James Hamilton Stanhope, Straße in Brüssel, Belgien - c.1819 Aquarell
Eine originelle c.1819 Aquarellmalerei, James Hamilton Stanhope, Straße in Brüssel, Belgien.
Eine wunderbare Tinte Sepia und Wasch Zeichnung von Lt Col James Hamilton Stanhope (1788-1825) aus der Zeit um 1819. Stanhope ausgiebig in Europa während des Spanischen Krieges gekämpft und war einer von weniger als dreißig Überlebenden aus 400 in der Schlacht von Waterloo. Die Zeichnung zeigt einen Blick auf der Straße in Brüssel, Belgien.
Auf der Rückseite des Papiers ist schwach Bleistiftskizze Sitzfiguren.
Die Unterschrift Stanhopes Skizzen begleitet (im Bild nur zur Information) übereinstimmt, auf einem handsignierten Gravur von Stanhope in der National Portrait Gallery (NPG D20616). Die Skizzen waren in der Sammlung von Stanhope Sohn, James Banks Stanhope (1821-1904) -siehe Foto von exlibris.
Auf Sahnepapier.
Details
- Signed: Nein.
- Inscribed: Gravierte oben rechts.
- Dated: -
- Height (cm): 15.2 Width (cm): 18.8
- Height (inches): 5.98 Width (inches): 7.4
- Condition: In gutem Zustand für sein Alter. Kleinere Alters Tonen und Licht Verschleiß an den Kanten des Papiers. Bitte siehe Fotos für Details.
- Presented: Unframed.
- Stock Number: JP-689
Dieser Wasch Zeichnung bildet einen Teil einer faszinierenden Sammlung europäischer Skizzen, die wir zum Verkauf von Lt Col James Hamilton Stanhope (1788-1825) haben. Dies sind Skizzen auf Tour gemacht, aber sie sind keine gewöhnlichen Grand Tour Aquarelle-sie sind die auf dem Boden stehenden Skizzen eines Soldaten, war Augenzeuge des Spanischen Krieg und Schlacht von Waterloo.
Jüngster Sohn Charles Stanhope, 3. Graf Stanhope, trat James die britische Armee nur fünfzehn durch den Rat von William Pitt der Jüngere im Alter von (der 3. Earl Cousin zweiten Grades). Er diente in Spanien, Portugal, Flandern und Frankreich, die als Ordonanzoffizier zu General Sir John Moore und Lord Lynedoch, bevor im Jahre 1813 auf der Halbinsel Assistent Generalquartiermeister ernannt er eine Traube-Schuss in den Rücken gewickelt nachhaltig an die Erstürmung von San Sebastian im Jahr 1813, die ihm unermessliches Leid für den Rest seines Lebens verursachen. Trotzdem blieb er in der Armee, und im Jahr 1815 war er als Assistent neben dem Herzog von Wellington während der Waterloo-Kampagne. Er nahm an der Schlacht von Waterloo und dem anschließenden Marsch auf Paris Teil
Es ist rührend, dass die Skizzen sind jedoch vor allem ohne militärische Aktion. Trotz des Dienstes, den er erlebte, Stanhope bereit Thema in der findet erhabene Landschaften rund um die Alpen und das Rheintal, die seine künstlerischen Zeitgenossen zog, einschließlich JMW Turner. Seine Kompositionen konzentrieren sich auf die dramatische Potenzial durch natürliche Schluchten und Wasserfällen gewährt, oft übersehen von majestätischen Burgen und Festungen. Stanhope strategisch platzierte kleine Sightseeing-Figuren verorten uns in der Landschaft und bieten ein großes Gefühl der Skala.
Diese Skizzen haben eine rustikale Qualität, das Gefühl, dass sie auf dem Gebiet durchgeführt wurden und nicht poliert nach dem Ereignis-a Sinn verstärkt durch ihre Pared zurück Färbung und die grobe Textur des Skizzenbuch webt. Der Papierlieferant ist ‚Smith Warner & Co 211 Piccadilly‘ aus dem Jahr es 1800-1820 (das Unternehmen in 1821-208 Piccadilly bewegt). Smith, Warner & Co war ein führender Künstler Lieferant des Tages und war einer von drei Unternehmen im Jahr 1811 durch den Zeichenlehrer und Royal Academy Aussteller John Burges Wagen hat brachten Aquarelle zur größten Vollkommenheit ausgesondert. Viele namhafte Künstler verwendet, um ihr Papier, darunter John Varley, Eugene Delacroix und J.M.W. Turner, Beispiele für deren Arbeit des Smith Warner Stempel aus 211 Piccadilly tragen. Diese Skizzen können enger von ihren Untertanen zwischen 1818 und Stanhope Tod im Jahr 1825 datiert werden: eine Zeichnung, die die Festung Zitadelle in Huy in Belgien zeigt, die von den Holländern im Jahr 1818 wieder aufgebaut wurden, und man zeigt Studenten der Universität Bonn (Kurkölnische Universität ), die im Jahr 1818 im Jahr 1797 und wieder geöffnet geschlossen hatte.
