1 | I. Allegro - Isaac Stern |
2 | II. Adagio - Isaac Stern |
3 | III. Allegro assai - Isaac Stern |
4 | I. Allegro - Isaac Stern |
5 | II. Adagio - Isaac Stern |
6 | III. Allegro - Isaac Stern |
7 | I. - - William Heim |
8 | II. Largo - William Heim |
9 | III. Allegro molto - William Heim |
10 | I. Allegro - Glenn Gould |
11 | II. Adagio - Glenn Gould |
12 | III. Allegro - Glenn Gould |
1 | I. Allegro - Isaac Stern |
2 | II. Andante - Isaac Stern |
3 | III. Presto in moto perpetuo - Isaac Stern |
4 | I. Introduzione. Andante non troppo - Allegro vivace |
5 | II. Giuoco delle coppie. Allegretto scherzando |
6 | III. Elegia. Andante non troppo |
7 | IV. Intermezzo interrotto. Allegretto |
8 | V. Finale. Pesante - Presto |
1 | I. Allegro - Philippe Entremont |
2 | II. Adagio - Presto - Adagio - Philippe Entremont |
3 | III. Allegro molto - Presto - Philippe Entremont |
4 | I. Allegretto - Philippe Entremont |
5 | II. Adagio religioso - Philippe Entremont |
6 | III. Allegro vivace - Philippe Entremont |
1 | I. Assai lento - Allegro molto |
2 | II. Lento, ma non troppo |
3 | III. Allegro non troppo |
4 | I. Allegro non troppo |
5 | II. Andante tranquillo - Allegro scherzando - Tempo I |
6 | III. Allegro molto |
1 | I. Andante - Scherzo. Allegretto |
2 | Concerto for Violin and Orchestra "To the Memory of an Angel": II. Allegro - Adagio |
3 | I. "Lassú" |
4 | II. "Friss" |
5 | I. "Lassú" |
6 | II. "Friss" |
1 | I. Allegro con brio |
2 | II. Largo |
3 | III. Rondo - Allegro scherzando |
4 | I. Allegro con brio - Glenn Gould |
5 | II. Adagio - Glenn Gould |
6 | III. Rondo. Molto allegro - Glenn Gould |
1 | I. Allegro con brio |
2 | II. Largo |
3 | III. Rondo. Allegro |
4 | I. Allegro moderato |
5 | II. Andante con moto |
6 | III. Rondo. Vivace |
1 | I. Allegro con brio |
2 | II. Largo |
3 | III. Rondo. Allegro |
4 | I. Allegro |
5 | II. Adagio un poco mosso |
6 | III. Rondo. Allegro |
1 | I. Allegro ma non troppo - Isaac Stern |
2 | II. Larghetto - Isaac Stern |
3 | III. Rondo. Allegro - Isaac Stern |
4 | I. Vivace |
5 | II. Largo ma non tanto |
6 | III. Allegro |
1 | I. Harold aux montagnes |
2 | II. Marche des pèlerins |
3 | III. Sérénade |
4 | IV. Orgie des brigands |
5 | Poème for Violin and Orchestra, Op. 25 |
6 | Lento, quasi cadenza |
7 | Moderato - Allegro |
1 | Pre-Performance Remarks: Don't Be Frightened, Mr. Gould Is Here |
2 | I. Maestoso |
3 | II. Adagio |
4 | III. Rondo. Allegro non troppo |
5 | Glenn Gould Speech (Excerpt from Radio Broadcast Interview with James Fassett) - Glenn Gould |
1 | I. Allegro non troppo - André Watts |
2 | II. Allegro appassionato - André Watts |
3 | III. Andante - André Watts |
4 | IV. Allegretto grazioso - André Watts |
1 | I. Allegro non troppo - Zino Francescatti |
2 | II. Adagio - Zino Francescatti |
3 | III. Allegro giocoso, ma non troppo vivace - Poco piu presto - Zino Francescatti |
4 | I. Allegro moderato - Zino Francescatti |
5 | II. Adagio di molto - Zino Francescatti |
6 | III. Allegro, ma non tanto - Zino Francescatti |
1 | I. Andante sostenuto |
2 | II. Molto moderato |
3 | I. Amaryllis - Introduction and Variations |
4 | II. Great Tom is Cast |
5 | III. A. Who'll Buy Mi Roses - B. Come, Follow Me |
6 | IV. Combinations - Chorus, Viola, Orchestra |
7 | V. Amaryllis - Recapitulation |
8 | To Thee Old Cause |
1 | I. Allegro maestoso - Tempo giusto |
2 | II. Quasi adagio - Allegretto vivace - Allegro animato |
3 | III. Allegro marziale animato - Presto |
4 | Introduction: Allegro vivace |
5 | Variation I. [Precedente] |
6 | Variation II. L'istesso tempo |
7 | Variation III. L'istesso tempo |
8 | Variation IV. Più vivo |
9 | Variation V. Tempo precedente |
10 | Variation VI. L'istesso tempo |
11 | Variation VII. Meno mosso, a tempo moderato |
12 | Variation VIII. Tempo I |
13 | Variation IX. L'istesso tempo |
14 | Variation X. a 2 poco marcato |
15 | Variation XI. Moderato |
16 | Variation XII. Tempo di Minuetto |
17 | Variation XIII. Allegro |
18 | Variation XIV. L'istesso tempo |
19 | Variation XV. Più vivo scherzando |
20 | Variation XVI. Allegretto |
21 | Variation XVII. Poco marcato |
22 | Variation XVIII. Andante cantabile |
23 | Variation XIX. L'istesso tempo |
24 | Variation XX. Un poco più vivo |
25 | Variation XXI. Un poco più vivo |
26 | Variation XXII. Un poco più vivo (alla breve) |
27 | Variation XXIII. L'istesso tempo |
28 | Variation XXIV. A tempo un poco meno mosso |
29 | I. Allegramente |
30 | II. Adagio assai |
31 | III. Presto |
1 | I. Allegro - Columbia Symphony Orchestra |
2 | II. [Andante] - Columbia Symphony Orchestra |
3 | III. Allegro - Columbia Symphony Orchestra |
4 | I. Allegro - Columbia Symphony Orchestra |
5 | II. Andante - Columbia Symphony Orchestra |
6 | III. Allegretto - Columbia Symphony Orchestra |
1 | I. Allegro |
2 | II. Andante |
3 | III. Rondo. Allegro |
4 | I. Allegro |
5 | II. Adagio |
