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The Fox and the Hound is a 1981 American animated buddy drama film produced by Walt Disney Productions and loosely based on the novel of the same name by Daniel P. Mannix. The 24th film in the Walt Disney Animated Classics series, the film tells the story of two unlikely friends, a red fox named Tod and a hound dog named Copper, who struggle to preserve their friendship despite their emerging instincts and the surrounding social pressures demanding them to be adversaries. Directed by Ted Berman, Richard Rich, and Art Stevens, the film features the voices of Kurt Russell, Mickey Rooney, Jack Albertson, Pearl Bailey, Pat Buttram, Sandy Duncan, Richard Bakalyan, Paul Winchell, Jeanette Nolan, John Fiedler, John McIntire, Keith Coogan, and Corey Feldman. The Fox and the Hound was released to theaters on July 10, 1981 to financial success.[3] At the time of release it was the most expensive animated film produced to date, costing $12 million.[1] It was re-released to theaters on March 25, 1988.[3] A direct-to-video midquel, The Fox and the Hound 2, was released to DVD on December 12, 2006. Contents 1 Plot2 Cast3 Production 3.1 Development3.2 Transition of animators3.3 Writing 4 Reception 4.1 Critical reception4.2 Accolades 5 Home media6 Soundtrack 6.1 Track listing 7 Other media8 Midquel9 References10 External links Plot After a young red fox is orphaned, Big Mama the owl, Boomer the woodpecker, and Dinky the finch arrange for him to be adopted by a kindly farmer named Widow Tweed. Tweed names him Tod, since he reminds her of a toddler. Meanwhile, her neighbor, a hunter named Amos Slade, brings home a young hound puppy named Copper and introduces him to his hunting dog Chief. Tod and Copper become playmates and vow to remain "friends forever". Slade becomes frustrated with Copper for frequently wandering off to play and puts him on a leash. While playing with Copper at his home, Tod awakens Chief. Slade and Chief chase him until they are confronted by Tweed. After a violent argument, Slade threatens to kill Tod if he trespasses on his farm again. Hunting season comes and Slade takes his dogs into the wilderness for the interim. Meanwhile, Big Mama, Dinky and Boomer attempt to explain to Tod that his friendship with Copper can no longer continue, as they are natural enemies, but Tod naively refuses to believe them, hoping that he and Copper will remain friends forever. As months pass, Tod and Copper both reach adulthood. Copper has become an experienced hunting dog, while Tod has grown up into a handsome fox. On the night of Copper's return, Tod sneaks over to visit him one more time. Copper explains that while he still values Tod as a friend, he is now a hunting dog and things are different. Their conversion awakens Chief, who alerts Slade. In the ensuing chase Copper catches Tod. Copper lets the fox go and diverts Chief and Slade. Tod tries escaping on a railroad track, but is caught and pursued by Chief as a train suddenly passes by them. Tod ducks under the train, but Chief is struck by the train and falls into a river below, breaking his leg. Angered by this, Copper and Slade blame Tod for the accident and vow vengeance. Tweed, realizing that Tod is no longer safe with her, takes him on a drive and leaves him at a game preserve. Tod's first night alone in the woods proves disastrous, accidentally trespassing into an angry old badger's den. Thankfully, a friendly porcupine offers Tod shelter. That same night, Slade and Copper plan revenge on Tod. The next morning, Big Mama finds Tod and introduces him to a female fox named Vixey. Wanting to impress her, Tod tries to catch a fish, but fails due to not having survival skills. Vixey and the other animals laugh at him, but Big Mama straightens the matter by directing Tod to be himself. The two foxes reconcile and Vixey helps Tod adapt to life in the forest. Meanwhile, Slade and Copper trespass into the preserve in order to hunt Tod. As Tod manages to escape Slade's leghold traps, Copper and Slade pursue both foxes. They hide in their burrow while Slade tries trapping them by setting fire to the other end of the burrow. The foxes narrowly escape without getting burned as Slade and Copper chase them up the top of a hill until they reach a waterfall. There, Slade and Copper close in for the kill, but a large bear suddenly emerges from the bushes and attacks Slade. Slade falls and steps into one of his own traps, dropping his gun slightly out of reach. Copper tries fighting the bear but is no match for it. Not willing to let his old friend die, Tod intervenes and fights off the bear until they both fall down the waterfall. With the bear gone, a bewildered Copper approaches Tod as he lies exhausted near the bank of a waterfall-created lake. When Slade appears, Copper positions himself in front of Tod to prevent Slade from shooting him, refusing to move away. Slade lowers his gun and leaves with Copper. The two former friends share one last smile, and wave goodbye before parting. At home, Tweed nurses Slade back to health while the dogs rest. Copper, before resting, smiles as he remembers the day when he first met Tod. On a hill, Vixey joins Tod as he looks down on the homes of Slade and Tweed. Cast Mickey Rooney as TodKurt Russell as CopperPearl Bailey as Big MamaJack Albertson as Amos SladeSandy Duncan as VixeyJeanette Nolan as Widow TweedPat Buttram as ChiefJohn Fiedler as The PorcupineJohn McIntire as The BadgerDick Bakalyan as DinkyPaul Winchell as BoomerKeith Mitchell as Young TodCorey Feldman as Young Copper Production Development Production of the film began in Spring 1977.