DESCRIPTION : Here for sale is an over 40 years old EXCEPTIONALY RARE and ORIGINAL Jewish Judaica POSTER for the ISRAEL 1974 PREMIERE of the PETER BOGDANOVICH COMEDY-DRAMA film " PAPER MOON " .  Starring RYAN O'NEAL , TATUM O'NEAL and MADELINE KAHN to name only a few in the cinema-movie hall " CINEMA SHARON" in the small rural town of NATHANYA in ISRAEL . "CINEMA SHARON" , A local Israeli version of "Cinema Paradiso" was printing manualy its own posters , And thus you can be certain that this surviving copy is ONE OF ITS KIND.  Fully DATED 1974 . Text in HEBREW and ENGLISH . Please note : This is NOT a re-release poster but PREMIERE - FIRST RELEASE projection of the film , A year after its release in 1973 in USA and worldwide . The ISRAELI distributors of the film have given it an amusing and quite archaic Hebrew text   . GIANT size around 28" x 38" ( Not accurate ) . Printed in red and blue on white paper  .  The condition is very good . Folded twice.       ( Pls look at scan for accurate AS IS  images )  Poster will be sent rolled in a special protective rigid sealed tube.

AUTHENTICITY : This poster is guaranteed ORIGINAL from 1974 ( Fully dated )  , NOT a reprint or a recently made immitation.  , It holds a life long GUARANTEE for its AUTHENTICITY and ORIGINALITY.

PAYMENTS : Payment method accepted : Paypal & All credit cards.

SHIPPMENT : SHIPP worldwide via  registered airmail is $ 25. Poster will be sent rolled in a special protective rigid sealed tube.  Handling around 5-10 days after payment. 

 Paper Moon is a 1973 American comedy-drama film directed by Peter Bogdanovich and released by Paramount Pictures. Screenwriter Alvin Sargent adapted the script from the novel Addie Pray by Joe David Brown. The film, shot in black-and-white, is set in Kansas and Missouri during the Great Depression. It stars the real-life father and daughter pairing of Ryan and Tatum O'Neal, as protagonists Moze and Addie. Contents 1 Plot2 Cast3 Production 3.1 Director3.2 Casting3.3 Screenplay3.4 Filming locations3.5 Props3.6 Title3.7 Cinematography and editing4 Reception 4.1 Reviews4.2 Awards5 Other media6 See also7 References8 External links Plot Con man Moses Pray (Ryan O'Neal) meets 9-year-old Addie Loggins (Tatum O'Neal) at Addie's mother's graveside service, where the neighbors suspect he is Addie's father. He denies this, but agrees to deliver the orphaned Addie to her aunt's home in St. Joseph, Missouri. At a local grain mill, Moses convinces the brother of the man who accidentally killed Addie's mother, to give him two hundred dollars for the newly orphaned Addie. Addie overhears this conversation and, after Moses spends nearly half the money fixing his used Model A convertible, later demands the money; whereupon Moses agrees to travel with Addie until he has raised two hundred dollars to give to her. Thereafter Moses visits recently widowed women, pretending to have recently sold an expensive, personalized Bible to the deceased husband, and the widows pay him for the bibles inscribed with their names. Addie joins the scam, pretending she is his daughter, and exhibits a talent for confidence tricks. As time passes, Moses and Addie become a formidable team. One night, Addie and "Moze" (as Addie addresses him) stop at a local carnival, where Moze becomes enthralled with an "exotic dancer" named Miss Trixie Delight (Madeline Kahn), and leaves Addie at a photo booth to have her photograph taken alone (of herself sitting on a crescent moon, to suggest the film's title). Much to Addie's chagrin, Moze invites "Miss Trixie"—and her downtrodden maid, Imogene (P.J. Johnson)—to join him and Addie. Addie soon becomes friends with Imogene, and becomes jealous of Trixie. When Addie subsequently discovers that Moze has spent their money on a brand-new car to impress Miss Trixie, an elaborate series of maneuvers on Addie's and Imogene's part results in Moze catching Miss Trixie in bed with another man; whereupon Moze leaves Miss Trixie and Imogene behind, while Addie leaves Imogene enough money to pay for her own passage home. At a hotel in Kansas, Moze finds a bootlegger's store of whiskey, steals some of it, and sells it back to the bootlegger. Unfortunately, the bootlegger's brother is the sheriff, who quickly arrests Moze and Addie. Addie hides their money, steals back the key to their car, and the pair escape. To elude pursuit, they trade their new car for a decrepit Model T farm truck after Moze beats a hillbilly in a "wrasslin' match." The sheriff finds them in Missouri, and unable to arrest Moze, he and his cohorts beat and rob him. Humiliated, Moze drops Addie at her aunt's house in St Joseph; but Addie, disappointed, rejoins him on the road. When he refuses her company, she reminds him that he still owes her two hundred dollars, and reveals that his truck has rolled away without him; whereupon they leave together. Cast Ryan O'Neal as Moses "Moze" PrayTatum O'Neal as Addie LogginsMadeline Kahn as Trixie DelightJohn Hillerman as Deputy Hardin/Jess HardinBurton Gilliam as FloydP.J. Johnson as ImogeneJames N. Harrell as The MinisterNoble Willingham as Mr. RobertsonYvonne Harrison as The Widow Bates (Marie)Randy Quaid as LeroyHugh Gillin as 2nd Deputy Production Director The film project was originally associated with John Huston and was to star Paul Newman and his daughter, Nell Potts. However, when Huston left the project, the Newmans became dissociated from the film as well.[3] Peter Bogdanovich had just completed What's Up, Doc? and was looking for another project when his ex-wife and frequent collaborator Polly Platt recommended filming Joe David Brown's script for the novel Addie Pray. Bogdanovich, a fan of period films, and having two young daughters of his own, found himself drawn to the story, and selected it as his next film.[4] Casting At the suggestion of Polly Platt, Bogdanovich approached eight-year-old Tatum O'Neal to audition for the role although she had no acting experience. Bogdanovich had recently worked with Tatum's father Ryan O'Neal on What's Up, Doc?, and decided to cast them as the leads.[4] Screenplay Various changes were made in adapting the book to film. Addie's age was reduced from twelve to nine to accommodate young Tatum, several events from the book were combined for pacing issues, and the last third of the novel, when Moses and Addie graduate to the big leagues as con artists after going into partnership with a fake millionaire, was dropped. The location was also changed from the rural south of the novel – primarily Alabama – to midwestern Kansas and Missouri.[4] Filming locations The film was shot in the small towns of Hays, Kansas; McCracken, Kansas; Wilson, Kansas; and St. Joseph, Missouri. Various shooting locations include the Midland Hotel at Wilson, Kansas; the railway depot at Gorham, Kansas; storefronts and buildings on Main Street in White Cloud, Kansas; Hays, Kansas; sites on both sides of the Missouri River; Rulo Bridge; and Saint Joseph, Missouri. Props The car Moses buys after he agrees to take Addie home is a 1930 Ford Model A convertible; the car Moses buys to impress Miss Trixie is a 1936 Ford V8 De Luxe convertible.