-haired, doe-eyed girl soon made other film appearances. Wood tugged on the heart strings of audiences with her small role as an orphan in the 1946 drama Tomorrow Is Forever with Claudette Colbert and Orson Welles. In 1947, she again won over move-goers with her first starring role, in Miracle on 34th Street. This movie, about a girl who questions the existence of Santa Claus, made Wood as a star. Major Film Roles At the age of 16, Wood began filming one of her most famous films. She co-starred with James Dean and Sal Mineo in the 1955, groundbreaking depiction of teenage rebellion and angst, Rebel Without a Cause. In the film, Wood played the girlfriend of a troubled outsider, played by James Dean. She earned an Academy Award nomination for her work. As an actress under contract, Wood sometimes had to make movies that she didn't want to. Her mother also pressured her at times, too. One of her least favorite projects was The Searchers, a 1956 western starring John Wayne. Wood felt she had been miscast as a white girl who was abducted and then raised by Native Americans. Wood struggled to get good acting parts, but in the 1960s she landed some of her most famous roles. In 1961, she starred opposite Warren Beatty in Splendor in the Grass, playing the part of young girl torn by desire and social conventions. In this role, Wood showed great range as an emotionally fragile young woman driven to madness. That same year, she starred in another troubled romance, West Side Story, in which she falls for a boy from the wrong side of the tracks. This urban retelling of William Shakespeare's Romeo and Juliet proved to be a hit. Wood did all her own dancing in this popular musical, but her singing was done by Marni Nixon, a Broadway performer. Mirroring her own life story in a way, Wood played the title character in 1962's Gypsy, the musical about stripper Gypsy Rose Lee. Rosalind Russell co-starred as her domineering stage mother who drove her daughter to perform. Off-screen Drama Wood earned a lot of press not just for her acting roles, but for her personal life. She enjoyed great popularity, becoming a hit with movie star fan magazines. Wood had numerous relationships—both public and secret—with her co-stars, colleagues and other stars. She dated actor Dennis Hopper, hotel dynasty heir Nicky Hilton, and even singer Elvis Presley. Her first marriage in the 1950s also attracted much media coverage. The 18-year-old star wed actor Robert Wagner, eight years her senior, in 1957. The couple became a favorite subject in fan magazines. The union, unfortunately, did not last, with the pair splitting up in 1962. Around this time, Wood became involved with Warren Beatty. Even after years of therapy, Wood reached a point of deep despair in 1966. She attempted to kill herself by drug overdose that year. As part of her recovery, Wood took a break from making movies. In 1969, she married Richard Gregson, a writer and producer. The couple had a daughter, Natasha, the following year. In 1972, Wood's volatile personal life took another turn. She divorced Gregson and decided to remarry Wagner. Wood and Wagner had one child, a daughter named Courtney, born in 1974. This time around, Wood seemed to devote more time to her family rather than her career. The pair stayed together until Wood's death in 1981. Later Film and Television Career Wood returned to the big screen with the 1969 comedy Bob and Carol and Ted and Alice, co-starring alongside Elliott Gould, Dyan Cannon, and Robert Culp. After that film, she took on few acting roles. Wood earned positive reviews for her performance in a televised version of Tennessee Williams' Cat on a Hot Tin Roof in 1976. Three years later, she received acclaim for her role in the television miniseries From Here to Eternity. That same year, Wood paired up with Sean Connery for the poorly received sci-fi film Meteor. She next appeared in the 1980 comedy The Last Married Couple in America, but again commercial and critical success alluded her. In 1981, Wood worked on her final film Brainstorm, a science-fiction thriller, with Christopher Walken. Mysterious Death and Legacy In November 1981, Wood took a trip with husband Robert Wagner to California's Catalina Island on their boat Splendour. Her Brainstorm co-star Christopher Walken was also on board. On the night of November 29, the three actors had been drinking. Wagner reportedly broke a bottle during a fit of anger over Wood's relationship with Walken. He thought the pair seemed too close. After that incident, Wood and Wagner allegedly argued. Later that evening, Wagner was unable to find Wood. Her body was discovered the following morning, floating in the water off Catalina along with a dinghy from the Splendour. Her death was ruled an accidental drowning. It was theorized that Wood fell in the water after attempting to secure the dinghy to prevent it from banging into the boat. Some objected to this explanation, as Wood had a lifelong fear of the water. Her family and friends gathered at Los Angeles's Westwood Village Memorial Park Cemetery to say good-bye to the lovely, yet troubled, star. Mourners included Frank Sinatra, Elizabeth Taylor and Elia Kazan. Former colleagues and associates also shared their remembrances. Director Sydney Pollack said that Wood "was a sensational actress, often underrated because she was a 'movie star' and as pretty as she was. She had a combination of vulnerability and a kind of aura." Over the years, Wood's turbulent life and its unexpected end have been the subject of numerous books and television programs. Wood's younger sister, Lana Wood, and Dennis Davern, the captain of the Splendour have been especially outspoken about Natalie's death. Davern even co-authored a book about that fateful night, claiming that he had not told the authorities the truth. He later indicated he thought that Wagner was responsible for Wood's death. There were also reports of other boaters hearing a woman cry out for help late that night. In November 2011, the Los Angeles County Sheriff's Department announced that it would be reopening the investigation into Wood's death. The department received new information about the case and would be following up on these new leads. While no specific details were released, authorities indicated that Wagner was not an official suspect. In June 2012, the mystery was further prolongued, when the official cause of Wood's death was changed from an "accident"—as originally noted by L.A. County coroner Thomas Noguchi—to "undetermined" on her death certificate. In the more than 30 years since her passing, the public still remains haunted by Wood's untimely end. ebay2741