DESCRIPTION : Here for sale is an over 55 years old EXCEPTIONALY RARE and ORIGINAL Jewish - Judaica - Israeli POSTER for the ISRAEL 1959 PREMIERE of the American LEGENDARY  adventure comedy film  , The ACADEMY AWARDS , GOLDEN GLOBE AEARDS and many other festival and competitions winner "AROUND THE WORLD IN EIGHTY DAYS"  . Based on the JULES VERNE novel.  Starrig DAVID NIVEN , CANTINFLAS, SHIRLEY MACLAINE, MARLENE DIETRICH , JOHN GIELGUD , NOEL COWARD, TREVOR HOWARD, ROBERT MORLEY , FERNANDEL, CHARLES BOYER, GILBERT ROLAND ,GEORGE RAFT and even BUSTER KEATON to name only a few ,  in the small rural town of NATHANYA in ISRAEL.  The cinema-movie hall " CINEMA SHARON" , A local Israeli "Cinema Paradiso " was printing manualy its own posters , And thus you can be certain that this surviving copy is ONE OF ITS KIND.  Fully DATED June 1959 . Text in HEBREW . Please note : This is NOT a re-release poster but a PREMIERE - FIRST RELEASE projection of the film , Only a few years after its release in 1956-7 in Europe and worldwide . The ISRAELI distributors of the film have given it an INTERESTING and quite archaic and amusing advertising and promoting accompany text  . A bunus to the buyer - Matinee show of an Arab musical film . The condition is very good . Folded once.  Clean . GIANT size around 28" x 38" ( Not accurate ) . Printed in red and blue on white  paper .         ( Pls look at scan for accurate AS IS images )  Poster will be sent rolled in a special protective rigid sealed tube.

PAYMENTS : Payment method accepted : Paypal & All credit cards.

SHIPPMENT : SHIPP worldwide via registered airmail $ 25. Poster will be sent rolled in a special protective rigid sealed tube. Handling around 5-10 days after payment. 

Around the World in 80 Days (sometimes spelled as Around the World in Eighty Days) is a 1956 Technicolor adventure comedy film starring David Niven and Cantinflas, produced by the Michael Todd Company and released by United Artists. The epic picture was directed by Michael Anderson and produced by Mike Todd, with Kevin McClory and William Cameron Menzies as associate producers. The screenplay was written by James Poe, John Farrow, and S. J. Perelman based on the classic novel of the same name by Jules Verne. The music score was composed by Victor Young, and the Todd-AO 70 mm cinematography was by Lionel Lindon. The film's seven-minute-long animated title sequence, shown at the end of the film, was created by award-winning designer Saul Bass. The film won five Academy Awards, including Best Picture.[3] Broadcast journalist Edward R. Murrow presents an onscreen prologue, featuring footage from A Trip to the Moon (1902) by Georges Méliès, explaining that it is based loosely on the book From the Earth to the Moon by Jules Verne.[4] Also included is the launching of an unmanned rocket and footage of the earth receding. Around 1872, an English gentleman Phileas Fogg (David Niven) claims he can circumnavigate the world in eighty days. He makes a £20,000 wager (around to £1.6 million today[5]) with four sceptical fellow members of the Reform Club (each contributing £5,000 to the bet), that he can arrive back within 80 days before exactly 8:45 pm. Together with his resourceful valet, Passepartout (Cantinflas ), Fogg sets out on his journey from Paris by hot air balloon. Meanwhile, suspicion grows that Fogg has stolen £55,000 (around £4.3 million today[5]) from the Bank of England so Police Inspector Fix (Robert Newton) is sent out by Scotland Yard to trail and arrest Fogg. Hopscotching around the globe, Fogg pauses in Spain, where Passepartout engages in a comic bullfight. In India, Fogg and Passepartout rescue young widow Princess Aouda (Shirley MacLaine) from being forced into a funeral pyre with her late husband. The threesome visit Hong Kong, Japan, San Francisco, and the Wild West. Only hours short of winning his wager, Fogg is arrested upon arrival at Liverpool, by the diligent yet misguided Inspector Fix. At the jail, the humiliated Fix informs Fogg that the real culprit was caught in Brighton. Though eventually exonerated of the charges, he has no time to get to London and has thus lost everything — except the love of the winsome Aouda. Salvation is at hand when Passepartout buys a newspaper and sees it is still Saturday. Fogg remembers that, by crossing the International Date Line, they have gained a day. There is still time to reach the Reform Club and win the bet. Fogg unexpectedly arrives at the club just before the clock's chime at 8:45 pm. Aouda and Passepartout then arrive, surprising everyone as no woman has entered the Reform Club before. Cast The film boasts a huge cast, with David Niven and Cantinflas in the lead roles of Fogg and Passepartout. Fogg is the classic Victorian gentleman, well-dressed, well-spoken, and extremely