[5] The whiskey being sold by the bootlegger shown toward the end of the film is Three Feathers blended whiskey, a label introduced by Oldtyme Distilling Corp. in 1882 and still produced up to the 1980s.[6] The fruit-flavored soda drunk by Addie is from Nehi Soda, by a company founded as Chero-Cola in 1910, in 1925 renamed Nehi Corporation, which became Royal Crown Company, then Dr Pepper/Seven Up, then Dr Pepper Snapple Group. Title Peter Bogdanovich also decided to change the name of the film from Addie Pray. While selecting music for the film, he heard the song It's Only a Paper Moon (by Billy Rose, Yip Harburg, and Harold Arlen). Seeking advice from his close friend and mentor Orson Welles, Bogdanovich listed Paper Moon as a possible alternative. Welles responded – "That title is so good, you shouldn't even make the picture, you should just release the title!"[4] Cinematography and editing Director of photography László Kovács used a red filter on the camera on Orson Welles' advice. Bogdanovich also used deep focus cinematography and extended takes in the film.[4] Reception The movie earned an estimated $13 million in North American theater rentals in 1973.[7] Reviews It currently holds a 90% approval rating from critics, based on 22 reviews, at Rotten Tomatoes. While Vincent Canby of the New York Times found the juxtaposition of the saccharin-sweet plot with Laszlo Kovacs' stark black-and-white images of Depression-era poverty unsettling,[8] Roger Ebert, who gave the film his top rating, found the mix to be the film's greatest virtue.[9] Awards Tatum O'Neal won the 1973 Academy Award for Best Supporting Actress for her role as Addie, making her, at age 10, the youngest competitive winner in the history of the Academy Awards. Co-star Madeline Kahn was also nominated for the same award. The film itself was nominated for Best Sound (Richard Portman, Les Fresholtz)[10] and Best Adapted Screenplay (Alvin Sargent). Tatum O'Neal was also nominated for a Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, and Ryan O'Neal was nominated for a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. Other media In September 1974, a television series called Paper Moon, based on the film, premiered on the ABC television network, with Jodie Foster cast as Addie and Christopher Connelly (who had appeared as O'Neal's brother in the earlier ABC series, Peyton Place) playing Moses. It was not a ratings success and the series was canceled after four months. The year is 1936. Orphaned Addie Loggins (Tatum O'Neal, in her film debut) is left in the care of unethical travelling Bible salesman Moses Pray (Ryan O'Neal, Tatum's dad), who may or may not be her father. En route to Addie's relatives, Moses learns that the 9-year-old is quite a handful: she smokes, cusses, and is almost as devious and manipulative as he is. They join forces as swindlers, working together so well that Addie is averse to breaking up the team -- which is one reason that she sabotages the romance between Moses and good-time gal Trixie Delight (Madeline Kahn). Later, while attempting to square a $200 debt that Addie claims he owes her, Moses runs afoul of of a bootlegger (John Hillerman) and is nearly beaten to death by the criminal's twin-brother sheriff. Painfully pulling himself together, Moses gets Addie to her relatives, whereupon she adamantly refuses to leave his side. Photographed in black-and-white by Laszlo Kovacs, the film was made largely on location in Kansas and Missouri (an experience colorfully recalled by director Peter Bogdanovich in his 1972 book of essays Pieces of Time). 9-year-old Tatum O'Neal won a Best Supporting Actress Oscar, beating out costar Kahn. Paper Moon later became a short-lived TV series, starring Ryan O'Neal lookalike Christopher Connelly and future Oscar winner Jodie Foster. The two kinds of Depression-era movies we remember best are the ones that ignored the Depression altogether and the ones like “The Grapes of Wrath” that took it as a subject. Peter Bogdanovich’s “Paper Moon” somehow manages to make these two approaches into one, so that a genre movie about a con man and a little girl is teamed up with the real poverty and desperation of Kansas and Missouri, circa 1936. You wouldn’t think the two approaches would fit together, somehow, but, they do, and the movie comes off as more honest and affecting than if Bogdanovich had simply paid tribute to older styles. Maybe that’s why Addie Loggins, the little girl, hardly ever smiles: She can see perfectly well there’s nothing to smile about. The movie opens at her mother’s funeral on a windswept plain. Her mother (we learn from an old photograph) was a flapper of the worst sort, but Addie is a tomboy in overalls and a flannel shirt. At the last moment, an old car comes rattling up and discharges one Moses Pray, con man, alleged Bible salesman and just possibly Addie’s father. He promises to deliver the child to relatives in St. Joe, mostly so he can collect $200 in blackmail money. But then the 9 year-old girl, who somehow resembles Huckleberry Finn more than any little boy I can imagine, turns out to be the more clever con man, and before long they’re selling Bibles to widows who are told their husbands ordered them - deluxe editions with the names embossed in gold, of course - before “passing on.” The movie is about two con artists, but not really about their con, and that’s a relief. We’ve seen enough movies that depended on the cleverness of confidence tricks - not only 1930s movies, but right down to the recent “The Flim-Flam Man.” No, Bogdanovich takes the con games only as the experience which his two lead characters share and which draws them together in a way that’s funny sometimes, but also very poignant and finally deeply touching. By now everybody knows that Ryan O’Neal and his real-life daughter, Tatum, play the man and the girl. But I wonder how many moviegoers will be prepared for the astonishing confidence and depth that Tatum brings to what’s really the starring role. I’d heard about how good she was supposed to be, but I nevertheless expected a kind of clever cuteness, like we got from Shirley Temple or young Elizabeth Taylor. Not at all. Tatum O’Neal creates a character out of thin air, makes us watch her every moment and literally makes the movie work (in the sense that this key role had to be well played). She has a scene in a Kansas hotel, for example, that isn’t at all easy. Moses has picked up a tart from a sideshow, one Trixie Delight by name, and has designs on her. Addie is jealous and makes a liaison with Trixie’s young black maid, Imogene (wonderfully played by P. J. Johnson). Together they concoct a scheme to lure the hotel clerk