Behold the enduring legacy of Akai's MPC range, a stalwart in the realm of music production renowned for its robust sequencing, user-friendly interface, and straightforward sampling. Through numerous hardware generations, Akai has stood the test of time. However, in the face of the ever-evolving landscape of computer-based production, complete with DAWs, virtual instruments, and colossal sample libraries, even Akai recognizes the allure of this expansive territory.

Enter the Renaissance – a potential turning point where Akai strikes back against the encroaching wave of software-driven production tools like Native Instruments Maschine. While the MPC range has traditionally been synonymous with standalone devices, the Renaissance challenges this notion. It exudes the aesthetic and tactile feel of high-quality standalone gear, yet it operates exclusively as a controller for software hosted on your PC or Mac. Going beyond this role, the Renaissance doubles as a 24-bit, 96kHz audio interface, featuring multiple MIDI ports. Backlit pads, assignable Q-link controls, and an abundance of buttons ensure an immersive and tactile production experience.

For those seeking a more compact option, or those who prioritize budget considerations, the MPC Studio is on the horizon. Set to launch soon, it offers a streamlined version without the audio capabilities and multiple MIDI ports found in the Renaissance.

This previously used Renaissance unit, while showing signs of cosmetic wear, stands fully operational, maintaining its intended functionality. The package includes the original box, power supply, USB, manual, and a valuable assortment of 5 sound library discs – MPC Software, The Wub, The Noise, The 809, and The Bank. An invitation to explore a new era of MPC excellence awaits, combining the legacy of the past with the innovation of the present.