This is a masterful and enchanting Fine Antique Old ORIENTALIST Exotic Arabian Asia Oil Painting on canvas, attributed to Canadian Baha'i activist and Orientalist painter, Marion E. Jack (1866 - 1954.) This artwork portrays a wonderful and dreamlike image of a shirtless man, with a mustache, turban and dark tan. He looks stoically forward, and is surrounded by jungle foliage and gorgeous peacocks, perched about in various states of repose. In the lower left corner is a phenomenal pink tinged albino peacock, with his white tailfeathers extended outward in a large corona of exuberance. In the distance, onion domed white stone mosques, reminiscent of the Taj Mahal in India, are visible under a golden hued sunset sky above. My guess is that the location of this scene is in the Middle Eastern Levant region, but it may in fact be in India. Signed: "Jack Marion" in the lower right corner. I believe that Marion E. Jack may have flipped her first and last name around when she signed this painting, as women painters in the 1940's were not taken seriously as exhibited artists among much of the patriarchal fine art community of the time. Marion E. Jack was unique for traveling as a woman artist to Palestine and other locations throughout the Middle East during the 1920's, which may have inspired this artwork.  Additionally, this painting is signed and dated in graphite on the top stretcher bar of the verso: "Jack Marion 1943." Approximately 28 3/4 x 34 3/4 inches (including frame.) Actual artwork is approximately 24 1/4 x 30 inches. Good condition for nearly a century of age, with some faint scuffing to the painted surface, some remnants of old, yellowed varnish, and moderate scuffing and edge wear to the original period hand-carved gilded wood frame (please see photos.) Acquired from an old collection in Los Angeles, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks!



About the Artist:

Marion E. Jack Born:  1866
Died:   1954
Known for:  Painting

Biography from Heffel Fine Art Auctions Vancouver

Marion E. Jack was born in 1866 into a wealthy family in Saint John, New Brunswick. 

Marion Jack is primarily known for being an early adopter and pioneer of the Bahá'í Faith. While studying art in Paris, she was introduced to the religion, and henceforth dedicated her life to evangelical work, painting and spreading the faith around the world from Palestine to Alaska.

In 1930 she was posted to Bulgaria as a missionary, and despite the economic depression and the outbreak of war, established Bahá'í communities in Sofia and Varna. Though given the opportunity to leave for Switzerland, she opted to remain in Bulgaria, despite living in difficult conditions under communist rule until her death in 1954.

Known affectionately in the Bahá'í community as “General Jack,” she has since become a symbol of the faith as one of the pioneers who spent their life in the service of others. A biography on her life titled "Never Be Afraid to Dare" was published in 2001.

Her work was exhibited several times in Canada, including twice with the Royal Canadian Academy of Arts, as well as the BC Society of Fine Arts. She was also a member of the Vancouver Sketch Club for a time, after her return from Alaska in 1920.




Marion Jack was born on 1 December 1866 in Saint John, New Brunswick, into a prominent family. She received much of her education in England and France, where she studied art. Painting landscapes was her field of specialty. She first learned of the Bahá’í Faith at a social gathering during her student days in Paris. From that time on, she dedicated her life to serving that Faith. She spent some time in Acre, Israel, (then part of the Ottoman Empire) and, in 1908, taught English to ‘Abdu’l-Bahá’s grandchildren. She continued to paint while she was there.

By 1914 she had returned to North America; she traveled to Alaska, Ontario, Quebec and many other places in North America to share the teachings of the Bahá’í Faith. “Jackie,” as she was affectionately called, was completely comfortable with young and old alike and was loved wherever she went, drawing everyone to her and to each other through her faith, love and devotion.

Marion Jack returned to Haifa in 1930 and, following this visit, moved to Sofia, Bulgaria, where she spent the remainder of her life. In Sofia, she held frequent meetings that were well attended by people of prominence and capacity. As World War II approached and all who could flee the country did so, Shoghi Effendi, the Guardian of the Bahá’í Faith, suggested that she go to Switzerland or some other safe country. She pleaded to be allowed to stay at her post, preferring, as she put it, to “remain at the switch.” Living on a small pension, which did not always reach her, suffering serious deprivation, ageing and in poor health, she stayed at her post.

For the duration of World War II, and especially after Sofia fell behind the Soviet Iron Curtain, Marion Jack displayed constancy, fearlessness and self-abnegation by remaining in Sofia and contributing to the development of the Bahá’í Faith in Bulgaria. Despite living in poverty, with an enlarged heart and many other ailments, exposed to the misery of a nation torn by war, and friends pleading with her to leave, Marion Jack remained in that country for more than 20 years, until her passing on 25 March 1954.

It was not without cause that ‘Abdu’l-Bahá called her “General Jack.”

* Adapted from Bahá’í World, Vol. 12, 1950-1954, “In Memoriam,” pp. 674-7.




Marion Elizabeth Jack (Miss)

December 1 1866 - March 25 1954


Marion E. Jack was born in Saint John, New Brunswick in 1866. She studied art in Paris for a number of years, from about 1900 to 1907, and had ten of her paintings accepted into the Academy shows, and a few even "hung on the line." The Dictionary of British Artists lists her as exhibiting from 1898 to 1912: London 1898 and 1911; Paris 1901; Rye, Sussex 1902; eleven artworks with the Royal Society in Birmingham, and seven shown in the London Salon.

She was a long-time follower and proponent of the Baha'i faith, which she learned about when she was living in France.

She returned to Canada, and exhibited with the Royal Canadian Academy of Arts in 1908 and 1914, and at the Art Association of Montreal from 1908 to 1916.

She came to west to Vancouver in 1919, and went on an extended trip to Alaska, covering some 6,000 miles in the process (Jasion). After her return to Vancouver, she exhibited her work in the 1920 Annual Exhibition of the B.C. Society of Fine Arts, held at the Vancouver School Board offices on Hamilton Street. She exhibited more work the same year in at least three exhibitions with the Vancouver Sketch Club, winning a prize for a landscape in oil in one of the exhibitions.

The painting titled "Study of Miss J. Fripp" is a portrait of Thomas William Fripp's daughter Jocelyn Mary Fripp, who was born in Hatzic on September 8 1903 and passed away in Kamloops on May 18 1991.

After leaving Vancouver, Jack ended up living and working in Bulgaria for a number of years, where she died and was buried in 1954.


GROUP EXHIBITIONS

DATEEXHIBITIONARTWORK
1920 April 10Sketch Club    Monthly Exhibition(paintings from the far north)
1920 JuneSketch Club   Monthly Exhibition(pictures)
1920 SeptemberVancouver Exhibition   VSC Exhibition(landscape)
(part of loan exhibition)
1920 Sept. 18 - 25BCSFA   Annual ExhibitionStudy of Miss J. Fripp
Savary Island
The Old Favorites
1920 Oct. 2 - ?Sketch Club   Monthly Exhibition(portrait)
(portrait)
(Palestine sketch)
(Palestine sketch)
(landscapes)
1920 Dec. 4 - ?Sketch Club    Annual ExhibitionMrs. George Blace (portrait)
Miss Heaton (portrait)
("several portraits")
(Bedouin encampment)