punctual, whereas his servant Passepartout (who has an eye for the ladies) provides much of the comic relief as a "jack of all trades" for the film in contrast to his master's strict formality. Joining them are Shirley MacLaine as Princess Aouda and Robert Newton as the detective Fix, in his last role. The role of Passepartout was greatly expanded from the novel to accommodate Cantinflas, the most famous Latin-American comedian at the time, and winds up the focus of the film. While Passepartout describes himself as a Parisian in the novel, this is unclear in the film—he has a French name, but speaks Spanish when he and his master arrive in Spain by balloon. In the Spanish version the name of his character was changed from the French Passepartout to the Spanish "Juan Picaporte". There is also a comic bullfighting sequence especially created for Cantinflas that is not in the novel.[6] Indeed, when the film was released in non-English speaking nations, Cantinflas was billed as the lead.[6] According to the guidebook, this was done because of an obstacle Todd faced in casting Cantinflas, who had never before appeared in an American movie and had turned down countless offers to do so. Todd allowed Cantinflas to appear in the film as a Latin, "so," the actor said himself, "...to my audience in Latin America, I'll still be Cantinflas." Over 40 famous performers make cameo appearances, including Marlene Dietrich, George Raft, and Frank Sinatra. The film was significant as the first of the so-called Hollywood "make work" films, employing dozens of faded film personalities.[citation needed] John Wayne turned down Todd's offer for the role of the Colonel leading the Cavalry charge,[7] a role filled by Colonel Tim McCoy. Promotional material released at the time quoted a Screen Actors Guild representative looking at the shooting call sheet and crying: "Good heavens Todd, you've made extras out of all the stars in Hollywood!"[8] Shirley MacLaine and Glynis Johns are the last surviving members of the entire cast. Cast David Niven as Phileas Fogg Cantinflas as Passepartout Shirley MacLaine as Princess Aouda Robert Newton as Inspector Fix Cameo appearances Finlay Currie as Andrew Stuart, Reform Club member Robert Morley as Gauthier Ralph, Reform Club member and Bank of England Governor Ronald Squire as a Reform Club member Basil Sydney as a Reform Club member Noël Coward as Roland Hesketh-Baggott, London employment agency manager Sir John Gielgud as Foster, Fogg's former valet Trevor Howard as Denis Fallentin, Reform Club member Harcourt Williams as Hinshaw, a Reform Club steward Martine Carol as a girl in the Paris railway station Fernandel as a Paris coachman Charles Boyer as Monsieur Gasse, balloonist Evelyn Keyes as a Paris flirt José Greco as a flamenco dancer Luis Miguel Dominguín as a bullfighter Gilbert Roland as Achmed Abdullah Cesar Romero as Abdullah's henchman Alan Mowbray as the British Consul at Suez Sir Cedric Hardwicke as Sir Francis Cromarty Melville Cooper as Mr. Talley, steward on the RMS Mongolia Reginald Denny as a Bombay police inspector Ronald Colman as a Great Indian Peninsular Railway official Robert Cabal as an elephant driver-guide Charles Coburn as a Hong Kong steamship company clerk Peter Lorre as a steward on the SS Carnatic George Raft as the bouncer of the Barbary Coast Saloon Red Skelton as a drunk at the saloon Marlene Dietrich as the saloon hostess John Carradine as Col. Stamp Proctor of San Francisco Frank Sinatra as the saloon pianist Buster Keaton as a train conductor (San Francisco to Fort Kearney) Col. Tim McCoy as a US Cavalry Colonel Joe E. Brown as the Fort Kearney stationmaster Andy Devine as the first mate of the SS Henrietta Edmund Lowe as the engineer of the Henrietta Victor McLaglen as the helmsman of the Henrietta Jack Oakie as the captain of the Henrietta Beatrice Lillie as a London revivalist leader John Mills as a London cabby Glynis Johns as a Sporting Lady Hermione Gingold as a Sporting Lady Edward R. Murrow as the prologue narrator A. E. Matthews as a Reform Club member Ronald Adam as a club steward Walter Fitzgerald as a Reform Club Frank Royde as a clergyman Mike Mazurki as a Hong Kong drunk (uncredited) Richard Wattis as Inspector Hunter of Scotland Yard (uncredited) Keye Luke as an old man at Yokohama travel office (uncredited) Felix Felton as Reform Club member (uncredited) Production Around the World in 80 Days was produced by Michael Todd, a Broadway showman who had never before produced a movie.[1] The director he hired, Michael Anderson, had directed the highly acclaimed British war movie The Dam Busters, the 1956 film of George Orwell's Nineteen Eighty-Four and other classic films. Todd sold his interest in the Todd-AO film format to help finance the film.