6 | III. Rondo. Tempo di menuetto |
7 | I. Allegro |
8 | II. Romance. Andante |
9 | III. Menuetto: Allegretto - Trio |
10 | IV. Rondo. Allegro |
1 | I. Allegro maestoso |
2 | II. Andante |
3 | III. [Allegretto] |
4 | I. Allegro molto appassionato |
5 | II. Andante |
6 | III. Allegretto non troppo - Allegro molto vivace |
1 | I. Allegro molto appassionato |
2 | II. Andante |
3 | III. Allegretto non troppo - Allegro molto vivace |
4 | I. Nicht zu schnell - Leonard Rose |
5 | II. Langsam - Leonard Rose |
6 | III. Sehr lebhaft - Leonard Rose |
1 | I. Allegro moderato |
2 | II. Allegretto |
3 | Allegretto un poco - Cadenza - Tempo I -Poco Adagio - Allegro non troppo - Cadenza - Adagio - Allegro vivace |
4 | I. Mäßig bewegte Halbe |
5 | II. Langsam |
6 | III. Lebhaft |
1 | I. Moderato - Philippe Entremont |
2 | II. Adagio sostenuto - Philippe Entremont |
3 | III. Allegro scherzando - Philippe Entremont |
4 | I. Allegro moderato - Isaac Stern |
5 | II. Andante assai - Isaac Stern |
6 | III. Allegro, ben marcato - Isaac Stern |
1 | I. Allegro moderato - Andante - Robert Casadesus |
2 | II. Allegro vivace - Andante - Allegro - Robert Casadesus |
3 | Andante (malinconico) - Allegro ma non troppo - Piu Allegro |
4 | Première rhapsodie, L. 116 |
5 | Rhapsody for Saxophone and Orchestra, L. 98 |
6 | Ballade in F-Sharp Major for Piano, Op. 19 - Robert Casadesus |
1 | I. Allegro moderato - Allegro vivace - Allegretto - Allegro - Moderato (Attacca) - New York Philharmonic Orchestra |
2 | II. Lento - Piu mosso - Largo - (attacca) - New York Philharmonic Orchestra |
3 | III. Moderato - (attacca) - New York Philharmonic Orchestra |
4 | IV. Allegro brio - Presto - Allegretto poco moderato - Allegro con brio - Presto - New York Philharmonic Orchestra |
5 | I. Allegro |
6 | II. Andante |
7 | III. Allegro |
8 | I. Allegro ma non troppo |
9 | II. Larghetto |
10 | III. Finale: Allegro molto |
1 | Introduction. Mässiges Zeitmaß |
2 | Theme. Massig |
3 | Variation I. Gemächlich |
4 | Variation II. Kriegerisch |
5 | Variation III. Mäßiges Zeitmaß |
6 | Variation IV. Etwas breiter |
7 | Variation V. Sehr langsam |
8 | Variation VI. Schnell |
9 | Variation VII. Ein wenig ruhiger als vorher |
10 | Variation VIII. Gemächlich |
11 | Variation IX. Schnell und stürmisch |
12 | Variation X: Viel breiter |
13 | Finale. Sehr ruhig |
14 | I. Largo. Allegro - Maestoso |
15 | II. Largo |
16 | III. Allegro |
1 | I. Allegro non troppo e molto maestoso - Allegro con spirito - André Watts |
2 | II. Andantino simplice - Prestissimo - Tempo I - André Watts |
3 | III. Allegro con fuoco - André Watts |
4 | I. Moderato - New York Philharmonic Orchestra |
5 | II. Adagio sostenuto - New York Philharmonic Orchestra |
6 | III. Allegro scherzando - New York Philharmonic Orchestra |
1 | I. Allegro non troppo e molto maestoso |
2 | II. Andantino semplice |
3 | III. Allegro con fuoco |
4 | I. Allegro agitato |
5 | II. Andante sostenuto |
6 | III. Finale. Allegro con fuoco |
1 | I. Allegro |
2 | II. Largo e pianissimo sempre |
3 | III. Allegro |
4 | I. Allegro non molto - Allegro |
5 | II. Adagio |
6 | III. Presto |
7 | I. Allegro |
8 | II. Adagio molto |
9 | III. Allegro |
10 | I. Allegro non molto |
11 | II. Largo |
12 | III. Allegro |
13 | I. Allegro molto |
14 | II. Andante molto |
15 | III. Allegro |
16 | I. Allegro |
17 | II. Largo |
18 | III. Allegro |
19 | I. Allegro non molto |
20 | II. Largo |
21 | III. Allegro |
1 | I. Allegro moderato - New York Philharmonic Orchestra |
2 | II. Canzonetta. Andante - New York Philharmonic Orchestra |
3 | III. Finale. Allegro vivacissimo - New York Philharmonic Orchestra |
1 | Molto Adagio |
2 | I. Andante tranquillo |
3 | II. Allegro |
4 | III. Adagio |
5 | IV. Allegro molto |
6 | I. David before Saul. Largo |
7 | II. Invocation. Molto calmato e con divozione profunda |
8 | III. A Song of Degrees. Con moto solenne |
9 | Vivo - Pesante - Molto allargando - Animando |
1 | Leonore Overture No. 2, Op. 72a - New York Philharmonic Orchestra |
2 | Consecration of the House Overture, Op. 124 - New York Philharmonic Orchestra |
3 | König Stephan, Op. 117: Overture - New York Philharmonic Orchestra |
4 | Fidelio, Op. 72: Overture - New York Philharmonic Orchestra |
5 | Egmont, Op. 84: Overture - New York Philharmonic Orchestra |
6 | Leonore Overture No. 3, Op. 72a |
1 | Grande Ouverture de Benvenuto Cellini, Op. 23 |
2 | Allegro assai con fuoco - Andante sostenuto - Tempo I. Allegro vivace - New York Philharmonic Orchestra |
3 | Partie II, Roméo seul - Tristesse - Bruits de Concerts et de Bal. Andante malinconico e sostenuto |
4 | Partie II, Roméo seul - Tristesse - Bruits de Concerts et de Bal. Allegro - Larghetto espressivo |
5 | Partie II, Roméo seul - Tristesse - Bruits de Concerts et de Bal. Allegro |
6 | Partie III, Nuit sereine - Le jardin de Capulet silencieux et désert. Scène d'amour |