into Trixie’s room and then inform Moses. Now this could have been a hotel-corridor farce scene, as Bogdanovich demonstrated he could direct quite well in “What’s Up, Doc?” But this time, the scene is played for pathos and for the understanding of the child’s earnestness, and the two young girls are perfectly matched to it. “Paper Moon” doesn’t come off, then, as a homage to earlier beloved directors and styles (as Bogdanovich’s “What’s Up, Doc?” did - and his “The Last Picture Show,” to a smaller extent). No, it achieves something quite different: a period piece that uses generic conventions only when they apply, so that we see the Depression through the eyes of characters who are allowed to be individuals. Whatever Addie and Moses do in this movie, we have the feeling it’s because they want to (or have to) and not that the ghost of some 1930s screenwriter is prompting them. Peter Bogdanovich (Serbian: Петар Богдановић, Petar Bogdanović, born July 30, 1939) is an American director, writer, actor, producer, critic and film historian. He was part of the wave of "New Hollywood" directors, which included William Friedkin, Brian De Palma, George Lucas, Martin Scorsese, Michael Cimino and Francis Ford Coppola. His most critically acclaimed and well-known film is the drama The Last Picture Show (1971). Bogdanovich also directed the thriller Targets (1968), the screwball comedy What's Up, Doc? (1972), the comedy-drama Paper Moon (1973) and the drama Mask (1985). His most recent film, She's Funny That Way, was released in 2014. Contents 1 Career 1.1 Early life1.2 Film critic1.3 Move to Los Angeles and Roger Corman1.4 Three hits1.5 Three flops1.6 Dorothy Stratten and They All Laughed1.7 Mask and Texasville1.8 Later career2 Filmography 2.1 Directing credits 2.1.1 Film2.1.2 Television2.2 Acting credits3 Miscellaneous 3.1 Unmade films4 Collaborations5 Books6 Audio commentaries 6.1 Director's commentaries6.2 Scholarly commentaries7 References8 External links Career Early life Bogdanovich was born in Kingston, New York, the son of Herma (née Robinson) and Borislav Bogdanovich, a painter and pianist. His Austrian-born mother was Jewish, while his father was a Serbian Eastern Orthodox Christian;[2] the two arrived in the U.S. in May 1939.[3] He was an actor in the 1950s, studying with acting teacher Stella Adler, and appeared on television and in summer stock. Film critic In the early 1960s, Bogdanovich was known as a film programmer at the Museum of Modern Art in New York City. An obsessive cinema-goer, seeing up to 400 movies a year in his youth, Bogdanovich showcased the work of American directors such as Orson Welles and John Ford—whom he later wrote a book about, based on the notes he had produced for the MoMA retrospective of the director—and Howard Hawks. Bogdanovich also brought attention to such forgotten pioneers of American cinema as Allan Dwan. Bogdanovich was influenced by the French critics of the 1950s who wrote for Cahiers du Cinéma, especially critic-turned-director François Truffaut. Before becoming a director himself, he built his reputation as a film writer with articles in Esquire. These articles were collected in Pieces of Time (1973). Move to Los Angeles and Roger Corman In 1968, following the example of Cahiers du Cinéma critics Truffaut, Jean-Luc Godard, Claude Chabrol and Éric Rohmer who had created the Nouvelle Vague ("New Wave") by making their own films, Bogdanovich decided to become a director. With his wife Polly Platt, he headed for Los Angeles, skipping out on the rent in the process. Intent on breaking into the industry, Bogdanovich would ask publicists for movie premiere and industry party invitations. At one screening, Bogdanovich was viewing a film and director Roger Corman was sitting behind him. The two struck up a conversation when Corman mentioned he liked a cinema piece Bogdanovich wrote for Esquire. Corman offered him a directing job which Bogdanovich accepted immediately. He worked with Corman on Targets, which starred Boris Karloff, and Voyage to the Planet of Prehistoric Women, under the pseudonym Derek Thomas. Bogdanovich later said of the Corman school of filmmaking, "I went from getting the laundry to directing the picture in three weeks. Altogether, I worked 22 weeks – preproduction, shooting, second unit, cutting, dubbing – I haven't learned as much since."[4] Returning to journalism, Bogdanovich struck up a lifelong friendship with Orson Welles while interviewing him on the set of Mike Nichols's Catch-22 (1970). Bogdanovich played a major role in elucidating Welles and his career with his writings on the actor-director, most notably his book This is Orson Welles (1992). In the early 1970s, when Welles was having financial problems, Bogdanovich let him stay at his Bel Air mansion for a couple of years.[citation needed] In 1970, Bogdanovich was commissioned by the American Film Institute to direct a documentary about John Ford for their tribute, Directed by John Ford (1971). The resulting film included candid interviews with the likes of John Wayne, James Stewart and Henry Fonda, and was narrated by Orson Welles. Out of circulation for years due to licensing issues, Bogdanovich and TCM released it in 2006, featuring newer, pristine film clips, and additional interviews with Clint Eastwood, Walter Hill, Harry Carey, Jr., Martin Scorsese, Steven Spielberg and others. Three hits Much of the inspiration which led Bogdanovich to his cinematic creations came from early viewings of the film Citizen Kane. In an interview with Robert K. Elder, author of The Film That Changed My Life, Bogdanovich explains his appreciation of Orson Welles' work: It’s just not like any other movie you know. It’s the first modern film: fragmented, not told straight ahead, jumping around. It anticipates everything that’s being done now, and which is thought to be so modern. It’s all become really decadent now, but it was certainly fresh then.