[3] The film marked a turning point in the studio: Walt Disney's "Nine Old Men" did initial development of the animation, but by the end of production the younger set of Disney animators completed the production process.[4][5][6] Wolfgang Reitherman was producer, and championed staying true to the novel, while Larry Clemmons was head of the story team. Frank Thomas, Ollie Johnston, and Cliff Nordberg did much of the early development of the main characters. Transition of animators The newer generation of directors and animators, including John Lasseter, John Musker, Ron Clements, Glen Keane, Tim Burton, Brad Bird, Henry Selick, Chris Buck, and Mark Dindal, would finalize the animation and complete the film's production. These animators had moved through the in-house animation training program, and would all play an important role in the Disney Renaissance of the 1980s and 1990s.[4] However, the transition between the old guard and the new resulted in arguments over how to handle the film. Reitherman had his own ideas on the designs and layouts that should be used, but the newer team backed Stevens. Animator Don Bluth declared Disney's work "stale" and walked out with 11 others to form his own studio. With 17% of the animators now gone, production on The Fox and the Hound was delayed.[3] Bluth had animated Widow Tweed and her cow, Abigail, and his team worked on the rest of the sequence. The exodus of so many animators forced the cancellation of the film's original Christmas 1980 premiere while new artists were hired.[7] Four years after production started the film was finished with approximately 360,000 drawings, 110,000 painted cels and 1,100 painted backgrounds making up the finished product. A total of 180 people, including 24 animators, worked on the film.[3] Writing In the original screenplay, Chief was slated to die the same as in the novel, but Stevens did not want to have an on-screen death and modified the film so that he would survive, similar to Baloo in The Jungle Book, and Trusty in Lady and the Tramp.[7] Reception Critical reception In The Animated Movie Guide, Jerry Beck considered the film "average", though he praises the voice work of Pearl Bailey as Big Momma, and the extreme dedication to detail shown by animator Glen Keane in crafting the fight scene between Copper, Tod, and the bear.[7] In The Disney Films, Leonard Maltin also notes that the fight scene between Copper, Tod, and the bear received great praise in the animation world. Maltin felt the film relied too much on "formula cuteness, formula comedy relief, and even formula characterizations".[8] Overall, he considered the film "charming" stating that it is "warm, and brimming with personable characters" and that it "approaches the old Disney magic at times."[9] Craig Butler from All Movie Guide stated that the film was a "warm and amusing, if slightly dull, entry in the Disney animated canon." He also called it "conventional and generally predictable" with problems in pacing. However, he praised the film's climax and animation, as well as the ending. His final remark is that "Two of the directors, Richard Rich and Ted Berman, would next direct The Black Cauldron, a less successful but more ambitious project."[10] Richard Corliss of Time Magazine, praised the film for an intelligent story about prejudice. He argued that the film shows that biased attitudes can poison even the deepest relationships, and the film's bittersweet ending delivers a powerful and important moral message to audiences.[11] Roger Ebert of the Chicago Times also praised the film, saying that "for all of its familiar qualities, this movie marks something of a departure for the Disney studio, and its movement is in an interesting direction. The Fox and the Hound is one of those relatively rare Disney animated features that contains a useful lesson for its younger audiences. It's not just cute animals and frightening adventures and a happy ending; it's also a rather thoughtful meditation on how society determines our behavior."[12] TV Guide gave the film four out of five stars, saying that "The animation here is better than average (veteran Disney animators Wolfgang Reitherman and Art Stevens supervised the talents of a new crop of artists that developed during a 10-year program at the studio), though not quite up to the quality of Disney Studios in its heyday. Still, this film has a lot of "heart" and is wonderful entertainment for both kids and their parents. Listen for a number of favorites among the voices."[13] The film has a "fresh" 69% rating on Rotten Tomatoes, based on 26 reviews with a 6.6 score. The consensus states that "The Fox and the Hound is a likeable, charming, unassuming effort that manages to transcend its thin, predictable plot".[14] Accolades The film was awarded a Golden Screen Award (German: Goldene Leinwand) in 1982. In the same year, it was also nominated for a Young Artist Award and the Saturn Award for Best Fantasy Film.[15] Year Ceremony Award Result 1982 10th Saturn Awards[16] Best Fantasy Film Nominated 1982 Golden Screen Awards[15] Won 5th Youth in Film Awards[15][17] Best Motion Picture - Fantasy or Comedy - Family Enjoyment Nominated Home media The Fox and the Hound was first released on VHS on March 4, 1994 as the last video of the "Walt Disney Classics" collection (it was not included in the "Walt Disney Masterpiece Collection"). On May 2, 2000, it was released to Region 1 DVD for the first time under the "Walt Disney Gold Classic Collection".[18] A 25th anniversary special edition DVD was released on October 10, 2006.