7 | Partie III, Nuit sereine - Le jardin de Capulet silencieux et désert. Allegretto - Adagio |
8 | Partie III, Nuit sereine - Le jardin de Capulet silencieux et désert. Allegro agitato - Adagio |
9 | Partie IV, Réunion des deux thèmes, du Larghetto. Scherzo. Prestissimo - Allegretto |
10 | La damnation de Faust, Op. 24: Rákóczy March "Hungarian March" |
1 | Pt. 1a, The Prologue. Lento moderato - Philippe Entremont |
2 | Pt. 1b, The Seven Ages. Variations 1 - 7 - Philippe Entremont |
3 | Pt. 1c, The Seven Stages. Variations 8 - 14 - Philippe Entremont |
4 | Pt. 2a, The Dirge. Largo - Philippe Entremont |
5 | Pt. 2b, The Masque. Extremely Fast - Philippe Entremont |
6 | Pt. 2c, The Epilogue. L'istesso tempo - Philippe Entremont |
7 | Part I - Molto Adagio - New York Philharmonic Orchestra |
8 | Part II - Allegretto - New York Philharmonic Orchestra |
1 | Part I - a) The Prologue - Lukas Foss |
2 | Part I - b) The Seven Ages (Variations I-VII) - New York Philharmonic Orchestra |
3 | Part I - c) The Seven Stages (Variations VIII-XIV) - New York Philharmonic Orchestra |
4 | Part II - a) The Dirge - Lukas Foss |
5 | Part II - b) The Masque - New York Philharmonic Orchestra |
6 | Part II - c) The Epilogue - New York Philharmonic Orchestra |
7 | I. Phaedrus: Pausanias (Lento - Allegro) - Symphony of the Air |
8 | II. Aristophanes (Allegretto) - Symphony of the Air |
9 | III. Eryximachus (Presto) - Symphony of the Air |
10 | IV. Agathon (Adagio) - Symphony of the Air |
11 | V. Socrates: Alcibiades (Molto tenuto - Allegro molto vivace) - Symphony of the Air |
1 | Overture to Candide: Allegro molto con brio - New York Philharmonic Orchestra |
2 | I. Prologue (Allegro moderato) |
3 | II. Somewhere (Adagio) |
4 | III. Scherzo (Vivace leggiero) |
5 | IV. Mambo (Meno presto) |
6 | V. Cha-Cha, "Maria" (Andantino con grazia) |
7 | VI. Meeting Scene (Meno mosso) |
8 | VII. Fugue, "Cool" (Allegretto) |
9 | VIII. Rumble (Molto allegro) |
10 | X. Finale (Adagio) |
11 | Andante (with dignity) - Presto barbaro Presto barbaro |
12 | Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima |
13 | Andante largamente - More Flowing - Still More Flowing - Poco meno mosso - Lento |
14 | Moving Forward, with Warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, With Intensity - Ancora più mosso |
15 | Allegro non troppo, molto marcato - Poco più sostenuto - Moving Forward - Meno mosso |
16 | A tempo |
17 | I. Enter Three Sailors |
18 | II. Scene at the Bar |
19 | III. Enter Two Girls |
20 | IV. Pas de deux |
21 | V. Competition Scene |
22 | VI. Three Dance Variations: Variation I (Galop) |
23 | Variation II (Waltz) |
24 | Variation III (Danzon) |
25 | VII. Finale |
1 | I. Prelude |
2 | II. Fugue |
3 | III. Riffs |
4 | The Great Lover |
5 | Lonely Town. Pas de deux |
6 | Times Square, 1944 |
7 | I. Phaedrus: Pausanias (Lento - Allegro marcato) |
8 | II. Aristophanes (Allegretto) |
9 | III. Erixymathus (Presto) |
10 | IV. Agathon (Adagio) |
11 | V. Socrates: Alcibiades (Molto tenuto - Allegro molto vivace) |
12 | I. Enter Three Sailors |
13 | II. Scene at the Bar |
14 | III. Enter Two Girls |
15 | IV. Pas de Deux |
16 | V. Competition Scene |
17 | VI. Three Dance Variations: Variation 1 (Galop) |
18 | Variation 2 (Waltz) |
19 | Variation 3 (Danzon) |
20 | VII. Finale |
1 | Part I: The Community - New York City Ballet Orchestra |
2 | The Fathers - New York City Ballet Orchestra |
3 | Witnesses of Birth - New York City Ballet Orchestra |
4 | The Children - New York City Ballet Orchestra |
5 | Part II: Kabbalah: Six Variations - New York City Ballet Orchestra |
6 | Part III: Witnesses of Death - New York City Ballet Orchestra |
7 | Leah - New York City Ballet Orchestra |
8 | Possession - New York City Ballet Orchestra |
9 | Exorcism - New York City Ballet Orchestra |
10 | The Community - New York City Ballet Orchestra |
1 | Les Toréadors: Allegro giocoso (Introduction to Act I) |
2 | Prélude: Andante moderato (Prelude to Act I) |
3 | Aragonaise: Allegro vivo (Prelude to Act IV) |
4 | Intermezzo: Andantino quasi Allegretto (Prelude to Act III) |
5 | Seguedille: Allegretto (Act I) |
6 | Les dragons d'Alcala: Allegro moderato (Prelude to Act II) |
7 | Marche des Contrebandiers: Allegro moderato (Act III) |
8 | Habanera: Allegretto quasi Andantino (Act I) |
9 | Nocturne: Andantino molto* (Act III) |
10 | Chanson du Toréador: Allegro moderato** (Act II) |
11 | La Garde montante: Allegro (Act I) |
12 | Danse bohême: Andante quasi Allegretto (Act II) |
13 | I. Prelude: Allegro deciso (Tempo di Marcia) - Andantino |
14 | Andante molto |
15 | II. Minuetto: Allegro giocoso |
16 | III. Adagietto - Adagio |
17 | IV. Carillon: Allegro moderato - Andantino - Tempo I |
18 | I. Pastorale. Andante sostenuto assai - Andantino - Tempo I - New York Philharmonic Orchestra |
19 | II. Intermezzo. Andante moderato ma con moto - Allegro moderato - New York Philharmonic Orchestra |