im Jahr 1819 James Stanhope besuchte in Begleitung von seiner zukünftigen Frau und ihrer Familie Europa, Friederike Louisa Murray, ältester Tochter des Grafen von Mansfield-und diesen Skizzen möglicherweise von dieser Tour Datum. Zu diesem Zeitpunkt war Stanhope Ordonanzoffizier zu Prince Frederick, eine Position, die er von 1815 bis zu seinem Tod statt. Und während seine hier Landschaft Themen keine explizite militärische Präsenz zeigen, seine Ansichten nicht von der in der Nähe Aktion geschieden werden Zeug er: belgische Ansichten in Lüttich, Namur, Marche-les-Dames, Huy und Wald von Ardennes, alle in der Nähe der Maas, strategisch so wichtig, während der napoleonischen Kriege. Darüber hinaus skizziert die Sammlung umfasst zwei interessante militärische Festung Karten, etwa von Stanhope aus, Fort d'Orange in Namur und Fort Alexander bei Coblenz-sorgfältig kommentierten Pläne zeigt, die zeigen, was vielleicht für Stanhope in diese ein untrennbarer Zusammenhang zwischen Landschaft und Schlachtfeld ist Region. Weitere Beispiele für ähnliche Pläne von Stanhope in seiner veröffentlichten ‚Briefe und Zeitschriften‘, herausgegeben von Gareth Glover 2010 zu sehen (eine Kopie davon haben wir für die separate Bestellung, siehe unsere Lager Nummer JP-997).
Schließlich nehmen die Skizzen auf einem extra poignancy im Lichte der Stanhope tragischen letzten Jahre und vorzeitigen Tod im Alter von nur sechsunddreißig. Im Jahr 1823 James neue junge Frau, Friederike Louisa, starb kurz nach der Geburt ihres zweiten Sohn, der auch innerhalb von wenigen Tagen nach der Geburt erlegen. Sehr geplagt, zog Stanhope in Kenwood House, dem Sitz seines Vaters-in-law, David William, 3. Graf von Mansfield, und im Jahre 1825 nahm sich das Leben.
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Somerset & Wood was founded in 2015 near Bath, UK in the beautiful Cotswold market town of Bradford on Avon. Today the Gallery is run by founding owners Ayumi Ellingham and Olivia Nicholls. The Somerset & Wood project grew out of a desire to share our interests in art, history and design, and to champion the sometimes underrated field of British drawings and watercolours. We bring to the project combined professional arts backgrounds, in museums & galleries, art dealership and illustration. After completing a first class MA in English at the University of Cambridge and an MSc in History of Art with distinction at the University of Edinburgh, our Art Historian, Olivia Nicholls, worked for many years at the National Galleries of Scotland, and subsequently as an independent editor and art historian.
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With over 2,500 artworks in stock, priced from under £50 to over £1,000, Somerset & Wood is a rich storehouse of 19th- and early 20th-century visual culture. Notable artists whose work we have handled include Louis-Philippe Boitard, Paul Sandby RA, Thomas Hearne, William Payne, Joshua Cristall POWS, Richard Westmacott RA, Nicolas-Martin Petit, Joseph Powell PNWS, David Cox OWS, William Turner of Oxford, Henry Barlow Carter, Paul Jacob Naftel RWS, Frank Brangwyn RA RWS RBA, Conrad H.R. Carelli, Winifred Sandys and Alice Des Clayes ARCA. At the same time, we recognise that value is as much about authentic personal connection as it is about the machinations of the art world. We have equal interest in researching and bringing lesser-known artists into prominence, in serving collectors of items of local historical interest and in reuniting family members with their ancestors' lost work.
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Somerset & Wood also sells to museums and galleries throughout the UK. Our clients have included: The British Library; Historic England Archive; W.W. Spooner Charitable Trust in association with The Wordsworth Trust; Victoria Art Gallery Bath; Leicestershire County Council Museums; Alnwick Castle, Northumberland; Rozelle House and Maclaurin Galleries, Ayrshire.
Somerset & Wood Images
We welcome requests to reproduce Somerset & Wood images. Recently our images have been reproduced in the following publications:
- National Portrait Gallery 'Rowney guide' (updated online, 2019)
- Huw Lewis-Jones, 'Sea Journal', (Thames & Hudson, London 2019)
- Virginia Museum of Fine Arts, 'A Return to the Grand Tour, Microcosmic Jewels from the Collection of Elizabeth Locke' (Richmond VA, 2019)
- The Scotsman (2018)
- Victorian Web www.victorianweb.org (2018)
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