[5] The 32-year-old Bogdanovich was hailed by critics as a "Wellesian" wunderkind when his best-received film, The Last Picture Show, was released in 1971. The film gained eight Academy Awards nominations, including Best Director, and won two statues, for Cloris Leachman and Ben Johnson in the supporting acting categories. Bogdanovich co-wrote the screenplay with Larry McMurtry, and it won the 1971 BAFTA award for Best Screenplay. Bogdanovich cast the 21-year-old model Cybill Shepherd in a major role in the film and fell in love with her, an affair that eventually led to his divorce from Polly Platt, his longtime artistic collaborator and the mother of his two daughters. Bogdanovich followed up The Last Picture Show with the popular comedy What's Up, Doc? (1972), starring Barbra Streisand and Ryan O'Neal, a screwball comedy indebted to Hawks's Bringing Up Baby (1938) and His Girl Friday (1940). Despite his reliance on homage to bygone cinema, Bogdanovich solidified his status as one of a new breed of A-list directors that included Academy Award winners Francis Ford Coppola and William Friedkin, with whom he formed The Directors Company. The Directors Company was a generous production deal with Paramount Pictures that essentially gave the directors carte blanche if they kept within budget limitations. It was through this entity that Bogdanovich's Paper Moon (1973) was produced. Paper Moon, a Depression-era comedy starring Ryan O'Neal that won his 10-year-old daughter Tatum O'Neal an Oscar as Best Supporting Actress, proved the high-water mark of Bogdanovich's career. Forced to share the profits with his fellow directors, Bogdanovich became dissatisfied with the arrangement. The Directors Company subsequently produced only two more pictures, Coppola's The Conversation (1974), which was nominated for Best Picture in 1974 alongside The Godfather, Part II, and Bogdanovich's Daisy Miller, which had a lackluster critical reception. Three flops Daisy Miller (1974) was a disappointment at the box office. At Long Last Love (1975) and Nickelodeon (1976) were critical and box office disasters, severely damaging his standing in the film community. Feeling against Bogdanovich began to turn. "I was dumb. I made a lot of mistakes," he said in 1976.[6] He took a few years off then returned to directing with a lower budgeted film, Saint Jack (1979) which was a critical success, although not a large hit. The making of this saw the end of his romantic relationship with Cybill Shepherd. Dorothy Stratten and They All Laughed Bogdanovich's next film was the romantic comedy They All Laughed (1980), which starred Dorothy Stratten, a former model who began a romantic relationship with Bogdanovich. Stratten was murdered by her estranged husband. Bogdanovich took over distribution of the film himself. Bogdanovich turned back to writing as his directorial career sagged, beginning with The Killing of the Unicorn - Dorothy Stratten 1960–1980, a memoir published in 1984. Teresa Carpenter's "Death of a Playmate" article about Dorothy Stratten's murder was published in The Village Voice and won the 1981 Pulitzer Prize, and while Bogdanovich did not criticize Carpenter's article in his book, she had lambasted both Bogdanovich and Playboy mogul Hugh Hefner, claiming that Stratten was a victim of them as much as of her husband, Paul Snider, who killed her and himself. Carpenter also criticized Bogdanovich for his "puerile preference for ingenues".[7] Carpenter's article served as the basis of Bob Fosse's film Star 80 (1983), in which Bogdanovich, for legal reasons, was portrayed as the fictional director "Aram Nicholas," a sympathetic but possibly misguided and naive character. Bogdanovich took over distribution of They All Laughed himself. He later blamed this for why he had to declare bankruptcy in 1985.[8] He declared he had a monthly income of $75,000 and monthly expenses of $200,000.[9] On December 30, 1988, the 49-year-old Bogdanovich married 20-year-old Louise Stratten, Dorothy's younger sister, whom he had begun dating when she was only 14, two years after Dorothy's death. The couple divorced in 2001. The marriage was viewed as a scandal because of his previous engagement to her sister.[10] Mask and Texasville Though he achieved success with Mask in 1985, Bogdanovich's 1990 sequel to The Last Picture Show, called Texasville was a critical and box-office disappointment. Both films occasioned major disputes between Bogdanovich, who still demanded a measure of control over his films, and the studios, which controlled the financing and final cut of both films. Mask was released with a song score by Bob Seger against Bogdanovich's wishes (he favored Bruce Springsteen), and Bogdanovich has often complained that the version of Texasville that was released was not the film he had intended. A director's cut of Mask, slightly longer and with Springsteen's songs, was belatedly released on DVD in 2006. A director's cut of Texasville was released on laserdisc, and was released on DVD by MGM in 2005. Around the time of the release of Texasville, Bogdanovich also revisited his earliest success, The Last Picture Show, and produced a slightly modified director's cut. Since that time, his recut has been the only available version of the film. Bogdanovich directed two more theatrical films in 1992 and 1993, but their failure kept him off the big screen for several years. One, Noises Off..., based on the Michael Frayn play, has subsequently developed a strong cult following[citation needed], while the other, The Thing Called Love, is better known as one of River Phoenix's last roles before his untimely drug-related death. In 1997 he declared bankruptcy again.[11] Bogdanovich, drawing from his encyclopedic knowledge of film history, authored several critically lauded books, including Peter Bogdanovich's Movie of the Week, which offered the lifelong cinephile's commentary on 52 of his favorite films, and Who The Devil Made It: Conversations with Legendary Film Directors and Who the Hell's in It: Conversations with Hollywood's Legendary Actors, both based on interviews with directors and actors. Later career In 2001, Bogdanovich resurfaced with The Cat's Meow. Returning once again to a reworking of the past, this time the supposed murder of director Thomas Ince by Orson Welles's bête noire William Randolph Hearst, The Cat's Meow was a modest critical success but made little money at the box office. Bogdanovich says he was told the story of the alleged Ince murder by Welles, who in turn said he heard it from writer Charles Lederer.[12] In addition to directing some television work, Bogdanovich has returned to acting with a recurring guest role on the cable television series The Sopranos, playing Dr. Melfi's psychotherapist. Bogdanovich directed a fifth-season episode of the series. He also voiced the analyst of Bart Simpson's therapist in an episode of The Simpsons, and appeared as himself in the "Robots Versus Wrestlers" episode of How I Met Your Mother along with Arianna Huffington and Will Shortz. Quentin Tarantino also cast Bogdanovich as a disc jockey in Kill Bill: Volume 1 and Kill Bill: Volume 2. "Quentin knows, because he's such a movie buff, that when you hear a disc jockey's voice in my pictures, it's always me, sometimes doing different voices," said Bogdanovich. "So he called me and he said, 'I stole your voice from The Last Picture Show for the rough cut, but I need you to come down and do that voice again for my picture...'"[13] Bogdanovich hosted The Essentials on Turner Classic Movies, but was replaced in May 2006 by TCM host Robert Osborne and film critic Molly Haskell. Bogdanovich is also frequently featured in introductions to movies on Criterion Collection DVDs, and has had a supporting role as a fictional version of himself in the Showtime comedy series Out of Order. He will next appear in The Dream Factory. In 2006, Bogdanovich joined forces with ClickStar, where he hosts a classic film channel, Peter Bogdanovich's Golden Age of Movies. Bodganovich also writes a blog for the site.