20 | III. Menuet. Andantino quasi Allegretto - New York Philharmonic Orchestra |
21 | IV. Farandole. Allegro deciso (Tempo di Marcia) - Allegro vivo e deciso - New York Philharmonic Orchestra |
1 | Overture |
2 | Tortoni No. 1 |
3 | Polka |
4 | Galop |
5 | Valse Lente |
6 | March |
7 | Grande Valse |
8 | Cancan |
9 | Barcarolle |
10 | Orphée aux enfers, IJO 60: Overture |
11 | Die schöne Galatea, IFS 21: Overture |
12 | Zampa, IFH 15: Overture |
13 | Raymond, IAT 18: Overture |
1 | Academic Festival Overture, Op. 80 |
2 | Tragic Overture, Op. 81 |
3 | I. Allegro moderato |
4 | II. Scherzo. Vivace |
5 | III. Adagio non troppo |
6 | IV. Quasi menuetto |
7 | V. Rondo. Allegro |
8 | Theme. Andante |
9 | Variation 1, Poco più animato |
10 | Variation 2, Più vivace |
11 | Variation 3, Con moto |
12 | Variation 4, Andante con moto |
13 | Variation 5, Vivace |
14 | Variation 6, Vivace |
15 | Variation 7, Grazioso |
16 | Variation 8, Presto non troppo |
17 | Finale. Andante |
1 | Theme A - Theme F |
2 | Variations A - D |
3 | Variations E - H |
4 | Variations I - M |
5 | Fugue: Allegro molto |
6 | I. Dawn: Lento e tranquillo |
7 | II. Sunday Morning: Allegro spiritoso |
8 | III. Moonlight: Andante comodo e rubato |
9 | IV. Storm: Presto con fuoco; Molto animato; largamente; Tempo I |
10 | Passacaglia, Op. 33b from Peter Grimes: Andante moderato |
11 | I. "Cakes and Ale". Fast and Rough |
12 | II. "The Bitter Withy". Allegretto |
13 | III. "Hankin Booby". Heavily |
14 | IV. "Hunt the Squirrel". Fast and gay |
15 | V. "Lord Melbourne": Slow and languid* |
16 | Theme A: Allegro maestoso e largamente (Full Orchestra) |
17 | Theme B (Woodwinds) |
18 | Theme C (Brass) |
19 | Theme D (Strings) |
20 | Theme E (Percussion) |
21 | Theme F (Full Orchestra) |
22 | Variation A (Piccolo & Flutes) |
23 | Variation B: Lento (Oboes) |
24 | Variation C: Moderato (Clarinets) |
25 | Variation D: Allegro alla marcia (Bassoons) |
26 | Variation E: Brillante - alla polacca (Violins) |
27 | Variation F: Meno mosso (Violas) |
28 | Variation G (Cellos) |
29 | Variation H: Comminciando lento ma poco a poco accel. (Double basses) |
30 | Variation I: Maestoso (Harp) |
31 | Variation J: L'istesso tempo (French Horns) |
32 | Variation K: Vivace (Trumpets) |
33 | Variation L: Allegro pomposo (Trombones & Tuba) |
34 | Variation M: Moderato (Percussion) |
35 | Fugue: Allegro molto (Full Orchestra) |
1 | I. Very Slowly |
2 | II. Allegro |
3 | III. Moderato |
4 | IV. Quite Fast |
5 | V. Subito allegro |
6 | VI. Meno mosso |
7 | VII. Doppio movimento |
8 | VIII. Coda. Moderato |
9 | I. Buckaroo Holiday |
10 | II. Corral Nocturne |
11 | III. Saturday Night Waltz |
12 | IV. Hoe Down |
13 | I. Introduction. The Open Prairie |
14 | II. Street in a Frontier Town |
15 | III. Mexican Dance and Finale |
16 | IV. Prairie Night. Card Game at Night |
17 | V. Gun Battle |
18 | VI. Celebration. After Billy's Capture |
19 | VII. Billy's Death |
20 | VIII. The Open Prairie Again |
21 | Fanfare for the Common Man |
1 | I. Prologue |
2 | II. Dance |
3 | III. Interlude |
4 | IV. Burlesque |
5 | V. Epilogue |
6 | Connotations for Orchestra |
7 | Inscape |
8 | El Salón México |
1 | No. 1: Gigues |
2 | I. Par les rues et par les chemins |
3 | II. Les parfums de la nuit |
4 | III. Le matin d'un jour de fete |
5 | No. 3: Rondes de printemps |
6 | Pavane pour une infante défunte, M. 19 |
7 | I. Pavane de la belle au bois dormant |
8 | II. Petit poucet |
9 | III. Laideronnette - Impératrice des pagodes - Mouvement de marche |
10 | IV. Les entretiens de la Belle et de la Bête |
11 | V. Le jardin féerique |
1 | No. 1, De l'aube à midi sur la mer - New York Philharmonic Orchestra |
2 | No. 2, Jeux de vagues - New York Philharmonic Orchestra |
3 | No. 3, Dialogue du vent et de la mer - New York Philharmonic Orchestra |
4 | Prélude à l'après-midi d'un faune, L. 86 - New York Philharmonic Orchestra |
5 | Jeux, L. 126 - New York Philharmonic Orchestra |
6 | No. 1, Nuages - New York Philharmonic Orchestra |
7 | No. 2, Fêtes - New York Philharmonic Orchestra |
1 | Carnival Overture, Op. 92 - New York Philharmonic Orchestra |
2 | No. 1, Furiant |
3 | No. 3, Polka |
4 | The Bartered Bride, JB 1:100: Overture |
5 | Polka - New York Philharmonic Orchestra |
6 | Furiant - New York Philharmonic Orchestra |
7 | Dance of the Comedians - New York Philharmonic Orchestra |
8 | Má vlast, JB 1:112: No. 2, Vltava (Die Moldau) |
1 | Allegro con fuoco |
2 | Introducción y Escena |
3 | En la Cueva |
4 | Canción del Amor Dolido |
5 | El Aparecido |
6 | Danza del Terror |
7 | El Circulo Mágico (Romance del Pescador) |
8 | A Media Noche, Los Sortilegios |
9 | Danza Ritual del Fuego |
10 | Escena |
11 | Canción del Fuego Fatuo |
12 | Pantomima |
13 | Danza del Juego de Amor |
14 | Final. Las Campanas del Amanecer |
15 | Fanfare pour une fête |
