The paradoxical image of a nighttime street, lit only by a single street light, beneath a daytime sky.[2] In this case the artist was inspired by the works of John Atkinson Grimshaw, an English painter from the Victorian era, who had delighted in his time to paint urban views at sunset.[3]
The paintings inspired a scene in the 1973 horror film The Exorcist, which was used on the film's posters and home video releases, in which the character Father Merrin stands in front of the MacNeil family's house.[4][5] It also inspired the artwork for the cover of Jackson Browne's 1974 album Late for the Sky.
Born November,21 1898 – 15 August 1967) was a Belgian Surrealist artist. He became well known for creating a number of witty and thought-provoking images. Often depicting ordinary objects in an unusual context, his work is known for challenging observers' preconditioned perceptions of reality. His imagery has influenced pop art, minimalist art and conceptual art.