Jose Clemente Orozco Charcoal Paper Drawing on Each Side 

Artwork is handled with care, shipped with tracking, together with its Original Provenance.

Beautiful art piece, its Provenance is part of a Family State Private Art Collection. Great expression of talent and a particular technique in this art work. It is and old art piece in auction -as is- it can show mild to severe wear, stains, tears, wrinkles due to time, humidity, a patina that gives its characteristic presence. Recent Pictures here of the actual art piece you will get. Photographs change colors, tone and brightness, etc. Will be fully ensured DHL Express shipped to buyer..

Latin American Master 

José Clemente Orozco  Mexican painter (1883-1949) was one of the artists responsible for the renaissance of mural painting in Mexico in the 1920s. He was born on Nov. 23, 1883, in Ciudad Guzmán Jalisco. he studied at the School of Agriculture (1897-1899), the National Preparatory School (1899-1908) In Mexico City and the National School of Fine Arts (1908-1914). Exhibited his drawings in the Centennial Exposition in 1910 and had his first one-man show in 1916. He visited the United States in 1917-1918. In 1922 Orozco initiated his mural work. His first murals at the National Preparatory School (1923-1924) he began to develop his own style, executed the mural Omniscience (1925) in the House of Tiles (now Sanborn's) and Social Revolution (1926) in the Industrial School in Orizaba. His first period as a muralist culminated in the magnificent Prometheus (1930) at Pomona College, Claremont, Calif. In 1931 Orozco did the murals for the New School for Social Research in New York City, and, following a brief trip to Europe in 1932, he painted the frescoes for the Baker Library at Dartmouth College in Hanover, N.H. (1932-1934) initiated a new manner of expression, employing brilliant coloring and original forms and ideas. The theme is America, with its Indian and Spanish past, its present filled with wars and atrocities, in which Christ appears destroying everything, even his own cross. On his return to Mexico City, Orozco painted the mural Catharsis in the Palace of Fine Arts (1934). He then executed a series of masterpieces at Guadalajara in the auditorium of the university (1936), the Government Palace (1937), and the Hospicio Cabañas (1938-1939). In 1940 he created new forms in the murals of the Gabino Ortiz Library in Jiquilpan, Michoacán and in the six movable panels entitled Dive Bomber in the Museum of Modern Art in New York City. Orozco's mural (1941) in the Supreme Court Building in Mexico City depicts the moral power of justice. His unfinished works in the Hospital de Jesús Nazareno (1942-1944) in Mexico City are unrivaled in their emotional intensity. He also did the mural National Allegory for the open-air theater of the National School for Teachers (1948) and Juárez Resuscitated for the Museum of History at Chapultepec. His last complete work was the frescoes in the dome of the Legislative Chamber of the Government Palace in Guadalajara (1949). Orozco was one of the founders of the National College in 1943, and he presented six exhibitions between 1943 and 1948. In 1946 he was awarded the National Prize in the Arts and Sciences, a great retrospective exhibition of his works was presented in the Palace of Fine Arts. He died in Mexico City on Sept. 7, 1949.

Beautiful Art Pieces for art connoisseur enthusiast to be proud of a great addition to his collection in a Close-Out Auction price. We trust the Provenance and beauty. As Christy’s or Sotheby’s disclaimers opinions are to the best of knowledge. We don’t advertise or offer C.O.A. therefore in accordance with the eBay rules, Legislative decree No. 41 of 24/01/2004, article 179, code of culture heritage is declared: -In the manner of- not: a water mark, authentic, lithograph, giclée, or print of any kind. This art piece is as described a Charcoal on Paper drawing. Your Friends in Art Pasion.