[14] In 2003 he appeared in the BBC documentary, Easy Riders, Raging Bulls and in 2006 he appeared in the documentary Wanderlust. In 2007, Bogdanovich was presented with an award for outstanding contribution to film preservation by The International Federation of Film Archives (FIAF) at the Toronto International Film Festival.[15] In 1998, the National Film Preservation Board of the Library of Congress named The Last Picture Show to the National Film Registry, an honor awarded only to culturally significant films. In 2010, Bogdanovich joined the directing faculty at the School of Filmmaking at the University of North Carolina School of the Arts. On April 17, 2010, he was awarded the Master of Cinema Award at the 12th Annual RiverRun International Film Festival. In 2011, he was given the Auteur Award by the International Press Academy, which is awarded to filmmakers whose singular vision and unique artistic control over the elements of production give a personal and signature style to their films.[16] In 2012, Bogdanovich made news with an essay in the Hollywood Reporter, published in the aftermath of the Aurora, Colorado theater shooting, in which he argued against excessive violence in the movies: Today, there’s a general numbing of the audience. There’s too much murder and killing. You make people insensitive by showing it all the time. The body count in pictures is huge. It numbs the audience into thinking it’s not so terrible. Back in the ’70s, I asked Orson Welles what he thought was happening to pictures, and he said, “We’re brutalizing the audience. We’re going to end up like the Roman circus, live at the Coliseum.” The respect for human life seems to be eroding.[17] Bogdanovich's most recent film, She's Funny That Way, was released in theaters and on demand in 2015. Filmography Directing credits Film Year Film Other notes Rotten Tomatoes 1968 Voyage to the Planet of Prehistoric Women Alternative Title: The Gill Women of Venus and The Gill Women Credited as Derek Thomas Targets Alternative Title: Before I Die Also Writer/Producer/Editor 88% [18] 1971 Directed by John Ford Documentary The Last Picture Show Also Writer BAFTA Award for Best Screenplay New York Film Critics Circle Award for Best Screenplay New York Film Critics Circle Award for Best Director Nominated - Academy Award for Best Director Nominated - Academy Award for Best Writing (Adapted Screenplay) Nominated - BAFTA Award for Best Direction Nominated - Directors Guild of America Award for Outstanding Directing – Feature Film Nominated - Golden Globe Award for Best Director Nominated - Writers Guild of America Award for Best Adapted Screenplay 100% [19] 1972 What's Up, Doc Also Writer/Producer 91% [20] 1973 Paper Moon Also Producer Nominated - Golden Globe Award for Best Director 91% [21] 1974 Daisy Miller Also Producer 100% [22] 1975 At Long Last Love Also Writer/Producer 17% [23] 1976 Nickelodeon Also Writer Nominated - Golden Bear 14% [24] 1979 Saint Jack Also Writer Venice Film Festival for Best Film 58% [25] 1981 They All Laughed Also Writer 33% [26] 1985 Mask Nominated - Palme d'Or 93% [27] 1988 Illegally Yours[28] Also Producer 0% [29] 1990 Texasville Also Writer/Producer 55% [30] 1992 Noises Off Also Executive Producer 57% [31] 1993 The Thing Called Love 57%[32] 2001 The Cat's Meow 75% [33] 2007 Runnin' Down a Dream Documentary 100% [34] 2014 She's Funny That Way[35][36] Alternative title: Squirrels to the Nuts Also Writer 39% [37] Television Year Work Other notes 1994 Picture Windows Television series Episode: "Song of Songs" 1996 To Sir, with Love II Television film 1997 The Price of Heaven Television film Rescuers: Stories of Courage: Two Women Television film 1998 Naked City: A Killer Christmas Television film 1999 A Saintly Switch Television film 2004 The Mystery of Natalie Wood Television film Hustle Television film Acting credits Targets (aka Before I Die) (1968)... Sammy MichaelsVoyage to the Planet of Prehistoric Women (aka The Gill Women of Venus and The Gill Women) (1968)... Narrator (Voice Only)The Last Picture Show (1971)... Disc Jockey (Voice Only)The Other Side of the Wind (1970-6)... Brookes Otterlake (Never Released)Saint Jack (1979)... Eddie SchumanThey All Laughed (1981)... Disc Jockey (Uncredited)Moonlighting (1986) [Himself]Northern Exposure (1993, TV)... Himself (1 Episode)Cybill (1995, TV)... Himself (1 Episode) (Uncredited)Highball (1997)... FrankBella Mafia (1997)... Vito GiancamoMr. Jealousy (1998)... Dr. Howard Poke54 (1998)... Elaine's PatronLick the Star (1998, Short Film)... The PrincipalComing Soon... BartholomewThe Sopranos (2000–2007, TV)... Dr. Elliot Kupferberg (15 Episodes)Rated X (2000, TV)... Film ProfessorFestival in Cannes (2001)... MiloKill Bill: Volume 1 (2003)... Disc Jockey (Voice Only, Credited with "Special Thanks")Kill Bill: Volume 2 (2004)... Disc Jockey (Voice Only, Credited with "Special Thanks")8 Simple Rules for Dating My Teenage Daughter (2004, TV)... Dr. Lohr (1 Episode)Law and Order: Criminal Intent (2005–2007, TV)... George Merritt (2 Episodes)Infamous (2006)... Bennett CerfThe Simpsons (2007, TV)... Psychologist (Voice Only) (1 Episode)Dedication (2007)... Roger SpadeThe Dukes (2007)... LouThe Fifth Patient (2007)... Edward BiraniBroken English (2007)... Iriving MannHumboldt County (2008)... Professor HadleyAbandoned (2010)... Dr. Markus BensleyHow I Met Your Mother (2010, TV)... Himself (1 episode)Queen of the Lot (2010)... Pedja SapirRizzoli & Isles (2011)... Arnold Whistler (Episode "Burning Down the House")The Between (2013)... ManCold Turkey (2013)... PoppyThe Good Wife (2014, TV)... HimselfThe Tell-Tale Heart (2014)... The Old ManYou Are Here (2014)... Judge Harlan PlathPearly Gates (2015)... Marty Miscellaneous Great Performances- episode - James Stewart: A Wonderful Life - Himself (1987)Great Performances - episode - Bacall on Bogart - Himself (1988)John Wayne Standing Tall - TV Movie - Himself (1989)Ben Johnson: Third Cowboy on the Right - Documentary - Himself (1996)Howard Hawks: American Artist - TV Movie documentary - Himself (1997)Warner Bros. 75th Anniversary: No Guts, No Glory - TV Movie documentary - Himself (1998)John Ford Goes to War - Documentary - Himself (2002)Karloff and Me - Documentary - Himself (2006)American Masters - episode - John Ford/John Wayne: The Filmmaker and the Legend - Himself (2006)Stagecoach: A Story of Redemption - Video Documentary - Himself (2006)Commemoration: Howard Hawks' 'Rio Bravo' - Video short - Himself (2007)The Size of Legends, The Soul of Myth: 7 Part Documentary (2009)Ride, Boldly Ride: The Journey to El Dorado: 7 Part Documentary (2009)Dreaming the Quiet Man - Documentary - Himself (2010)Peter Bogdanovich - Stagecoach Criterion Collection Edition Special Feature (2010)A Film of Firsts: Peter