[9]In the autobiographical book The Moon's a Balloon, published in 1972, the actor David Niven discussed his meeting with Todd and the subsequent events that led to the film being produced. According to Niven, when Todd asked him if he would appear as Fogg, Niven enthusiastically replied, 'I'd do it for nothing!' He later admitted to being grateful that Todd did not hold him to his claim. He also described the first meeting between Todd and Robert Newton (who suffered with drink problems) when the latter was offered the role of the detective, Fix; Niven alleged that Newton was offered the part on condition that he did not drink any alcohol during the filming, and that his celebration following the completion of his role led to his untimely demise (he did not live to see the film released).Filming took place in late 1955, from 9 August to 20 December.[citation needed] The crew worked fast (75 actual days of filming), producing 680,000 feet (210,000 m) of film, which was edited down to 25,734 feet (7,844 m) of finished film. The picture cost just under $6 million to make,[citation needed] employing 112 locations in 13 countries and 140 sets.[1] Todd said he and the crew visited every country portrayed in the picture, including England, France, India, Spain, Thailand and Japan.[citation needed] According to the Time magazine review of the film,[1] the cast including extras totalled 68,894 people; it also featured 7,959 animals, "including four ostriches, six skunks, 15 elephants, 17 fighting bulls, 512 rhesus monkeys, 800 horses, 950 burros, 2,448 American buffalo, 3,800 Rocky Mountain sheep and a sacred cow that eats flowers on cue." There is also a cat, at the Reform Club. The wardrobe department spent $410,000 to provide 74,685 costumes and 36,092 trinkets.[1]Some 10,000 extras were used in filming the bullfight scene in Spain,[citation needed] with Cantinflas as the matador; Cantinflas had previously done some bullfighting. They used all 6,500 residents of a small Spanish town called Chinchón, 45 kilometres (28 mi) from Madrid, but Todd decided there weren't enough spectators. So he found 3,500 more from nearby towns. He used 650 Indians for a fight on a train in the West. Many were indeed Indians, but some were Hollywood extras. All 650 had their skin color altered with dye.[citation needed] Todd used about 50 US gallons (190 l; 42 imp gal) of orange-coloured dye for those extras.Todd sometimes used models of boats, ships and trains in the film, but he often decided that they didn't look realistic so he switched to the real thing where he could. The scene of a collapsing train bridge is partly without models. The overhead shot of a train crossing a bridge was full scale, but the bridge collapse was a large-scale miniature, verifiable by observing the slightly jerky motion of the rear passenger car as the train pulls away, as well as the slowed-down water droplets which are out of scale in the splashing river below. All the steamships shown in the first half are miniatures shot in an outdoor studio tank. The exception is the American ship shown at the intermission point, which is real. A tunnel was built for a train sequence out of paper mache. After the train filming was complete, the "tunnel" was pushed over into the gorge.The scenes of the crossing of the Atlantic Ocean by steamship took place off San Francisco and were shot on a specially built prop steamer, a converted barge mocked up to resemble a small ocean-going steamship, with mock paddles driven by the electric motor from an old streetcar. In his memoirs, Niven described the whole thing as being dangerously unstable (though stability improved as it was dismantled as though to feed it into its own furnaces as the plot required).One of the most famous sequences in the film, the flight by hydrogen balloon, is not in the original Jules Verne novel. Because the film was made in Todd AO, the sequence was expressly created to show off the locations seen on the flight, as projected on the giant curved screen used for the process. A similar balloon flight can be found in an earlier Jules Verne novel, Five Weeks in a Balloon, in which the protagonists explore Africa from a hydrogen balloon.[10]Many of the balloon scenes with Niven and Cantinflas were filmed using a 160-foot (49 m) crane. Even that height bothered Niven, who was afraid of heights. Tom Burges, who was shorter than Niven, was used as a stand-in for scenes where the balloon is seen from a distance. Many of the lots used in the film are now on the land occupied by Century City, an office complex in the L.A. area.In his memoirs, Niven related that Todd completed filming whilst in considerable debt. The post-production work on the film was an exercise in holding off Todd's creditors long enough to produce a saleable movie, and the footage was worked upon under the supervision of Todd's creditors and returned to a secure vault each night, as if it were in escrow.The film's release and subsequent success vindicated Todd's considerable efforts.ReleaseThe film premiered on 17 October 1956 at the Rivoli Theater in New York City.