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VINTAGE STANLEY MOUSE / ALTON KELLEY STEVE MILLER BAND BOOK OF DREAMS PEGASUS ALBUM COVER ART REFRIGERATOR MAGNET

• Official Licensed Mouse/Kelley Artwork Design by legendary counter-culture psychedelic artists Stanley Mouse & Alton Kelley, best known for creating iconic artwork for Grateful Dead and other 1960s psychedelic rock & jam bands.

• Features the iconic Pegasus album cover art from Steve Miller Band’s classic album, Book of Dreams.

• 1.75–inches x 1.75–inches (H x W)

• Distributed by Gift Creations, Inc.

• Made in Taiwan

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Description:

Fans of legendary classic rock group, Steve Miller Band, and vintage Stanley Mouse artwork will love this rare officially licensed Mouse/Kelley collector fridge magnet! Featuring the original, colorful, psychedelic Pegasus album cover art from the iconic “Book of Dreams” album by the Steve Miller Band. The face is bordered with gold metal. The back side is mirror-like gold colored with a 1.25–inch rectangular strong magnet.

Condition: Very Good • preowned

No damage, defects or any signs of ware on the face. Some scratches and signs of ware on back with strong magnet!

About Steve Miller Band - Book of Dreams (1977 Album):

Book of Dreams is the tenth studio album by Steve Miller Band. The album was released in May 1977 on Capitol Records in the United States, Canada and Japan and by Mercury Records in Europe. Three singles were released from the album in 1977 with the first single, "Jet Airliner", being the most successful.

The album peaked in the top 10 of the trade charts in four countries, including Canada where the album topped RPM magazine's 100 Albums chart. The album has gone on to become one of the group's most successful studio outings.

About Book of Dreams Cover Art:

The winged horse art was created by Alton Kelley and Stanley Mouse, who were credited as "Kelly and Mouse". The art director for the album was Roy Kohara.[1] The cover illustration was also used on the record label on the vinyl version of the album.

About Stanley Mouse:

Stanley George Miller (born October 10, 1940), better known as Mouse or Stanley Mouse, is an American artist who is notable for his 1960s & 1970s psychedelic rock concert poster designs and album covers for the Grateful Dead, Journey, and other bands.

In 1966 and 1967, Mouse and Alton Kelley lived and worked from 715 Ashbury across the street from 710 Ashbury, where members of The Grateful Dead resided.

In 1965, Mouse travelled to San Francisco with a group of art school friends. Settling initially in Oakland, Mouse met Alton Kelley, a self-taught artist who recently arrived from Virginia City, Nevada, where he joined a group of hippies who called themselves the Red Dog Saloon gang. Upon arrival in San Francisco, Kelley and other veterans of the gang renamed themselves The Family Dog, and began producing rock music dances.

In 1966, when Chet Helms assumed leadership of the group and began promoting the dances at the Avalon Ballroom, Mouse and Kelley began working together to produce posters for the events. The pair also later produced posters for promoter Bill Graham and for other events in the psychedelic community. From September 1967 to December 1967, Mouse and Kelley created psychedelic posters for shows at Helms’ The Family Dog Denver.

In 1967, Mouse collaborated with artists Kelley, Rick Griffin, Victor Moscoso and Wes Wilson to create the Berkeley Bonaparte Distribution Agency.

Mouse and Kelley also worked together as lead artists at Mouse Studios and The Monster Company, producing album cover art for the bands Journey and Grateful Dead. The Monster Company also developed a profitable line of T-shirts, utilizing the four color process for silk screening.

The psychedelic posters Mouse and Kelley produced were heavily influenced by Art Nouveau graphics, particularly the works of Alphonse Mucha and Edmund Joseph Sullivan. Material associated with psychedelics, such as Zig-Zag rolling papers, were also referenced. Producing posters advertising for such musical groups as Big Brother and the Holding Company, Quicksilver Messenger Service, and Grateful Dead led to meeting the musicians and making contacts that were later to prove fruitful.

In 1968, Helms and Graham began turning to other artists for their poster work, and Mouse's career languished. After brief periods in London and Massachusetts, he moved to Toronto where he ran a Yorkville waterbed store called The Waterbed Gallery, whose walls featured his artwork.

In 1971, Mouse returned to California, living near Kelley in Marin County, and the pair resumed their partnership, producing commercial artwork related to the Grateful Dead and later Journey. The pair are credited with creating the skeleton and roses image that became the Grateful Dead's archetypal iconography, and Journey's wings and beetles that appeared on their album covers from 1977 to 1980.

In 1977, Mouse, with Kelley, created the Styx album cover for The Grand Illusion, featuring a pastiche of René Magritte, as well as the iconic Pegasus cover art for Steve Miller Band’s album, Book of Dreams. Mouse and Kelley continued to work together on rock memorabilia until 1980.

In the early 1980s, Mouse moved to New Mexico, where he began producing fine art in a variety of media. In 1999, he contributed a portrait of Skip Spence to the tribute album, More Oar: A Tribute to the Skip Spence Album, being a collection of cover versions of songs by the co-founder of Moby Grape, and performed by such artists as Beck, Tom Waits and Robert Plant. Mouse continues to live in New Mexico to this day.

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