DESCRIPTION
: Up for sale is the almot 70 years
old 1950 Judaica CONCERT PROGRAM of the two renowned JEWISH MUSICIANS ,
The Violinist JASCHA HEIFETZ and the conductor - composer LEONARD
BERNSTEIN . The VIOLIN CONCERT took place in 1950 in
ISRAEL. HEIFETZ played pieces by HAYDN , BRAHMS and ROY HARRIS .
HEIFETZ with the IPO were playing under the baton of LEONARD BERNSTEIN
. Hebrew & English. Originaly folded. 6 x 9 " while folded .
Twice as wide while opened. Hebrew and English. Very good used condition . (
Pls
look at scan for images ) Will be sent inside a
protective rigid packaging .
PAYMENTS
: Payment method accepted : Paypal & All credit cards .
SHIPPMENT
:SHIPP worldwide via registered airmail is $ 19 . Will be sent inside
a protective packaging . Handling around 5-10 days after payment.
More than a century after his public debut, the name
Jascha Heifetz continues to evoke awe and excitement among fellow musicians.
In a performing career that spanned 65 years, he established an unparalleled
standard of violin playing to which violinists around the world still
aspire. The day after the 19-year-old Heifetz’s London debut, George Bernard
Shaw wrote him a now legendary letter. “If you provoke a jealous God by
playing with such superhuman perfection,” Shaw warned, “you will die
young. I earnestly advise you to play something badly every night before going
to bed, instead of saying your prayers. No mortal should presume to play so
faultlessly.” Heifetz is widely considered to be one of the most profoundly
influential performing artists of all time. Born in Vilnius, Lithuania —
then occupied by Russia — on February 2, 1901, he became a U.S. citizen
in 1925. Fiercely patriotic to his adopted country, he gave hundreds of concerts
for Allied service men and women during World War II, including tours of Central
and South America, North Africa, Italy, France, and Germany, often playing
from the back of a flatbed truck in dangerous conditions. In 1928, he published
the first of dozens of acclaimed violin transcriptions. Many, including his
arrangements of selections from Gershwin’s “Porgy and Bess,” are now part of
the standard repertoire. Using the pseudonym Jim Hoyl, he even wrote a pop
song that became a hit in 1946. In his later years, Heifetz became a dedicated
teacher and a champion of causes he believed in. He led efforts to establish
“911” as an emergency phone number, and crusaded for clean air. He and his
students at the University of Southern California protested smog by wearing
gas masks, and in 1967 he converted his Renault passenger car into an electric
vehicle. As a result of his vast recorded legacy, Heifetz’s violin playing is
no less influential today than it was in his lifetime. To legions of violinists
he remains, quite simply, “The King.” Heifetz, Jascha
(Iossif Robertovich), great Russian-born American violinist; b. Vilnius, Feb.
2, 1899; d. Los Angeles, Dec. 10, 1987. His father, Ruben Heifetz, an able
musician, taught him the rudiments of violin playing at a very early age; he
then studied with Ilya Malkin at the Vilnius Music School, and played in public
before he was 5 years old; at the age of 6, he played Mendelssohn's Concerto in
Kovno. In 1910 he was taken by his father to St. Petersburg, and entered the
Conservatory there in the class of Nalbandian; after a few months, he was
accepted as a pupil by Leopold Auer. He gave his first public concert in St.