[11] By the time of Todd's accidental death 18 months later, it had grossed $33 million.[9]In Spanish and Latin American posters and programs of the movie, Cantinflas is billed above the other players because he was very popular in Spanish-speaking countries.[6] There were two souvenir programs sold in theatres. For Roadshow screenings Todd-AO is mentioned, though for general release those pages are not contained in the book.[citation needed] The program was created by Todd's publicist, Art Cohn, who died in the plane crash with him. His biography, The Nine Lives of Michael Todd, was published after their deaths which put a macabre spin on the title.ReceptionCritical responseBosley Crowther called the film a "sprawling conglomeration of refined English comedy, giant-screen travel panoramics and slam-bang Keystone burlesque" and said Todd and the film's crew "commandeered the giant screen and stereophonic sound as though they were Olsen and Johnson turned loose in a cosmic cutting-room, with a pipe organ in one corner and all the movies ever made to toss around."[11]Time magazine called it "brassy, extravagant, long-winded and funny" and the "Polyphemusof productions," saying "as a travelogue, Around the World is at least as spectacular as anything Cinerama has slapped together." Time highlighted the performance of "the famous Mexican comic, Cantinflas [who in] his first U.S. movie...gives delightful evidence that he may well be, as Charles Chaplin once said he was, "the world's greatest clown."[1]Review aggregation website Rotten Tomatoes retrospectively collected 33 reviews and gave the film an aggregate score of 73%, with a rating average of 6/10, with the site's consensus stating: "It's undeniably shallow, but its cheerful lack of pretense -- as well as its grand scale and star-stuffed cast -- help make Around the World in 80 Days charmingly light-hearted entertainment."[12]The development of the film and the personal life of actor Mario Moreno during that time were dramatized later in the 2014 film, Cantinflas.[13]AccoladesTodd claimed that the film won 70 to 80 awards,[citation needed] including five Academy awards Academy Awards The film was nominated for eight Oscars,[14] of which it was awarded five, beating out critically and publicly praised films Friendly Persuasion, The Ten Commandments, Giant, and The King and I: Won: Best Picture – Michael Todd, producer Won: Best Cinematography, Color – Lionel Lindon Won: Best Film Editing – Gene Ruggiero and Paul Weatherwax Won: Best Music, Scoring of a Dramatic or Comedy Picture – Victor Young Won: Best Writing, Best Screenplay, Adapted – John Farrow, S. J. Perelman, and James Poe Nominee: Best Art Direction-Set Decoration, Color – Ken Adam, Ross Dowd, and James W. Sullivan Nominee: Best Costume Design, Color – Miles White Nominee: Best Director – Michael Anderson Although not nominated for best original song, the film's theme song "Around the World" (music by Victor Young, words by Harold Adamson), became very popular. It was a hit for Bing Crosby in 1957, and was a staple of the easy-listening genre for many years: "Around the world I searched for you / I traveled on when hope was gone to keep a rendezvous ... No more will I go all around the world / For I have found my world in you." Golden Globes The film was also nominated for three Golden Globes, of which it was awarded two: Won: Best Dramatic Motion Picture – Michael Todd, producer Won: Best Motion Actor in a Comedy/Musical Film – Cantinflas Nominee: Best Director – Michael Anderson Other awards The film received the New York Film Critics Circle Award for Best Picture and Best Screenplay award for S. J. Perelman. The film won the Writers Guild of America Best Written American Comedy award for James Poe, John Farrow and S. J. Perelman. The film was screened at the 1957 Cannes Film Festival, but was not entered into the main competition.[15] Anniversary celebration On the first anniversary of the film's release, Todd threw a party at the Madison Square Garden attended by 18,000 people; Time magazine called the party a "spectacular flop" though Todd shrugged off the remark, saying "you can't say it was a little bust."[9] James David Graham Niven (1 March 1910 – 29 July 1983)[1][2] was an English actor and novelist who was popular in Europe and in the United States. He may be best known for his roles as Squadron Leader Peter Carter in A Matter of Life and Death, as Phileas Fogg in Around the World in 80 Days and as Sir Charles Lytton, a.k.a. "the Phantom", in The Pink Panther. He was awarded the Academy Award for Best Actor for his performance in Separate Tables (1958).