16 | La Vida Breve: Interlude and Dance |
17 | 1. Introducción - La tarde |
18 | 2. Danza de la molinera |
19 | 3. El Corregidor |
20 | 4. Las uvas |
21 | 1. Danza de los vecinos |
22 | 2. Danza del molinero |
23 | 3. Danza final |
24 | Ritual Fire Dance from El Amor Brujo |
1 | Rhapsody in Blue |
2 | An American in Paris - New York Philharmonic Orchestra |
3 | I. Sunrise - New York Philharmonic Orchestra |
4 | II. The Painted Desert - New York Philharmonic Orchestra |
5 | III. On the Trail - New York Philharmonic Orchestra |
6 | IV. Sunset - New York Philharmonic Orchestra |
7 | V. Cloudburst - New York Philharmonic Orchestra |
1 | I. Morning Mood (Allegretto pastorale) |
2 | II. Åse's Death (Andante doloroso) |
3 | III. Anitra's Dance |
4 | IV. In the Hall of the Mountain King |
5 | I. The Abduction of the Bride. Ingrid's Lament |
6 | II. Arabian Dance |
7 | III. Peer Gynt's Return Home |
8 | IV. Solvejg's Song |
9 | Norwegian Dance, Op. 35, No. 2 |
10 | Lyric Suite, Op. 54, No. 3: March of the Trolls |
11 | Lento |
12 | Andante molto sostenuto |
13 | Andante sostenuto - Allegro moderato - Allegro |
1 | I. Allegro |
2 | II. Turandot, Scherzo. Moderato - Lebhaft |
3 | III. Andantino |
4 | IV. Marsch |
5 | Mäßig schnell, mit Kraft |
6 | Sehr breit, aber stets fließend |
7 | Lebhaft I |
8 | Langsam |
9 | Im ersten Zeitmaß |
10 | Lebhaft II |
11 | Pacific 231, H.53 |
12 | Rugby, H.67 |
13 | Pastorale d'été, H.31 |
1 | I. Mars, the Bringer of War - New York Philharmonic Orchestra |
2 | II. Venus, the Bringer of Peace - New York Philharmonic Orchestra |
3 | III. Mercury, the Winged Messenger - New York Philharmonic Orchestra |
4 | IV. Jupiter, the Bringer of Jollity - New York Philharmonic Orchestra |
5 | V. Saturn, the Bringer of Old Age - New York Philharmonic Orchestra |
6 | VI. Uranus, the Magician |
7 | VII. Neptune, the Mystic - New York Philharmonic Orchestra |
8 | Pomp and Circumstance, Op. 39: March No. 1 in D Major |
1 | The Unanswered Question |
2 | I. George Washington's Birthday |
3 | II. Decoration Day |
4 | III. Fourth of July |
5 | IV. Thanksgiving and Forefathers' Day |
6 | Central Park in the Dark - Seiji Ozawa |
7 | The Gong on the Hook and Ladder (Firemen's Parade on Main Street) |
8 | The Circus Band |
1 | Promenade |
2 | 1. Gnomus |
3 | Promenade. Moderato comodo e con delicatezza |
4 | 2. Il vecchio castello |
5 | Promenade. Moderato non tanto, pesante |
6 | 3. Tuileries. Allegretto non troppo, capriccioso |
7 | 4. Bydlo |
8 | Promenade. Tranquillo |
9 | 5. Ballet des poussins dans leurs coques. Scherzino. Vivo leggiero |
10 | 6. Samuel Goldenberg and Schmuyle. Andante |
11 | 7. Limoges, le marché |
12 | 8. Catacombae |
13 | Cum mortuis in lingua mortua. Andante non troppo, con lamento |
14 | 9. La Cabane sur des pattes de poule |
15 | 10. La grande porte de Kiev |
16 | Night on Bald Mountain |
17 | The Sorcerer's Apprentice |
1 | Andantino |
2 | Allegro - Andantino, come prima |
3 | L'istesso tempo - Più mosso |
4 | Moderato - Allegro ma non troppo - Moderato |
5 | Poco più andante |
6 | Andantino, come prima - Andante |
7 | Andante molto |
8 | Nervoso - Allegro - Andante |
9 | Allegretto - Moderato |
10 | Andantino, come prima - Meno mosso |
11 | Vivo - Andante molto - Vivo - Andante |
12 | Allegro - Poco meno mosso - Moderato (Meno mosso) |
13 | Allegro moderato |
14 | Andante |
15 | Moderato - Poco piu mosso (Allegro moderato) - Sostenuto - L'istesso tempo - Poco piu mosso |
16 | Andante - Allegro |
17 | 1. Introduction et Marche royale du Lion |
18 | 2. Poules et Coqs |
19 | 3. Hémiones |
20 | 4. Tortues |
21 | 5. L'Élephant |
22 | 6. Kangourous |
23 | 7. Aquarium |
24 | 8. Personnages à longues oreilles |
25 | 9. Le Coucou au fond des bois |
26 | 10. Volière |
27 | 11. Pianistes |
28 | 12. Fossiles |
29 | 13. Le Cynge |
30 | 14. Final |
31 | Danse Macabre, Op. 40 |
1 | Peter and the Wolf, Op. 67 - New York Philharmonic Orchestra |
2 | I. Introduction et Marche royale du Lion |
3 | II. Pouls et Coqs |
4 | III. Hémiones |
5 | IV. Tortues |
6 | V. L'Elephant |
7 | VI. Kangourous |
8 | VII. Aquarium |
9 | VIII. Personnages a longues oreilles |
10 | IX. La Coucou au fond des bois |
11 | X. Voliere |
12 | XI. Pianistes |
13 | XII. Fossiles |
14 | XIII. Le Cygne |
15 | XIV. Finale |
1 | Tempo di Boléro moderato assai |
2 | Assez vif - Plus lent - Au mouvement |
3 | Mouvement de valse viennoise - Un peu plus modéré - 1er mouvement - Assez animé |
4 | I. Prélude à la nuit |
5 | II. Malagueña |
6 | III. Habanera |
7 | IV. Feria |
1 | Boléro, M. 81 |
2 | La valse, M. 72 |
3 | I. Prélude à la nuit |
4 | II. Malagueña |
5 | III. Habañera |
6 | IV. Feria |
7 | Miroirs, M. 43: IV. Alborada del gracioso |
1 | Part I, Introduction. Lent |
2 | Part I, Danse religieuse. Modéré |
3 | Part I, Les jeunes filles - Danse générale |
4 | Part I, Danse grotesque de Dorcon |
5 | Part I, Danse légère et gracieuse de Daphnis |