Petersburg on April 30, 1911. The following year, with a letter of
recommendation from Auer, he went to Berlin; his first concert there (May 24,
1912), in the large hall of the Hochschule für Musik, attracted great
attention: Artur Nikisch engaged him to play the Tchaikovsky Concerto with the
Berlin Philharmonic (Oct. 28, 1912), but his appearance proved uneventful. He
then decided to continue his studies with Auer in St. Petersburg and in
Germany. While visiting Auer in Norway in 1916, he played in a joint concert
with Toscha Seidel before the king and queen of Norway. After the Russian
Revolution of 1917, he went to America, by way of Siberia and the Orient. His
debut at Carnegie Hall in N.Y. (Oct. 27, 1917) won for him the highest
expression of enthusiasm from the public and in the press. Mischa Elman, the
prime violinist of an older generation, attended the concert in the company of
the pianist Leopold Godowsky. When Elman complained that it was too hot in the
hall, Godowsky retorted, "Not for pianists." Veritable triumphs
followed during Heifetz's tour of the U.S., and soon his fame spread all over
the world. He made his first London appearance on May 5, 1920; toured Australia
(1921), the Orient (1923), Palestine (1926), and South America. He revisited
Russia in 1934, and was welcomed enthusiastically. He became a naturalized
American citizen in 1925, and made his home in Beverly Hills, Calif. Heifetz
made regular tours throughout the world, appearing not only with the foremost
orchestras but as a recitalist. As a chamber music artist, he played in trios
with Rubinstein and Feuermann, and later with Pennario and Piatigorsky. He
taught classes of exceptionally talented pupils at the University of Southern
Calif. in Los Angeles (1962-72). In 1974 he made his last public appearance and
thereby brought to a close one of the most extraordinary violin careers in
history. The Olympian quality of Heifetz's playing was unique in luminous
transparency of texture, tonal perfection, and formal equilibrium of phrasing;
he never allowed his artistic temperament to superimpose extraneous elements on
the music; this inspired tranquillity led some critics to characterize his
interpretations as impersonal and detached. Heifetz made numerous arrangements
for violin of works by Bach, Vivaldi, and contemporary composers; his most
famous transcription is "Hora Staccato" by Grigoraş Dinicu, made into
a virtuoso piece by adroit ornamentation and rhythmic elaboration. In his
desire to promote modern music, he commissioned a number of composers (Walton,
Gruenberg, Castelnuovo-Tedesco, and others) to write violin concertos for him
and performed several of them.Leonard Bernstein ( August 25, 1918 – October 14,
1990) was an American composer, conductor, author, music lecturer, and
pianist. He was among the first conductors born and educated in the
United States of America to receive worldwide acclaim. According to The
New York Times, he was "one of the most prodigiously talented and
successful musicians in American history."His fame derived from his long
tenure as the music director of the New York Philharmonic, from his
conducting of concerts with most of the world's leading orchestras, and
from his music for West Side Story, as well as Candide, Wonderful Town,
On the Town and his own Mass.Bernstein was also the first conductor to
give numerous television lectures on classical music, starting in 1954
and continuing until his death. He was a skilled pianist, often
conducting piano concertos from the keyboard. As a composer he wrote in
many styles encompassing symphonic and orchestral music, ballet, film
and theatre music, choral works, opera, chamber music and pieces for the
piano. Many of his works are regularly performed around the world,
although none has matched the tremendous popular and commercial success
of West Side Story. As composer, conductor, and educator, Leonard
Bernstein (1918-1990) emerged as one of a handful of figures in the
twentieth century who truly changed the face of music. As a composer,
Bernstein left a far-reaching legacy that includes three symphonies, a
film score of singular distinction, (On the Waterfront), and an
important body of stage works, including one of the cornerstones of
American musical theater, West Side Story (1957). The first
American-born conductor to attain international superstardom, Bernstein
made a profound impression on audiences; his podium manner was dynamic,
even flamboyant, to an extent never before witnessed. Bernstein's
extroverted manner attracted much criticism from those who dismissed him
as a mere exhibitionist; his advocates, however, far outnumbered his
detractors. Born in Lawrence, MA, Bernstein made his mark first as a
composer. He attended Harvard University, where he studied with Walter
Piston among other distinguished figures. Occasionally he wrote popular
songs on the side using the pseudonym Lenny Amber ("amber" being the
English translation of the word "Bernstein"). His works of the 1940s,
both weighty and light, brought him considerable acclaim; the single
year of 1944 saw the premieres of two especially well-received scores,
the Symphony No. 1, "Jeremiah", and the ballet Fancy Free. During his
sometimes rocky tenure (1958-1969) as music director of the New York
Philharmonic, Bernstein brought that ensemble to a new level of prestige
and popularity: every Bernstein concert and recording became a
much-anticipated event. Through his association with the New York
Philharmonic and a neverending stream of guest engagements worldwide,
Bernstein became particularly renowned as an interpreter of Mahler and
Copland; he did much to carve out the prominent place in the orchestral
concert repertory that both composers now maintain. Already well-known
by the time he took over the New York Philharmonic, Bernstein became
truly famous in 1958, with the first of his series of televised Young
People's Concerts, fondly remembered by many as their introduction to
the world of classical music. Among the first group of students to
receive training at the Berkshire Music Center at Tanglewood, Bernstein
soon became the institution's guiding light, serving as teacher and
mentor for generations of musicians. Though he remained a giant of the
podium until the very end, Bernstein curtailed his conducting activities
in later years in order to spend more time composing. Little of
Bernstein's music from the 1970s on has attained the same level of
popularity achieved by his earlier works; still, it comprises a
distinguished, substantial body of work that includes Mass (1971), the
opera A Quiet Place (1983), and the song cycle Arias and Barcarolles
(1988). ebay3900