Bogdanovich on Red River - Red River Criterion Collection Edition Special Feature (2014)Hawks and Bogdanovich - Red River Criterion Collection Edition Audio excerpts Special Feature (2014) Unmade films The Criminals (1966) - a World War Two film for Roger Corman[38]Lonesome Dove (1972) - a Western from a script by Larry McMurtry who turned it into the best selling novel[39]The Apple Tree (early 1970s) from a script by Gavin Lambert based on the story by John GalsworthyThe Girl with the Silver Eyes (1974) based on novel by Dashiell Hammett[40]Twelve's a Crowd (early 1980s) with Keith Carradine and Colleen Camp[41]I'll Remember April with Colleen Camp, John Cassavetes and Charles Aznavour[41]remake of Detour (1945)[41]remake of Brewster's Millions (early 1980s) with John Ritter[41]The Lady in the Moon (early 1980s) from a script by Larry McMurtry[41]Private Lives with Elizabeth Taylor and Richard Burton from the play by Noël Coward (early 1980s - they later appeared in it on stage)[41]Paradise Road (late 1980s) from a novel by David Scott Milton to star Frank Sinatra set in Las Vegas[42]Turn of the Century (2013) based on Kurt Anderson novel[43] Bogdanovich was also fired off Duck, You Sucker! [44] and Another You (1991), the latter while during filming. He turned down directing A Glimpse of Tiger, The Getaway (1972), King of the Gypsies (1978),[45] Heaven Can Wait (1978), The Hurricane (1979) and Popeye (1980).[46] He also turned down the role played by Dabney Coleman in Tootsie (1982).[47] He also directed some scenes of Love Streams (1984).[47] Collaborations Targets The Last Picture Show What's Up, Doc? Paper Moon Daisy Miller At Long Last Love Nickelodeon Saint Jack They All Laughed Mask Illegally Yours Texasville Noises Off She's Funny That Way Cybill Shepherd (actress) Eileen Brennan (actress) Randy Quaid (actor) John Hillerman (actor) Ryan O'Neal (actor) Madeline Kahn (actress) John Ritter (actor) Harry Carey, Jr. (actor) George Morfogen (actor, producer, dialogue coach) (act) (act) (dc) (prod) (act/prod) (prod) (act/prod) (act) László Kovács (director of photography) Robby Müller (director of photography) Polly Platt (production designer) Books This section lacks ISBNs for the books listed in it. Please make it easier to conduct research by listing ISBNs. If the {{Cite book}} or {{citation}} templates are in use, you may add ISBNs automatically, or discuss this issue on the talk page. (March 2015) Books by Peter Bogdanovich: 1961: The Cinema of Orson Welles1962: The Cinema of Howard Hawks1963: The Cinema of Alfred Hitchcock1967: John Ford (expanded 1978)1969: Fritz Lang in America1970: Allan Dwan: The Last Pioneer1973: Pieces of Time (expanded 1985)1984: The Killing Of The Unicorn - Dorothy Stratten 1960-1980. William Morrow and Company; ISBN 0-688-01611-1.1992: This is Orson Welles. HarperPerennial; ISBN 0-06-092439-X.1995: A Moment with Miss Gish. Santa Barbara: Santa Teresa Press.[48]1997: Who The Devil Made It: Conversations with Legendary Film Directors. Alfred A. Knopf; ISBN 0-679-44706-7.1999: Peter Bogdanovich's Movie of the Week.2004: Who the Hell's in It: Conversations with Hollywood's Legendary Actors. Alfred A. Knopf; ISBN 0-375-40010-9. Audio commentaries Director's commentaries TargetsThe Last Picture Show (one solo commentary, and one with actors Cybill Shepherd, Randy Quaid, Cloris Leachman and Frank Marshall)The Sopranos (TV series) (episode "Sentimental Education")What's Up, Doc?Paper MoonDaisy MillerNickelodeonSaint JackThey All LaughedMaskThe Thing Called LoveThe Cat's Meow Scholarly commentaries Bringing Up BabyCitizen KaneClash by Night, with audio interview excerpts of director Fritz LangEl DoradoFury, with audio interview excerpts of director Fritz LangThe Lady from ShanghaiLand of the Pharaohs, with audio interview excepts of director Howard HawksM, with digital transfer supervisor Torsten Kaiser and restoration supervisor Martin Koerber, plus audio interview excerpts of director Fritz LangThe Man Who Shot Liberty ValanceOthello, with Orson Welles scholar Myron MeiselThe Rules of the Game, reading commentary written by film scholar Alexander SesonskeThe SearchersThe Sopranos (TV series) (episode "Pilot") with Sopranos creator David ChaseStrangers on a Train, with Psycho screenwriter Joseph Stefano, Patricia Highsmith biographer Andrew Wilson and other participantsTo Catch a Thief, with film historian Laurent BouzereauThe Third Man, on the Criterion Edition of the filmMake Way for Tomorrow, on the Criterion Edition of the film References Charles Patrick Ryan O'Neal (born April 20, 1941), better known as Ryan O'Neal, is an American television and film actor. O'Neal trained as an amateur boxer before beginning his career in acting in 1960. In 1964, he landed the role of Rodney Harrington on the ABC nighttime soap opera Peyton Place. The series was an instant hit and boosted O'Neal's career. He later found success in films, most notably Love Story (1970), for which he received Academy Award and Golden Globe nominations as Best Actor, What's Up, Doc? (1972), Paper Moon (1973), Stanley Kubrick's Barry Lyndon (1975), and A Bridge Too Far (1977). Since 2007, he has had a recurring role in the TV series Bones. Contents 1 Early life2 Career 2.1 TV roles and early work2.2 Feature film success2.3 Later career3 Personal life 3.1 Relationships and family3.2 Health4 Amateur boxing record5 Awards 5.1 Wins5.2 Nominations6 Filmography7 Television8 References9 External links Early life Ryan O'Neal was born in Los Angeles, California, the eldest son of actress Patricia Ruth Olga (née Callaghan; 1907–2003) and novelist/screenwriter Charles O'Neal.[2] His father was of Irish and English descent, while his mother was of paternal Irish and maternal Ashkenazi Jewish ancestry.[2][3] His brother, Kevin, is an actor and screenwriter.[4] Ryan O'Neal attended University High School, and trained there to become a Golden Gloves boxer. During the late 1950s, his father, "Blackie" O'Neal, had a job writing on a television series called Citizen Soldier, and moved the family to Munich, Germany, where Ryan attended Munich American High School.[5] Career TV roles and early work O'Neal appeared in guest roles on series that included The Many Loves of Dobie Gillis, Leave It to Beaver, Bachelor Father, Westinghouse Playhouse, Perry Mason and Wagon Train. From 1962 to 1963, he was a regular on NBC's Empire, another modern day western, where he played "Tal Garrett".[6] From 1964 to 1969, he was a regular on Peyton Place playing Rodney Harrington, the turbulent love interest of Mia Farrow's Alison Mackenzie, parts which launched both into stardom. Feature film success O'Neal's film career took off beginning with his role in Love Story (1970), earning a nomination for an Academy Award for Best Actor. In 1973, he was number two in the annual Top Ten Box Office Stars, behind Clint Eastwood.