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The Five Pennies was a semi-biographical 1959 film starring Danny Kaye as cornet player and bandleader Red Nichols. Other cast members included Barbara Bel Geddes, Harry Guardino, Bob Crosby, Louis Armstrong, Susan Gordon, and Tuesday Weld. The film was directed by Melville Shavelson. The film received four Oscar nominations: Best Musical Scoring (Leith Stevens), Best Original Song (Danny Kaye's wife Sylvia Fine), Best Cinematography (Daniel L. Fapp), and Best Costumes (Edith Head). The real Red Nichols recorded all of Kaye's cornet playing for the film soundtrack. The other musicians in Red's band were not asked to provide their musical contributions and the sound of his "band" was supplied by session players. Danny Kaye (born David Daniel Kaminsky; January 18, 1913 – March 3, 1987) was an American actor, singer, dancer, and comedian. His performances featured physical comedy, idiosyncratic pantomimes, and rapid-fire nonsense songs. Kaye starred in 17 movies, notably The Kid from Brooklyn (1946), The Secret Life of Walter Mitty (1947), The Inspector Generl (1949), Hans Christian Andersen (1952), White Christmas (1954), and The Court Jester (1956). His films were popular, especially his bravura performances of patter songs and favorites such as "Inchworm" and "The Ugly Duckling". He was the first ambassador-at-large of UNICEF in 1954 and received the French Legion of Honor in 1986 for his years of work with the organization. Ernest Loring "Red" Nichols (May 8, 1905 – June 28, 1965) was an American jazz cornettist, composer, and jazz bandleader. Over his long career, Nichols recorded in a wide variety of musical styles, and critic Steve Legget describes him as "an expert cornet player, a solid improviser, and apparently a workaholic, since he is rumored to have appeared on over 4,000 recordings during the 1920s alone." Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly-recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing (vocalizing using sounds and syllables instead of actual lyrics). Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin-color was secondary to his music in an America that was severely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society that were highly restricted for a black man. Tuesday Weld (born August 27, 1943) is an American actress. She began acting as a child, and progressed to mature roles in the late 1950s. She won a Golden Globe Award for Most Promising Female Newcomer in 1960. Over the following decade she established a career playing dramatic roles in films. As a featured performer in supporting roles, her work was acknowledged with nominations for a Golden Globe Award for Play It As It Lays (1972), a nomination for Academy Award for Best Supporting Actress for Looking for Mr. Goodbar (1978), an Emmy Award for The Winter of Our Discontent (1983), and a BAFTA for Once Upon a Time in America (1984). Since the late 1980s, her acting appearances have been infrequent. Barbara Bel Geddes (October 31, 1922 – August 8, 2005) was an American actress, artist and children's author, whose career spanned six decades. She was best known for her female starring role in the television drama series Dallas as matriarch Miss Ellie Ewing. Bel Geddes also starred in the original Broadway production of Cat on a Hot Tin Roofin the role of Maggie. Her notable films included Alfred Hitchcock's Vertigo (1958) and I Remember Mama (1948). She was the recipient of several acting awards and nominations throughout her career. ****  The Ride Back is a 1957 American Western film directed by Allen H. Miner and written by Antony Ellis. The film stars Anthony Quinn, William Conrad, Lita Milan, Victor Millan and Jorge Trevino and was produced by Conrad. It was released on April 29, 1957, by United Artists.[1][2] It was partially filmed in Wildwood Regional Park in Thousand Oaks, California.[3] Contents 1 Synopsis 2 Cast 3 References 4 External links Synopsis[edit] Sheriff Chris Hamish is recruited to bring gunfighter Bob Kallen back for trial on unspecified charges. Hamish is a brooding haunted man who has been a failure at everything he has done and even his own wife scorns him. Kallen, on the other hand, is very confident, charismatic and decent at heart. This Western was rather novel because it was an intense character study of the two protagonists as they embark on their odyssey. Along the way, Hamish admits to his prisoner that he wants to bring him in not so much in the name of justice, but for his own self redemption. Stalked by blood-thirsty Apaches and picking up an orphaned Mexican child, the lawman and the outlaw are forced to rely upon each other for survival and in the end develop a bond of admiration and respect. Cast[edit] Anthony Quinn as Bob Kallen William Conrad as Sheriff Chris Hamish Lita Milan as Elena Victor Millan as Father Ignatius Jorge Treviño as Border Guard Ellen Hope Monroe as Little Girl Joe Dominguez as Luis Louis Towers as Boy       ebay1531