6 | Part I, Lyceion entre - Lyceion danse |
7 | Part I, Nocturne. Modéré |
8 | Part I, Interlude. Même mouvement |
9 | Part II, Danse guerrière. Animé et très rude |
10 | Part II, Danse suppliante de Chloé. Modéré |
11 | Part III, Lever du jour. Lent |
12 | Part III, Pantomime. Chloé figure la jeune nymphe. Lent |
13 | Part III, Devant l'autel des nymphes - Danse générale |
14 | La valse, M. 72 |
1 | I. I pini di Villa Borghese - New York Philharmonic Orchestra |
2 | II. Pini presso una catacomba - New York Philharmonic Orchestra |
3 | III. I pini del Gianicolo - New York Philharmonic Orchestra |
4 | IV. I pini della Via Appia - New York Philharmonic Orchestra |
5 | I. Circenses - New York Philharmonic Orchestra |
6 | II. Il Giubileo - New York Philharmonic Orchestra |
7 | III. L'Ottobrata - New York Philharmonic Orchestra |
8 | IV. La Befana - New York Philharmonic Orchestra |
9 | Luonnotar, Op. 70 |
10 | Pohjola's Daughter, Op. 49 |
1 | I. The Sea and Sinbad's Ship. Largo e maestoso - New York Philharmonic Orchestra |
2 | II. The Kalendar Prince. Lento - Andantino - Allegro molto - Vivace scherzando - Moderato assai - Allegro molto ed animato - New York Philharmonic Orchestra |
3 | III. The Young Prince and the Young Princess: Andantino quasi allegretto |
4 | IV. Festival at Baghdad - The Sea - The Shipwreck. Allegro molto - Lento - Vivo - Allegro non troppo e maestoso - Lento - Tempo come I - New York Philharmonic Orchestra |
5 | I. Alborada. Vivo e strepitoso |
6 | II. Variazioni. Andante con moto |
7 | III. Alborada. Vivo e strepitoso |
8 | IV. Scena e canto gitano. Allegretto |
9 | V. Fandango asturiano |
1 | The Barber of Seville: Overture - New York Philharmonic Orchestra |
2 | Overture "The Italian Girl in Algiers: Overture - New York Philharmonic Orchestra |
3 | Guillaume Tell: Overture - New York Philharmonic Orchestra |
4 | La gazza ladra: Overture - New York Philharmonic Orchestra |
5 | Overture "Semiramide" - New York Philharmonic Orchestra |
6 | La scala de seta: Overture - New York Philharmonic Orchestra |
7 | Overture "Light Cavalry" Ouverture "Die leichte Kavallerie" - New York Philharmonic Orchestra |
8 | Overture "Poet and Peasant" Ouverture "Dichter und Bauer" - New York Philharmonic Orchestra |
1 | Also sprach Zarathustra, Op. 30: Einleitung |
2 | Also sprach Zarathustra, Op. 30: Von den Hinterweltlern |
3 | Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht |
4 | Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften |
5 | Also sprach Zarathustra, Op. 30: Das Grablied |
6 | Also sprach Zarathustra, Op. 30: Von derWissenschaft |
7 | Also sprach Zarathustra, Op. 30: Der Genesende |
8 | Also sprach Zarathustra, Op. 30: Ziemlich langsam - schnell |
9 | Also sprach Zarathustra, Op. 30: Das Tanzlied |
10 | Also sprach Zarathustra, Op. 30: Nachtwandlerlied |
11 | Also sprach Zarathustra, Op. 30: Langsam |
12 | Till Eulenspiegels lustige Streiche, Op. 28 |
13 | Don Juan, Op. 20 - Tondichtung nach Mikolaus Lenau |
1 | The Blue Danube Waltz, Op. 314 |
2 | Vienna Blood Waltz, Op. 354 |
3 | Perpetuum mobile, Op. 257 |
4 | Tritsch-Tratsch-Polka, Op. 214 |
5 | Tales from the Vienna Woods Walzer, Op. 325 |
6 | The Emperor Waltz, Op. 437 |
7 | Voices of Spring, Op. 410 |
8 | Artist's Life Walzer, Op. 316 |
9 | Auf der Jagd, Op. 373 |
10 | Roses from the South, Op. 388 (Rosen aus dem Suden) |
11 | Radetsky March, Op. 228 |
1 | Festliches Praludium Op. 61 |
2 | Tanz der sieben Schleier, Op. 54 |
3 | I. Sinfonia (Ouverture). Allegro moderato |
4 | II. Serenata. Larghetto |
5 | III. a) Scherzino |
6 | III. b) Allegro |
7 | III. c) Andantino |
8 | IV. Tarantella. dotted half note = 88 |
9 | V. Toccata. Allegro |
10 | VI. Gavotta (con due variazioni). Allegro moderato |
11 | Variazione I. Allegretto |
12 | Variazione II. Allegro piu tosto moderato |
13 | VII. Vivo (Duetto) |
14 | VIII. a) Minuetto. Molto moderato |
15 | VIII. b) Finale. Allegro assai |
1 | Le Sacre du printemps, Pt. 1 "L'Adoration de la terre": Introduction |
2 | Le Sacre du printemps, Pt. 1 "L'Adoration de la terre": Les Augures printaniers |
3 | Le Sacre du printemps, Pt. 1 "L'Adoration de la terre": Jeu du rapt |
4 | Le Sacre du printemps, Pt. 1 "L'Adoration de la terre": Rondes printanières |
5 | Le Sacre du printemps, Pt. 1 "L'Adoration de la terre": Jeux des cités rivales |
6 | Le Sacre du printemps, Pt. 1 "L'Adoration de la terre": Cortège du sage |
7 | Le Sacre du printemps, Pt. 1 "L'Adoration de la terre": Adoration de la terre |
8 | Le Sacre du printemps, Pt. 1 "L'Adoration de la terre": Danse de la terre |
9 | Le Sacre du printemps, Pt II "Le Sacrifice": Introduction |
10 | Le Sacre du printemps, Pt II "Le Sacrifice": Cercles mystérieux des adolescentes |
11 | Le Sacre du printemps, Pt II "Le Sacrifice": Glorification de l'élue |
12 | Le Sacre du printemps, Pt II "Le Sacrifice": Évocation des ancêtres |
