“The Real Faces of Marquis de Lafayette 4x6 Postcard Based Upon His Life Mask”

John Henri Isaac Browere's 1825 life mask of Marquis de Lafayette and a Photoshop reconstruction of Lafayette's life mask postcard.

Lafayette's life mask was a likeness so admirable and of such remarkable fidelity, that General Jacob Morton, Rembrandt Peale, De Witt Clinton, S. F. B. Morse, John A. Graham, Thomas Addis Emmet and others, came forward and enthusiastically bore witness to its being “a perfect facsimile” of the distinguished Frenchman. The written commendations of Peale and Morse are notably interesting as the views of two brother artists, each of whom had painted a portrait of LaFayette.

Rembrandt Peale, widely known by his composite portrait of Washington, writes: New York August 10th 1825....
"The singular excellence shown by Mr. Browere in his new method of executing Portrait busts from the life deserves the applause and patronage of his countrymen. The bust of La Fayette, which he has just finished, is an admirable demonstration of his talent in this department of the Fine Arts. The accuracy with which he has moulded the entire head, neck and shoulders from the life and his skill in finishing, render this bust greatly superior to any we have seen. It is in truth a “faithful and a living likeness.” Of this I may judge having twice painted the General’s portrait from the life, once at Paris and recently at Washington."

Portrait painter Samuel Finley Breese Morse wrote: New York August 15, 1825.
"Being requested by Mr. Browere to give my opinion of his bust or cast from the person of General La Fayette, I feel no hesitation in saying it appears to me to be a perfect facsimile of the General’s face."

Actual card contains NO watermark.

About Digital Yarbs:

I'm Cheryl A. Daniel (Digital Yarbs) a Photoshop composition artist who enjoys history. I reconstruct life masks, statues and busts of famous early Americans and historic figures. Using life masks, I completed a forensic/academic study of how the subjects most likely appeared using Adobe Photoshop to add flesh, hair, and other details. My site, yarbs.net features reconstructions and animations of these life masks along with a little history and how the subjects might have looked in daguerreotypes and photographs.

About Life Masks:

To understand what these historic figures really looked like we cannot rely on paintings as they suffer from “artistic license” and “sympathetic treatment” commonly employed by many contemporary portrait artists. Before photography, the art form of the life mask was the best way to create an exact likeness of an individual. Basically, plaster would be applied to the head and sometimes upper torso to create a mold from which a life mask or bust of the person could be cast. This would result in a three-dimensional, faithful transfer capturing in minute detail the true likeness of the subject.

Sculptors John Henri Isaac Browere and Jean-Antioine Houdon cast life masks of George, Washington, John Adams, Thomas Jefferson, James Madison and many other historical figures. Thomas Jefferson endorsed his life mask bust, as did James and Dolley Madison when they saw it several days later. James Madison said of his own life mask, "Per request of Mr. Browere, busts of myself and of my wife, regarded as exact likenesses, have been executed by him in plaister, being casts made from the moulds formed on our persons, of which this certificate is given under my hand at Montpelier, 19, October, 1825."

Browere’s casting process utilized a proprietary plaster mixture that due to its lightweight nature did not distort the facial features of his subject’s face as the common plaster utilized by his contemporaries did. This by all accounts resulted in what was considered an extremely accurate likenesses.

J. I. Browere’s “work achieved a stark realism uncommon in that day. His plaster busts showed the age-lined brow, the pock-marked face; his subjects appeared as they were, not as artists generally portrayed them. His life masks were, and remain, the most authentic likenesses of some historic figures who lived in a day before photography provided more easily obtained but similarly uncompromising portraits."

Digital Yarbs Items:

My works are available as postcards, high quality archival giclée prints and limited edition canvas prints numbered and signed with certificate of authenticity.

Canvas Prints: Are Limited Edition, Signed and numbered with Certificate of Authenticity. Giclee wrapped canvas 16x20 .75 inch edge, open back with mirror border.

Paper Prints: Are Signed, numbered with Certificate of Authenticity and made of Kodak Professional Endura Premier Lustre paper. My signature on the back is signed with an archival acid free ink pen and the blue logo stamp uses archival acid free ink.

Postcards: Are 4×6 premium matte. Postcards come as a single card, pack of 10, pack of 25, or pack of 50.

Canvases, prints and post cards contain NO watermarks.

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If for any reason you are not completely satisfied with your item, we will completely refund your order.

Visit yarbs.net for more information on this image and to see more of my works with life masks.