[19] The Fox and the Hound was released on Blu-ray Disc on August 9, 2011 to commemorate the film's 30th anniversary. The film was released in a 3-disc Blu-ray/DVD Combo pack alongside its direct-to video midquel The Fox and the Hound 2 in a 2-movie Collection Edition. Featuring a new digital restoration, the Blu-ray transfer presents the film for the first time in 1.66:1 widescreen and also features 5.1 DTS-HD Master Audio. The midquel is presented in 1.78:1 widescreen and features the same sound as the first film.[20] A DVD-only edition was also released on the same day.[20] Soundtrack The Fox and the Hound Soundtrack album by Various artists Released 1981 Recorded 1980-1981 Genre Children's, Classical Label Walt Disney The soundtrack album for the film was released in 1981 by Walt Disney Records.[21] It contains songs written by Stan Fidel, Jim Stafford, and Jeffrey Patch.[22] Track listing No. Title Writer(s) Performer(s) Length 1. "Best of Friends" Stan Fidel Pearl Bailey 2. "Lack of Education" Jim Stafford Pearl Bailey 3. "A Huntin' Man" Jim Stafford Jack Albertson 4. "Appreciate the Lady" Jim Stafford Pearl Bailey 5. "Goodbye May Seem Forever" Jeffrey Patch Jeanette Nolan and Chorus Other media As well as adaptations of the film itself, comic strips featuring the characters also appeared in stories unconnected to the film. Examples include The Lost Fawn, in which Copper uses his sense of smell to help Tod find a fawn who has gone astray;[23] The Chase, in which Copper must safeguard a sleepwalking Chief;[24] and Feathered Friends, in which the birds Dinky and Boomer have to go to desperate lengths to save one of Widow Tweed's chickens from a wolf.[25] A comic adaptation of the film, drawn by Richard Moore, was published in newspapers as part of Disney's Treasury of Classic Tales.[26] A comic-book titled The Fox and the Hound followed, with new adventures of the characters. Since 1981 and up to 2007, a few Fox and the Hound Disney comics stories were produced in Italy, Netherlands, Brazil, France, and the United States.[27] Midquel Main article: The Fox and the Hound 2 A direct-to-video midquel, The Fox and the Hound 2, was released to DVD on December 12, 2006. The midquel takes place during Tod and Copper's youth, before the events of the later half of the first film.In all the old familiar ways, “The Fox and the Hound” looks like a traditional production from Walt Disney animators. It has cute little animals and wise old owls. It has a villain in the shape of a mountainous grizzly bear, and comic relief in a long-standing feud between a woodpecker and a caterpillar. And it has songs that contain such uncontroversial wishes as, "If only the world wouldn't get in the way, If only the world would let us play." And yet, for all of its familiar qualities, this movie marks something of a departure for the Disney studio, and its movement is in an interesting direction. “The Fox and the Hound” is one of those relatively rare Disney animated features that contains a useful lesson for its younger audiences. It's not just cute animals and frightening adventures and a happy ending; it's also a rather thoughtful meditation on how society determines our behavior. The movie is a fable about a small puppy named Copper and an orphaned fox named Tod. At the outset we sense something unusual, after the camera traces a gloomy path through the shadows of the forest, a mother fox and her baby come running terrified out of the woods, chased by hunters and hounds. Will the mother and child escape? They almost do. But then the mother hides her baby and sacrifices her life to draw attention away from him. This is the cruel world, without any magical cartoon escapes. The little fox is taken under the wing, so to speak, by wise old Big Mama Owl, who arranges for the baby to be adopted by a kindly farm woman. It's at this point that the puppy comes into the plot. Puppy and fox become great friends in their childhoods and pledge to be loyal to each other forevermore. But then the quickly growing hound is taken away to be trained as a hunter, and the next time the two friends meet, the hound is savagely trying to chase down the fox. After they are almost killed by the bear, there is a reconciliation of sorts. They realize (and perhaps the kids in the audience will realize, too) how quickly our better impulses can be drowned out by the noise of society. The message is not heavy-handed, nor does it need to be, because the lessons in the movie are so firmly illustrated by the lives of the animals. Although “The Fox and the Hound” is the first Disney animated feature to have been made mostly by a newer generation of artists at the studio, the film's look still is in the tradition of “The Rescuers” (1977) and other Disney work in the 1970s. That means we don't get the painstaking, frame-by-frame animation of individual leaves and flowers and birds that made “Snow White” magical back when animator man-hours were cheaper. But we do get a lot of life and energy on the screen. The star of the movie's sound track is Pearl Bailey as Big Mama Owl. She sings three songs, dispenses advice with a free hand, and struts around in the forest as a sort of feathered Ann Landers. The animators have done a wonderful job of giving their cartoon owl some of Pearlie Mae's personality traits, but the two leading characters (with Mickey Rooney as the fox and Kurt Russell as the hound) are more straightforward. The bottom line, I suppose, is: Will kids like this movie? And the answer is, sure, I think so. It's a fast-moving, colorful story, and as I watched the animated images on the screen, I was suddenly reminded of a curious belief I held when I was a kid. I believed that cartoons looked more real than "live" features, because everything on the screen had sharper edges. I outgrew my notion, but I'm not sure that represents progress. ebay3284