The Real Face of Young James Madison Life Mask Portrait Print - James Madison De-Aged

See the real face of James Madison as a young man, de-aged based upon his life mask. Giclee print on archival Kodak Professional Endura Premier Lustre paper. Signed with Certificate of Authenticity. NO watermarks on actual print.

There are no photographs of James Madison; however, John Henri Isaac Browere was able to capture his likeness in the form of a life mask.

J. I. Browere’s “work achieved a stark realism uncommon in that day. His plaster busts showed the age-lined brow, the pock-marked face; his subjects appeared as they were, not as artists generally portrayed them. His life masks were, and remain, the most authentic likenesses of some historic figures who lived in a day before photography provided more easily obtained but similarly uncompromising portraits.

What Did James Madison Look Like Young? The Real Faces of the Founding Fathers De-Aged

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Browere’s casting process utilized a proprietary plaster mixture that due to its lightweight nature did not distort the facial features of his subject’s face as the common plaster utilized by his contemporaries did. This by all accounts resulted in what was considered an extremely accurate likenesses. Browere met Madison at Madison’s Montpelier home in Orange Virginia in 1825 to make the casting. Madison was 74 years old at the time. James Madison said of his finished life mask, "Per request of Mr. Browere, busts of myself and of my wife, regarded as exact likenesses, have been executed by him in plaister, being casts made from the moulds formed on our persons, of which this certificate is given under my hand at Montpelier, 19, October, 1825."

The initial reconstructed life mask was done using Photoshop and shows how Madison most likely appeared in 1825. Historical evidence shows Madison had started balding by his mid-thirties thus he is depicted with his widow's peak comb-over pulled back into a queue.

Madison appears frail. He was a slightly built man and sickly most of his life. He stood just 5 feet 4 inches tall and rarely tipped the scales at much more than 100 pounds. His voice was so weak that people often had difficulty hearing his speeches.

His advanced age did not make matters any better. His face is lined with wrinkles and his eyes “blepharitic” (i.e. puffiness around the eyes). The life mask further reveals that one side of his face droops significantly indicating Madison may have had a stroke; however, this cannot be ascertained from the historical record.

In 1828, Margaret Bayard Smith, seeing Madison for the first time in ten years, noted “His little blue eyes sparkled like stars from under his bushy grey eye-brows and amidst the deep wrinkles of his poor thin face. Nor have they lost their look of mischief, that used to lurk in their corners."

Using Photoshop and AI technology I've attempted to "de-age" the reconstructed life mask of Madison by forty plus years back to the age of 32. This age was chosen because it corresponds with the Charles Willson Peale painted portrait of Madison done of him at that age in 1783. The first order of business was to restore his face to a pre-stroke condition. That completed, the “de-aging” process was like any other. Using Peale’s work as a reference I styled Madison's hair with loose bangs similar to the portrait. Madison's hair at this stage of life would have been chestnut brown, but he powdered his hair white in the style of the day. Portraits of the younger Madison also show him with dark eyebrows.

Just seven years later, on June 8, 1789, James Madison addressed the House of Representatives and introduced a proposed Bill of Rights to the Constitution.

Eleven years later he would marry Dolley Payne Todd.

About Digital Yarbs:

I'm Cheryl A. Daniel (Digital Yarbs) a Photoshop composition artist who enjoys history. I reconstruct life masks, statues and busts of famous early Americans and historic figures. Using life masks, I completed a forensic/academic study of how the subjects most likely appeared using Adobe Photoshop to add flesh, hair, and other details. My site, yarbs.net features reconstructions and animations of these life masks along with a little history and how the subjects might have looked in daguerreotypes and photographs.

About Life Masks:

To understand what these historic figures really looked like we cannot rely on paintings as they suffer from “artistic license” and “sympathetic treatment” commonly employed by many contemporary portrait artists. Before photography, the art form of the life mask was the best way to create an exact likeness of an individual. Basically, plaster would be applied to the head and sometimes upper torso to create a mold from which a life mask or bust of the person could be cast. This would result in a three-dimensional, faithful transfer capturing in minute detail the true likeness of the subject.

Sculptors John Henri Isaac Browere and Jean-Antioine Houdon cast life masks of George, Washington, John Adams, Thomas Jefferson, James Madison and many other historical figures. Thomas Jefferson endorsed his life mask bust, as did James and Dolley Madison when they saw it several days later. James Madison said of his own life mask, "Per request of Mr. Browere, busts of myself and of my wife, regarded as exact likenesses, have been executed by him in plaister, being casts made from the moulds formed on our persons, of which this certificate is given under my hand at Montpelier, 19, October, 1825."

Browere’s casting process utilized a proprietary plaster mixture that due to its lightweight nature did not distort the facial features of his subject’s face as the common plaster utilized by his contemporaries did. This by all accounts resulted in what was considered an extremely accurate likenesses.

J. I. Browere’s “work achieved a stark realism uncommon in that day. His plaster busts showed the age-lined brow, the pock-marked face; his subjects appeared as they were, not as artists generally portrayed them. His life masks were, and remain, the most authentic likenesses of some historic figures who lived in a day before photography provided more easily obtained but similarly uncompromising portraits."

Digital Yarbs Items:

My works are available as postcards, high quality archival giclée prints and limited edition canvas prints numbered and signed with certificate of authenticity.

Canvas Prints: Are Limited Edition, Signed and numbered with Certificate of Authenticity. Giclee wrapped canvas 16x20 .75 inch edge, open back with mirror border.

Paper Prints: Are Signed, numbered with Certificate of Authenticity and made of Kodak Professional Endura Premier Lustre paper. My signature on the back is signed with an archival acid free ink pen and the blue logo stamp uses archival acid free ink.

Postcards: Are 4×6 premium matte. Postcards come as a single card, pack of 10, pack of 25, or pack of 50.

Canvasas, prints and post cards contain NO watermarks.

Free Shipping within 3-5 business day via USPS.

If for any reason you are not completely satisfied with your item, we will completely refund your order.

Visit yarbs.net for more information on this image and to see more of my works with life masks.

What did the Founding Fathers look like? Can we know for certain?

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