[7] He starred in a series of films for director Peter Bogdanovich, beginning with the screwball comedy What's Up, Doc? (with Barbra Streisand, 1972); following were Paper Moon (with daughter Tatum O'Neal in an Oscar-winning role, 1973); and Nickelodeon (1976, again with Tatum). Other films of the 1970s included Barry Lyndon (directed by Stanley Kubrick, 1975); A Bridge Too Far (1977); Oliver's Story (1978, a sequel to Love Story); and the car-chase film The Driver (directed by Walter Hill, also 1978).[6] Later career His film career faded by the end of the 1970s. His one time agent Sue Mengers later said of the decline: I never figured it out myself. It was hard to cast Ryan—he was too beautiful—and I think a lot of men were jealous of him. Ryan was very cocky, self-confident, very masculine, and gorgeous, and he had every beautiful girl in the world going out with him. It didn’t make him popular with his male contemporaries; he never became pals with the guys who were in the center of things then.[8] He starred as a character loosely based on director Bogdanovich in Irreconcilable Differences (1984). He returned to TV in the short-lived CBS series Good Sports (1991, with companion Farrah Fawcett), and as a recurring character on Fox's Bones (2007–present).[6] In 2011, Ryan and Tatum attempted to restore their broken father/daughter relationship after 25 years. Their reunion and reconciliation process was captured in the Oprah Winfrey Network series, Ryan and Tatum: The O'Neals.[6] Personal life Relationships and family O'Neal was in a long-term relationship with actress Farrah Fawcett until her death in 2009. He was previously married to actresses Joanna Moore and Leigh Taylor-Young; both marriages ended in divorce. He has four children: Tatum O'Neal and Griffin O'Neal (with Moore), Patrick O'Neal (with Taylor-Young) and Redmond James Fawcett O'Neal (born January 30, 1985, Los Angeles)[9] with Fawcett. In her 2014 memoir, Anjelica Huston claimed that O'Neal physically abused her when they were in a relationship.[10] For several years, Ryan was estranged from his elder three children, Patrick, Griffin, and Tatum.[11] However, in 2011, Tatum reconciled with her father with a book and a television show. On August 4, Ryan, Tatum and Patrick O'Neal appeared on Redmond's court appearance on firearms and drug charges.[12] Ryan O'Neal has nine grandchildren, three from Tatum’s marriage to tennis player John McEnroe,[13] four from both of Griffin’s marriages,[14] and two from Patrick’s marriage to actress Rebecca De Mornay. He is a great-grandfather by his estranged son, Griffin.[15] Health In 2001 he was diagnosed with chronic myelogenous leukemia (CML).[16] As of 2006, it is in remission.[17] After struggling with leukemia, O'Neal was frequently seen at Fawcett's side when she was battling cancer. He told People magazine, "It's a love story. I just don't know how to play this one. I won't know this world without her. Cancer is an insidious enemy."[18] In April 2012, O'Neal revealed he had been diagnosed with stage IV prostate cancer. He reported that it had been detected early enough to give a prognosis of full recovery, although some doctors have questioned this prognosis.[19] Amateur boxing record Based on various sources.[20] Amateur boxing record Result Record Opponent Method Date Round Time Event Location Notes Win Frankie Lohman KO 1959 1 Munich, Germany Loss Tony Foramero PTS 1957 3 Golden Gloves Tournament Los Angeles, California Win Stevie Rouse KO 1957 1 Golden Gloves Tournament (Finals) Los Angeles, California Win Chuck Newell PTS 1957 3 Golden Gloves Tournament (Semi-Finals) Los Angeles, California Win Alvin "Allen" Walker KO 1957 1 Los Angeles, California Win Samuel Roland Foul 1956 1 Hollywood, Florida Win Leonard Wallace KO 1956 1 Los Angeles, California Win Eugene Liebert KO 1956 1 Los Angeles, California Win Felix Morse KO 1956 2 Los Angeles, California Win George Shay PTS 1956 3 Hollywood, California Win Edmund Dowe PTS 1956 3 Los Angeles, California Win Victor Fellsen KO 1956 1 Los Angeles, California Loss Dal Stewart PTS 1956 3 Los Angeles, California Loss George Shay PTS 1956 3 Golden Gloves Tournament Los Angeles, California Win J. Cecil Gray PTS 1956 3 Golden Gloves Tournament Los Angeles, California Loss J. Cecil Gray PTS 1956 3 Los Angeles, California Awards Wins 1970 – Best Foreign Actor – David di Donatello Awards for Love Story[21] Nominations 1970 – Academy Award for Best Actor for Love Story1971 – Golden Globe Award for Best Actor in a Drama Film for Love Story1974 – Golden Globe Award for Best Actor in a Musical or Comedy Film for Paper Moon1988 – Golden Raspberry Award for Worst Actor for Tough Guys Don't Dance2005 – Golden Raspberry Award for Worst Razzie Loser of Our First 25 Years Filmography The Big Bounce (1969)The Games (1970)Love Story (1970)The Moviemakers (1971) (short subject)Wild Rovers (1971)What's Up, Doc? (1972)The Thief Who Came to Dinner (1973)Paper Moon (1973)Barry Lyndon (1975)Nickelodeon (1976)A Bridge Too Far (1977)The Driver (1978) Oliver's Story (1978)The Main Event (1979)So Fine (1981)Green Ice (1981)Partners (1982)Irreconcilable Differences (1984)Fever Pitch (1985)Tough Guys Don't Dance (1987)Small Sacrifices (1989)Chances Are (1989)Faithful (1996)Hacks (1997) Zero Effect (1998)An Alan Smithee Film: Burn Hollywood Burn (1998)Coming Soon (1999)Gentleman B. (2000)The List (2000)People I Know (2002)Malibu's Most Wanted (2003)Unity (2014) Narrator (Documentary)Knight of Cups (2014) Television Empire, "This Rugged Land" (unaired pilot, 1962)The Virginian, "It Takes a Big Man" (1963)Perry Mason, "The Case of the Bountiful Beauty" (1964)Gunsmoke, "The Warden 1 episode" (1964)Peyton Place as Rodney Harrington (1964–1969)Good Sports (1991) with Farrah Fawcett, canceled after 9 episodesThe Man Upstairs (1992 television movie, with Katharine Hepburn)1775, (TV pilot, 1992)Bull, as Robert Roberts II, "Ditto"'s fatherMiss Match (2003), O'Neal starred as the father of the lead character (played by Alicia Silverstone)Desperate Housewives (2005), O'Neal starred as Rodney Scavo (the father of the character played by Doug Savant)Bones (2007–present), recurring role as "Max Keenan" (the father of Temperance "Bones" Brennan)Grey's Anatomy (2009), a patient in the episode 4 (see Grey's Anatomy (season 6))90210 (2010–2013), recurring role as Spence Montgomery, father of Teddy Montgomery Tatum Beatrice O'Neal (born November 5, 1963)[1] is an American actress and author. She is the youngest person ever to win a competitive Academy Award, which she won in 1974 at age 10 for her performance as Addie Loggins in Paper Moon opposite her father, Ryan O'Neal. She also starred in The Bad News Bears, in 1976, followed by Nickelodeon (1976), and Little Darlings (1980). In 1986, O'Neal married the professional tennis player John McEnroe, with whom she had three children. The couple separated in 1992 and were divorced in 1994. Contents 1 Family background2 