= Born in London, Niven attended Heatherdown Preparatory School and Stowe before gaining a place at the Royal Military College, Sandhurst. After Sandhurst he was gazetted a lieutenant in the Highland Light Infantry. Having developed an interest in acting, he left the Highland Light Infantry, travelled to Hollywood and had several minor roles in film. He first appeared as an extra in the British film There Goes the Bride (1932). From there, he hired an agent and had several small parts in films from 1933 to 1935, including a non-speaking part in MGM's Mutiny on the Bounty. This brought him to wider attention within the film industry and he was spotted by Samuel Goldwyn. Upon the outbreak of the Second World War, Niven returned to Britain and rejoined the army, being re-commissioned as a lieutenant. Niven resumed his acting career after his demobilisation, and was voted the second most popular British actor in the 1945 Popularity Poll of British film stars. He appeared in A Matter of Life and Death (1946), The Bishop's Wife (1947) and Enchantment (1948), all of which received critical acclaim. Niven later appeared in The Elusive Pimpernel (1950), The Toast of New Orleans (1950), Happy Go Lovely (1951), Happy Ever After (1954) and Carrington V.C. (1955) before scoring a big success as Phileas Fogg in Michael Todd's production of Around the World in 80 Days. Niven appeared in nearly a hundred films, and many shows for TV. He also began writing books, with considerable commercial success. In 1982 he appeared in Blake Edwards' final "Pink Panther" films Trail of the Pink Panther and Curse of the Pink Panther, reprising his role as Sir Charles Lytton. Mario Fortino Alfonso Moreno Reyes, known casually as Mario Moreno, and known professionally as Cantinflas (August 12, 1911 – April 20, 1993), was a Mexican comic film actor, producer, and screenwriter. He often portrayed impoverished campesinos or a peasant of pelado origin.[1] The character came to be associated with the national identity of Mexico, and allowed Cantinflas to establish a long, successful film career that included a foray into Hollywood. Charlie Chaplin once commented that he was the best comedian alive,[2][3] and Moreno has been referred to as the "Charlie Chaplin of Mexico".[4] To audiences in the United States, he is best remembered as co-starring with David Niven in the Academy Award winner for Best Picture film Around the World in 80 Days, for which Moreno won a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. As a pioneer of the cinema of Mexico, Moreno helped usher in its golden era. In addition to being a business leader, he also became involved in Mexico's tangled and often dangerous labor politics. Although he was a political conservative,[citation needed] his reputation as a spokesperson for the downtrodden gave his actions authenticity and became important in the early struggle against charrismo, the one-party government's practice of co-opting and controlling unions.[citation needed] Moreover, his character Cantinflas, whose identity became enmeshed with his own, was examined by media critics, philosophers, and linguists, who saw him variably as a danger to Mexican society, a bourgeois puppet, a kind philanthropist, a transgressor of gender roles, a pious Catholic, a verbal innovator, and a picaresque underdog.[citation needed] Shirley MacLean Beaty (born April 24, 1934), known professionally as Shirley MacLaine, is an American film, television and theater actress, singer, dancer, activist and author. She has won the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy twice, for her roles in The Apartment and Irma la Douce, and the Golden Globe Award for Best Actress – Motion Picture Drama twice for Terms of Endearment and Madame Sousatzka. She was honored with the Golden Globe Cecil B. DeMille Award in 1998. She was nominated for an Academy Award five times before winning the Academy Award for Best Actress in 1983 for her role as Aurora Greenway in Terms of Endearment. She won the 1976 Emmy Award for Outstanding Special – Comedy-Variety or Music for Gypsy in My Soul in addition she has also won two BAFTA Awards from seven nominations. In 2012, she received the 40th AFI Life Achievement Award, the highest honor for a career in the US film industry, from the American Film Institute, and in 2013 received the Kennedy Center Honors for lifetime contributions to American culture through the performing arts. MacLaine's younger brother is actor Warren Beatty. Known for her New Age beliefs and interest in spirituality and reincarnation, she has written a large number of autobiographical works, many dealing with her spiritual beliefs as well as her Hollywood career.   ebay2789