SHIBORI YUKATA Kimono für Sommer
Arimatsu tie-dyeing
Material: 100% Baumwolle
Zustand: gut. Es gibt leicht Altersspuren.Die Löcher im Stoff entstehen dadurch, dass der Stoff beim Färben durch den Stoff gedrückt wird.Es gibt einige Stelle, in denen sich der bei der Shibori-Färbemethode verwendete Kleber im Laufe der Zeit leicht bis braun verfärbt hat. Dies ist eines der Merkmale eines Shibori-Kimonos.
Handgenähte Vintage-Arimatsu-Shibori-Yukata sind sehr beliebt und selten und daher sehr wertvoll. Daher wird es zu einem hohen Preis gehandelt.
Die Shibori-Färbetechnik verleiht dem Stoff eine Shibori-Textur. Der nicht flache Stoff ermöglicht eine bessere Luftzirkulation und ist somit perfekt für heiße Sommertage.
Der Kimono ist sorgfältig von Hand genäht. Heutzutage gibt es kaum handgenähter Yukata mehr. Sehr hochwertig.
Das Gute am Handnähen ist, dass bei Druck auf die Nähte der Stoff nicht reißt, sondern nur die Fäden reißen und so den Stoff schonen.
Shibori (絞り), von shiboru (絞る), „auspressen“ oder „auswringen“, bezeichnet eine Technik der Stofffärbung und ähnelt der als Batik bezeichneten Technik. Dort, wo ein Stoff mit Schnüren abgebunden wird, kann er keine Farbe aufnehmen. So entstehen dekorative und vielseitige Muster.
Arimatsu Narumi Shibori is a tie-dye fabric produced in the area surrounding Nagoya, Aichi prefecture. Many of the tie-dye products in Japan are produced here. The tie-dye products are designated as a traditional national craft. Arimatsu Narumi Shibori is also referred to as Arimatsu Shibori or Narumi Shibori. This craft is known for the contrast in shading that is created when the fabric is tied and the distinctive texture of the pattern. Currently, there are more than a hundred kinds of tie dyeing methods available, including nuishibori (sewing and tying before dyeing), kumo shibori (spider- web shaped pattern), sekka shibori (flower pattern), Miura shibori (tie-dye method invented by the wife of a doctor in Oita), and kanoko shibori (dappled pattern). The 1st International Shibori Symposium was held in 1992 and since then the shibori (tie-dye) network has spread around the world. The Arimatsu area and Narumi area are now regarded as the mecca of shibori. Now these tie-dye patterns are acknowledged as "SHIBORI" all over the world.
1. Preparing the paper pattern
Once a product plan is made and the design is decided, a paper pattern is made along with the design. This is done by cutting out the pattern using a small sharp knife and hollow punch.
2. Printing the design
The design is printed on the fabric before the tying process. First, the fabric is starched and steamed to smooth the creases so that printing the design on the fabric becomes easier. Next, the pattern and the fabric are layered and the printer (surishi in Japanese) prints the design on the fabric. For this printing, ink extracted from Asiatic dayflower called aobanaeki, or its substitute is used. When the tying process is completed, the printed design is washed away using cold or hot water.
3. Tying
Shibori craftsmen tie the fabric with cotton or silk threads based on the design. A hundred or more techniques have been invented for this process, and there are specialized craftsmen for each technique. Skills and techniques have advanced over the years, and different tools are used for each technique. Typical tools used are stands for tying fabric such as theukodai or karasuguchidai, kanokodai and makiagedai. The tying process takes much time, so it used to be a side business for farmers in the surrounding area. However, recently there are many cases where this process is done overseas to reduce the labor cost.
4. Dyeing
A specialized craftsman called someya dyes the fabric. The tied places are not dyed so the design is made based on this feature. Generally, the soak and dye method is used for shibori, although sometimes a special method is used. The fabric is bleached to remove stains from the printing and tying processes before dyeing, and it is then dyed while being tied in various places. When more than one color is used, the fabric has to be processed to prevent it from being dyed in the wrong color. There are a number of different dyeing methods that vary according to the kind of tying and dye used, but to dye a bolt of fabric, the dyeing and resist dyeing is repeated more than twenty times. Dyes and additives appropriate for the fabric are used, and the type of dye and method of dyeing are changed depending on the usage and amount of the dye.
5. Removing threads
When the fabric is thoroughly dried after dyeing, the threads that were used for tying the fabric are removed. As shibori prevents the fabric from being dyed by tying, the fabric is tied especially firmly in certain places. It requires great attention to remove the firmly tied threads so that the fabric does not become damaged. The methods for removing threads also vary depending on the type of shibori, but there are roughly four methods. Removing the threads requires detailed work and it sometimes takes 3-4 days to remove threads from a bolt of fabric. As the fabric shrinks after removing the threads, it is steamed to smooth the creases and regulate the texture. Additional processing is done if necessary, and finally, it is made into a roll, or it is basted so that the design becomes visible (ebashiage), and is finished as a product.
Spannbreite: 122cm Lang: 136cm Aermel: 47cm Schulterbreite: 60cm
+Ich sammle seit 20 Jahren Kimonos. Mein Kimono-Wissen stammt von meiner Urgroßmutter, meiner Großmutter, meine Mutter, Kimono-Experten in Japan und Bücher,,und so weiter.
+Vintage kimono hat einen besonderen Geruch, weil er schon lange in Tansu ( einem Schrank) aufbewahrt wird. Die meisten gehen weg, indem Sie sie mehrere Tage lang an einem gut belüfteten und schattigen Ort aufhängen. +Diese Artikel sin nur für Vintage-Liebhaber!