DATE OF THIS ** ORIGINAL ** ITEM: 1928 Thomas Jefferson Machamer (1900 – August 15, 1960) was an American cartoonist and illustrator known especially for his drawings of glamorous women. He also wrote and acted in a series of short comedy films in the 1930s. Machamer was born in Nebraska. After he graduated from the University of Nebraska he became a staff artist for The Kansas City Star newspaper. In 1922 he moved to New York City and joined the staff of the humor magazine Judge. From 1928 until 1930 he wrote and drew a comic strip for King Features Syndicate called Petting Patty, initially as a daily strip and later also as a Sunday color feature. In 1932, his comic strip Gags and Gals made its debut in the New York Mirror. This strip proved a greater popular success, and ran until 1938. According to Dan Nadel, Gags and Gals displayed the elements that typified most of Machamer's work: "beautiful dominant women, broad shouldered and impeccably dressed, accompanied by hapless, unattractive men, sometimes short and mustachioed, with just a tuft of hair atop a bald pate—apparently a self portrait." Machamer's style has been compared to that of Russell Patterson, who may have influenced him. In 1946, Machamer published a how-to book for aspiring cartoonists, Laugh and Draw with Jefferson Machamer. Beginning in the 1940s, he also operated a correspondence course from his home. Between 1936 and 1938, Machamer wrote and acted in a series of short comic films made by Educational Pictures, which included Comic Artist's Home Life, Wanna Be a Model?, and Cute Crime. Judge was a weekly satirical magazine published in the United States from 1881 to 1947. It was launched by artists who had left the rival Puck Magazine. The founders included cartoonist James Albert Wales, dime novels publisher Frank Tousey and author George H. Jessop. The first printing of Judge was on October 29, 1881, during the Long Depression. It was 16 pages long and printed on quarto paper. While it did well initially, it soon had trouble competing with Puck. William J. Arkell purchased the magazine in the middle 1880s. Arkell used his considerable wealth to persuade the cartoonists Eugene Zimmerman ("Zim") and Bernhard Gillam to leave Puck. A supporter of the Republican Party, Arkell persuaded his cartoonists to attack the Democratic administration of Grover Cleveland. With GOP aid, Judge boomed during the 1880s and 1890s, surpassing its rival publication in content and circulation. By the early 1890s, the circulation of the magazine reached 50,000. Under the editorial leadership of Isaac Gregory (1886–1901), Judge further allied with the Republican Party and supported the candidacy of William McKinley largely through the cartoons of cartoonists Victor Gillam and Grant E. Hamilton. Circulation for Judge was about 85,000 in the 1890s. By the 1900s, the magazine had become successful, reaching a circulation of 100,000 by 1912. Harold Ross was an editor of Judge between April 5 and August 2, 1924. He used the experience on the magazine to start his own in 1925, The New Yorker. The success of The New Yorker, as well as the Great Depression, put pressure on Judge. It became a monthly in 1932 and ceased circulation in 1947. Judge was resurrected in October 1953 as a 32-page weekly. Contributors included Arthur L. Lippman and Victor Lasky. There were sections with light essays on sport, golf, horse racing, radio, theater, television, bridge and current books, along with submissions from college magazines, a crossword puzzle, single-panel cartoons and humorous pieces. There were several political sections; one-liners, cartoons and longer essays with mostly a conservative bent, in a style foreshadowing Emmett Tyrrell of today's The American Spectator.
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