These listings are for photos of Eric Johnson in 1989. This listing is IMAGE #1. They were taken in concert at Greenstreets in Columbia SC and Myskyn's in Charleston SC. They were taken with Nikon cameras and lenses. They have been printed on Cibachrome paper. The photo measures 6 3/4 X 10 inches. (See the information on Cibachrome below.) These were printed in 1990, and have been stored light tight. The negatives are gone, so no more copies will be made. There are 3 - 4 of each image, then that's it. This listing is for the actual photo shown above. Each Cibachrome photo will be listed individually so you know exactly what you're getting! The first listing photo above is from a high resolution scan. Any questions? Need more photos? Feel free to email me through eBay. I will carefully package and ship this photo so that it arrives in the condition shown. Thanks for looking and please check out my store. Keeth.

NOTE! DO NOT TOUCH A CIBACHROME PRINTS IMAGE SURFACE!!!!!! THE FINGERPRINT WILL BE VISIBLE FOREVER!

Ilfochrome (also commonly known as Cibachrome) is a dye destruction positive-to-positive photographic process used for the reproduction of film transparencies on photographic paper. The prints are made on a dimensionally stable polyester base as opposed to traditional paper base. Since it uses 13 layers of azo dyes sealed in a polyester base, the print will not fade, discolour, or deteriorate for an extended time. Accelerated aging tests conducted by Henry Wilhelm rated the process as producing prints which, framed under glass, would last for 29 years before color shifts could be detected. Characteristics of Ilfochrome prints are image clarity, color purity, and being an archival process able to produce critical accuracy to the original transparency.The composition of the emulsion used in Ilfochrome prints is responsible for color purity, image clarity, and archival permanence. 

Azo dyes, which provide stable vivid colors, are embedded in the Ilfochrome emulsion and bleached out in processing. Since the dyes are in the emulsion rather than in the chemistry, the image is also much sharper and clearer because the dyes create an anti-light-scattering layer which keeps the image from being diffused when viewed. As the azo dyes are far more stable than chromogenic dyes, prints made by this process are of archival quality and galleries and art collectors report they do not fade in normal light.