13 | Le Sacre du printemps, Pt II "Le Sacrifice": Action rituelle des ancêtres |
14 | Le Sacre du printemps, Pt II "Le Sacrifice": Danse sacrale (L'Élue) |
15 | Scene I: Fête populaire de la semaine grasse |
16 | Scene I: La Cabine du Charlatan |
17 | Scene I: Danse russe |
18 | Scene II: Chez Pétrouchka |
19 | Scene III: Chez le Maure |
20 | Scene III: Danse de la Ballerine |
21 | Scene III: Valse - La Ballerine et le Maure |
22 | Scene IV: Fête populaire de la semaine grasse (vers le soir) |
23 | Scene IV: Danse des nounous |
24 | Scene IV: L'Ours et un paysan |
25 | Scene IV: Un marchand fêtard avec deux tziganes |
26 | Scene IV: Danse des cochers et des palefreniers |
27 | Scene IV: Les Déguisés |
28 | Scene IV: La Rixe: Le Maure et Pétrouchka |
29 | Scene IV: Mort de Pétrouchka |
30 | Scene IV: La Police et le Charlatan |
31 | Scene IV: Apparition du double de Pétrouchka |
1 | Introduction. Lento - London Symphony Orchestra |
2 | The Augurs of Spring - London Symphony Orchestra |
3 | Mock Abduction - London Symphony Orchestra |
4 | Spring Round Dances - London Symphony Orchestra |
5 | Games of the Rival Tribes - London Symphony Orchestra |
6 | Procession of the Wise Elders - London Symphony Orchestra |
7 | Adoration of the Earth (Wise Elder) - London Symphony Orchestra |
8 | Dance of the Earth - London Symphony Orchestra |
9 | Introduction. Largo - London Symphony Orchestra |
10 | Mystical Circles of the Young Girls - London Symphony Orchestra |
11 | Glorification of the Chosen Victim - London Symphony Orchestra |
12 | Summoning of the Ancestors - London Symphony Orchestra |
13 | Ritual of the Ancestors - London Symphony Orchestra |
14 | Sacrificial Dance (The Chosen Victim) - London Symphony Orchestra |
15 | I. Introduction - New York Philharmonic Orchestra |
16 | II. The Firebird and Its Dance - New York Philharmonic Orchestra |
17 | III. Variation of the Firebird - New York Philharmonic Orchestra |
18 | IV. The Princesses' Round - New York Philharmonic Orchestra |
19 | V. Infernal Dance of King Kashchei - New York Philharmonic Orchestra |
20 | VI. Lullaby - New York Philharmonic Orchestra |
21 | VII. Finale - New York Philharmonic Orchestra |
1 | Romeo and Juliet Fantasy Overture, TH 42 - New York Philharmonic Orchestra |
2 | Capriccio italien, Op. 45, TH 47 |
3 | Francesca da Rimini, Op. 32, TH 46 |
4 | Marche slave, Op. 31, TH 45 - New York Philharmonic Orchestra |
1 | 1812 Overture, Op. 49, TH 49 |
2 | Hamlet Fantasy Overture, Op. 67, TH 53 |
3 | I. Pezzo in forma di sonatina |
4 | II. Valse |
5 | III. Elegia |
6 | IV. Finale |
7 | String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) |
1 | I. Ouverture miniature. Allegro giusto - New York Philharmonic Orchestra |
2 | IIa. Danses caractéristiques. March - New York Philharmonic Orchestra |
3 | IIb. Danses caractéristiques. Danse de la fée-dragée - New York Philharmonic Orchestra |
4 | IIc. Danses caractéristiques. Danse russe - New York Philharmonic Orchestra |
5 | IId. Danses caractéristiques. Danse arabe - New York Philharmonic Orchestra |
6 | IIe. Danses caractéristiques. Danse chinoise - New York Philharmonic Orchestra |
7 | IIf. Danses caractéristiques. Danse des mirlitons - New York Philharmonic Orchestra |
8 | III. Valse des fleurs - New York Philharmonic Orchestra |
9 | No. 5a, Pas de deux. Tempo di valse - New York Philharmonic Orchestra |
10 | No. 5b, Pas de deux. Andante - Allegro - New York Philharmonic Orchestra |
11 | No. 19a, Pas de deux. Allegro moderato - New York Philharmonic Orchestra |
12 | No. 5d, Pas de deux. Coda. Allegro molto vivace - New York Philharmonic Orchestra |
13 | No. 14, Scène. Moderato - New York Philharmonic Orchestra |
14 | No. 13, Danses des cygnes. I. Tempo di valse - New York Philharmonic Orchestra |
15 | No. 13, Danses des cygnes. II. Moderato assai - New York Philharmonic Orchestra |
16 | No. 13, Danses des cygnes. IV. Allegro moderato - New York Philharmonic Orchestra |
17 | No. 13, Danses des cygnes. V. Andante - Allegro ma non troppo - New York Philharmonic Orchestra |
18 | No. 13, Danses des cygnes. VI Tempo di valse - New York Philharmonic Orchestra |
19 | No. 13, Danses des cygnes. VII. Coda. Allegro vivace - New York Philharmonic Orchestra |
20 | No. 15, Allegro giusto - New York Philharmonic Orchestra |
21 | No. 20, Danse hongroise. Czárdás. Moderato assai - Allegro moderato - Vivace - New York Philharmonic Orchestra |
22 | No. 21, Danse espagnole. Allegro non troppo - New York Philharmonic Orchestra |
23 | No. 22, Danse napolitaine. Allegro moderato - Andantino quasi moderato - Presto - New York Philharmonic Orchestra |
24 | No. 23, Mazurka. Tempo di mazurka - New York Philharmonic Orchestra |
25 | The Sleeping Beauty, Op. 66, TH 13: No. 6, Valse. Allegro - New York Philharmonic Orchestra |
26 | Eugene Onegin, Op. 24, TH 5: Polonaise. Moderato - New York Philharmonic Orchestra |
