Lithograph Original Hand signed by Artist

PENCIL NUMBERED ON LEFT SIDE (17/75)

 paper with watermark and embossed seal of publisher

Image size:30" x 19.7" (76,0 x 56,0 cm)

Paper size: 35.2" x 27.8" (89,5 x 70,5 cm)

very good condition, never framed., some handling in white margin as shown

 At first there's the comics, short stories without words. A passion for the color that fills delimited fields

from uncertain signs and thin. Remember animations slave sixties or by Pino Pascali, container

TV advertising so strict. Following requenta the Art Institute of Venice where he discovered the art graphics.

We print with stone, wood, silk, linoleum and zinc, copper materials in celebration.

In 1977 he was invited by Luciano De March to work with the printing Multigraphic. He knows Hugo Pratt,

working on nine screen prints of Corto Maltese. He knows and works with Emilio Vedova (Open Letter, 1979)

Armando Pizzinato, Santomaso, with whom he will work until 1990.

At the same time enrolled in the painting by Edmondo Bacci Academy of Fine Arts in Venice.

During which he attended together with Maurizio and Paolo Favaretto Furlanis, with whom he shares a studio and

common interventions and multiple canvas, panels, posters.

In '79 he devoted himself to a kind of pictorial diary (Existing seated) that leads to a synthesis of abstract

Character (totem), which will evolve warrior-guard until the archetype of the horse and rider in 1983

(W Quixote and his horse). Between 1980 and 1983 expands the space inside the character (himself) with

signs develop, multiply and distort perspectives and distances: surrealism more Sebastian

Matta Joan Miro. A surrealism that 81 search impressing on the paper all kinds of material

(foam, wood, polystyrene, straw, wool, cardboard): Dresses for party - stories of materials. He is fascinated by the

Max Ernst's frottage, collage, pull shadows of faces, clothes hangers (Man Ray), hammers (Jim Dine)

bulbs matter-color thick and crumbly (chalk Bologna), then it will use up more and more often as

Another fake cardboard, almost concrete, almost sheet.

In 1983 with the help of Nicholas Descovich results in etching aquatint the size of the story, the

Knight, Moon, in the well and the Potato Eaters. For graphics and paintings in these years,

awards to recognize small group exhibitions of the Fondazione Bevilacqua La Masa in Venice

benefit of young artists. He began to exhibit in solo and group exhibitions in Italy, Switzerland, USA, Japan.

His works are in private collections in Germany, Switzerland, France, Great Britain, Sweden, United

States of America, Italy, Austria, Japan, Brazil, Australia, Czech Republic, Spain, the Netherlands, Peru.

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