Career 2.1 Adult career3 Personal life 3.1 Family and relationships3.2 Arrest3.3 Autobiographical claims4 Filmography 4.1 Films4.2 Television5 Bibliography6 See also7 References8 External links Family background O'Neal was born in the Westwood area of Los Angeles, California,[2] to actors Ryan O'Neal (1941–) and Joanna Moore (1934–1997). Her brother, Griffin, was born in 1964. In 1967, her parents divorced[2] and her father quickly remarried. Her father's marriage to actress Leigh Taylor-Young produced Tatum's half-brother, Patrick, but the union ended in divorce in 1973. Tatum has another half-brother, Redmond, from Ryan O'Neal's relationship with actress Farrah Fawcett. O'Neal's mother died of lung cancer in 1997 at age 63, after a career in which she appeared in such movies as Walk on the Wild Side and Follow That Dream. Career On April 2, 1974,[3] at age 10, Tatum O'Neal won the Academy Award for Best Supporting Actress and the Golden Globe Award for New Star Of The Year - Actress for her performance in Paper Moon, released in May 1973.[4] The youngest ever to win a competitive Academy Award,[2] she turned 9 years old during filming in autumn 1972.[5][6] O'Neal played the role of Addie Loggins, a child con artist being tutored by a Depression-era grifter played by her father, Ryan. O'Neal also starred in films such as The Bad News Bears (1976) with Walter Matthau, International Velvet (1978) with Christopher Plummer and Anthony Hopkins, and Little Darlings (1980) with Kristy McNichol, and co-starred in Nickelodeon (1976) with her father Ryan, and in Circle of Two (1980) with Richard Burton. She appeared as the title character in the Faerie Tale Theatre episode "Goldilocks and the Three Bears" (1984). Adult career She appeared in only five films during the next 15 years, including in Basquiat (1996) as Cynthia Kruger. In the early 2000s, O'Neal began acting again and made guest appearances on Sex and the City, 8 Simple Rules for Dating My Teenage Daughter, and Law and Order: Criminal Intent. In 2005, O'Neal began a recurring role as Maggie Gavin on the firehouse drama series Rescue Me, portraying the unbalanced and lively sister of Tommy Gavin, played by Denis Leary. In January 2006, she participated in the second season of ABC's reality series Dancing with the Stars with professional partner Nick Kosovich. They were eliminated in the second round. She went on to do commentary for the series on Entertainment Tonight. From 2006 to 2007, she portrayed the vindictive and psychotic Blythe Hunter in the My Network TV drama Wicked Wicked Games. She appears opposite Nashawn Kearse and Vanessa L. Williams in the film My Brother (2007). Personal life Family and relationships One of O'Neal's first public boyfriends was pop star Michael Jackson, whom she dated in the late 1970s. Jackson described O'Neal as his first love, and in a 2002 interview with Martin Bashir said that O'Neal tried to seduce him, but he was terrified by the idea of sex.[7] O'Neal adamantly denied all of Jackson's claims in her 2004 autobiography.[8] O'Neal's relationship with tennis player John McEnroe began in 1984 when she moved into his Central Park West condominium in New York City.[9] They married In 1986.[2][10] The couple has three children: Kevin, Sean, and Emily.[2] They separated in 1992 and were divorced in 1994.[2] Following the divorce, O'Neal's drug problems reemerged and she developed an addiction to heroin. As a result of her drug problems, McEnroe obtained custody of the children in 1998.[11] In 2011, Tatum and her father Ryan began to restore their broken father–daughter relationship after 25 years. Their reunion and reconciliation process was captured in the short-lived Oprah Winfrey Network series Ryan and Tatum: The O'Neals.[12][13][14] In 2015, she said she had begun dating women, while choosing not to identify as either lesbian or heterosexual, saying, "I'm not one or the other."[15] Arrest On June 1, 2008, she was arrested for buying crack cocaine near her Manhattan apartment building.[16] When police searched her, they found two bags of drugs—one of crack cocaine, one of powder cocaine—and an unused crack pipe.[16] She was charged with a misdemeanor criminal possession of a controlled substance. Authorities released her without bail.[16] On July 2, 2008, O'Neal pleaded guilty to disorderly conduct in connection with the arrest and agreed to spend two half-day sessions in a drug treatment program.[17] Autobiographical claims In her autobiography, A Paper Life, O'Neal alleged that she was molested by her father's drug dealer when she was 12. She also alleges physical and emotional abuse from her father, much of which she attributed to drug use. She also detailed her own heroin addiction and its effects on her relationship with her children. Her father, Ryan, denied the allegations.[18] In a prepared statement, Ryan O'Neal said: "It is a sad day when malicious lies are told in order to become a 'best-seller'."[18] In 2011, O'Neal wrote a new collection of memoirs titled Found: A Daughter's Journey Home, which dealt with her tempestuous relationship with her father, volatile marriage to John McEnroe, and her recent drug arrest.[19] Filmography Films Year Title Role Notes 1973 Paper Moon Addie Loggins Academy Award for Best Supporting Actress David di Donatello Award for Best Foreign Actress (tied with Barbra Streisand for The Way We Were) Golden Globe Award for New Star Of The Year – Actress Nominated – Golden Globe Award for Best Actress – Motion Picture Musical or Comedy 1976 The Bad News Bears Amanda Whurlitzer Nickelodeon Alice Forsyte 1978 International Velvet Sarah Brown 1980 Circle of Two Sarah Norton Little Darlings Ferris Whitney 1981 Prisoners Christie Unreleased 1985 Certain Fury Scarlet 1992 Little Noises Stella 1996 Basquiat Cynthia Kruger 2002 The Scoundrel's Wife Camille Picou US video title: The Home Front San Diego Film Festival Award for Best Actress 2003 The Technical Writer Slim 2006 My Brother Erica 2008 Saving Grace B. Jones Grace B. Jones Fab Five: The Texas Cheerleader Scandal Lorene Tippit 2010 The Runaways Marie Harmon Last Will Hayden Emery Sweet Lorraine Lorraine Bebee completed Mr. Sophistication Kim Waters filming completed 2015 She's Funny That Way Television Year Title Role Notes 1984 Faerie Tale Theatre Goldilocks "Goldilocks and the Three Bears" 1989 CBS Schoolbreak Special Kim "15 and Getting Straight" 1993 Woman on the Run: The Lawrencia Bembenek Story Lawrencia Bembenek 2003 Sex and the City Kyra "A Woman's Right to Shoes" 2004 8 Simple Rules Ms. McKenna "Opposites Attract: Part 3: Night of the Locust" Law & Order: Criminal Intent Kelly Garnett "Semi-Detached" 2005 Ultimate Film Fanatic Judge 2005–2011 Rescue Me Maggie 2006 Dancing with the Stars Herself 5 episodes Wicked Wicked Games Blythe Hunter 51 episodes 2011 Ryan and Tatum: The O'Neals Herself 2015 Hell's Kitchen Herself Episode 13       ebay3187