1 | Ouverture |
2 | Ouverture |
3 | Prelude to Act I |
4 | Prelude to Act III |
5 | Prelude to Act I |
6 | Die Meistersinger von Nürnberg, WWV 96: Prelude to Act III - Dance of the Apprentices - Entry of the Masters |
7 | Die Walküre, WWV 86B: The Ride of the Valkyries |
8 | Die Walküre, WWV 86B: Magic Fire Music |
1 | Tannhäuser, WWV 70: Overture |
2 | Tannhäuser, WWV 70: Festive March |
3 | Tristan und Isolde, WWV 90: Prelude and Liebestod |
1 | Ruslan and Lyudmila: Overture |
2 | In the Steppes of Central Asia |
3 | The Red Poppy: Russion Sailor's Dance |
4 | II. In the Village |
5 | IV. Procession of the Sardar |
6 | Khovanshichina: Dawn over the Moscow River |
7 | I. The Adoration of Veles and Ala |
8 | II. The Enemy God and the Dance of the Spirits of Darkness |
9 | III. Night |
10 | IV. The Glorious Departure of Lolli and the Procession of the Sun's Procession |
11 | The Love for Three Oranges Suite, Op. 33a: III. March. Tempo di Marcia |
12 | III. Kijé's Wedding. Allegro fastoso |
13 | IV. Troika. Moderato - Allegro con brio |
14 | III. Polka. Allegretto |
15 | I. Toccata - Allegro molto |
16 | II. Elegietta - Andante |
17 | III. Finale - Allegro molto vivace |
1 | Danzón Cubano |
2 | Concerto for Orchestra |
3 | St. Louis Blues (Concerto Grosso) |
4 | I. Allegro |
5 | II. Andante - Ballad |
6 | III. Adagio - Ballad |
7 | IV. Allegro - Blues |
8 | Improvisations for Orchestra and Jazz Soloists |
1 | El Salón México |
2 | Reisado do Pastoreio: III. Batuque |
3 | Dansa Brasileira |
4 | Sensemayá, R. 67 |
5 | Phorion |
6 | Fantasia on a Theme by Thomas Tallis |
7 | Fantasia on Greensleeves |
8 | La Création du Monde, Op. 81 |
1 | Atmosphères |
2 | Out of "Last Pieces" |
3 | I |
4 | II |
5 | III |
6 | IV |
7 | Crescendo e Diminuendo |
8 | Part I |
9 | Part II |
10 | Part III |
11 | I. Larghetto, molto espressivo, ma semplice |
12 | II. Allegro misurato, ma con fuoco |
13 | III. Molto sostenuto |
14 | IV. Allegro assai, ma non precipitato |
1 | I. Introduction - Siesta in the Market Place |
2 | II. Entrance of the Vendors |
3 | III. Entrance of the Customers |
4 | IV. Tango of the Merchant's Daughters |
5 | V. Arrival of the Circus |
6 | VI. Circus March |
7 | VII. The Flutist |
8 | VIII. Minuet |
9 | IX. Spanish Waltz |
10 | X. Eight o'clock strikes |
11 | XI. Siciliana |
12 | XII. Polka Finale |
13 | Prelude for Orchestra |
14 | I. Vigoroso |
15 | II. Lento |
1 | 6 Hungarian Rhapsodies, S. 359: No. 1 in F Minor |
2 | 6 Hungarian Rhapsodies, S. 359: No. 4 in D Minor |
3 | No. 1 in A Major |
4 | 21 Hungarian Dances, WoO 1: No. 5, Allegro in F-Sharp Minor |
5 | 21 Hungarian Dances, WoO 1: No. 6, Vivace in D-Flat Major |
6 | German Dance in C Major, K. 605, No. 3 "The Sleigh Ride" |
7 | Les préludes, S. 97 |
8 | Hora Staccato |
9 | I gioielli della Madonna: Intermezzo II |
1 | Le nozze di Figaro, K 492: Overture |
2 | Die lustigen Weiber von Windsor: Overture |
3 | Donna Diana: Overture |
4 | Die Fledermaus, Op. 362: Overture |
5 | Der Zigeunerbaron: Overture |
6 | Mignon: Overture |
7 | Der Freischütz, Op. 77: Overture |
8 | Euryanthe, Op. 81: Overture |
9 | Oberon, J.306: Overture |
1 | Ruy Blas, Op. 95: Overture |
2 | The Hebrides, Op. 26, MWV P 7 "Fingal's Cave": Overture |
3 | Des Teufels Lustschloss, D.84: Overture |
4 | Manfred, Op. 115: Overture |
5 | Genoveva, Op. 81 |
6 | Aufforderung zum Tanz, Op. 65 |
7 | Hänsel und Gretel: Abendsegen |
8 | Il segreto di Susanna |
1 | Dance of the Polovtsian Maidens |
2 | Polovtsian Dance: Introduzione - Andantino |
3 | Allegro vivo |
4 | Allegro |
5 | Presto I |
6 | Moderato alla breve |
7 | Presto II |
8 | Allegro con spirito - Più animato |
9 | I. Allegretto. Mouvement de valse - |
10 | II. Adagio - Animato |
11 | III. Allegretto |
12 | IV. Moderato maestoso - Animato sempre |
13 | V. Moderato con moto - |
14 | VI. Allegretto |
15 | VII. Allegro vivo - Poco meno - A tempo - Plus animé |
16 | Dance of the Hours |
17 | Snow Maiden, Act III: Dance of the Tumblers |
18 | Bacchanale |
19 | Act I, Scene 2: Dance of the Priestesses. Allegretto |
20 | Act II, Scene 1: Dance of the Blackamoors. Più Mosso |
21 | Act II, Scene 2: Ballet. Più Mosso |
22 | Act II, Scene 2: Grand March. Allegro maestoso |
23 | Eugene Onegin, Op. 24, Act II: Waltz |
1 | Semper Fidelis |
2 | The Thunderer |
3 | Washington Post |
4 | Hands Across The Sea |
5 | Under the Double Eagle |
6 | Battle Hymn of the Republic |
7 | Anchors Aweigh |
8 | Stars and Stripes Forever! |
9 | The British Grenadiers |
10 | Rule Britannia |
11 | Le Marseillaise |
12 | The National Emblem |
13 | Le Prophète: Coronation March |
14 | Athalie, Op. 74, MWV M 16: No. 4b, War March of the Priests |
15 | Aida: Grand March (Triumphal March) |
16 | Colonel Bogey |
17 | The Star-Spangled Banner (1975 Recording) |
18 | The Star-Spangled Banner (1962 Recording) |