PreSonus StudioLive 64S 64-Channel Digital Mixer/Recorder/Audio Interface

With the 64-channel StudioLive® 64S and a full suite of integrated software, PreSonus® delivers the most powerful and flexible digital console available for installed sound, touring, and recording—and the best value. Powered by the PreSonus quad-core FLEX DSP Engine, no other mixer can match its 128-channel (64x64) USB recording, 76 mixing channels, 43 buses, and an astounding 526 processors. Features such as password-protected user profiles for restricting feature access and mixer scenes organized by project, make the StudioLive 64S ideal for installed sound. Thanks to built-in AVB networking, the StudioLive 64S integrates with stage boxes, personal monitor mixers, switches, and more. Managing 76 total inputs is easy with 32 FlexMixes and 24 DCA groups. The Fat Channel processing section offers expandable plug-ins with vintage-style EQ and compression options on every channel and output bus.

Features
  • The most powerful and flexible digital console available for installed sound, touring, and recording with quad-core FLEX DSP Engine powering 526 simultaneous processors
  • Fully recallable with touch-sensitive motorized faders
  • Built-in AVB networking to create a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, other Studiolive Series III mixers, and the SW5E AVB switch
  • Built-in 128-channel (64x64) USB interface—the most of any digital mixer on the market
  • Onboard multitrack SD Card recorder with true Virtual Soundcheck
  • 32 FlexMixes (aux mixes, subgroups, or matrix mixes)
  • FLEX FX multieffects processor with 8 slots to load legendary reverb emulations and delays with 8 dedicated effects buses
  • Complete professional solution: suite of integrated software, including Studio One® Artist DAW

Electronics
  • Voltage
    100-120V
  • Jack
    1/4" TRS Active Stereo
Miscellaneous
  • Connection Type
    IEC
Microphone Preamp
  • Total Harmonic Distortion
    <0.005%, +4 dBu, 20-20 kHz, Unity Gain, Unweighted
  • Signal To Noise Ratio
    94 dB (Ref = +4 dB, 20 kHz BW, Unity Gain, A-Weighted)
  • Common Mode Rejection Ratio
    65 dB (1 kHz at Unity Gain)
  • Gain Control Range
    0 dB to +60 dB (±1 dB)
  • Maximum Input Level
    =+12 dBu (Unity Gain)
  • Phantom Power
    48 VDC, Switchable Per Channel (±2 VDC)
  • Frequency Response
    20-20 kHz (±0.5 dBu at Unity Gain)
  • Input Impedance
    1 kΩ
Line Inputs
  • Maximum Level
    =+18 dBu
  • Line Inputs Frequency Response
    20-20 kHz (±0.5 dBu at Unity Gain)
  • Line Inputs Total Harmonic Distortion
    <0.005%, +4 dBu, 20-20 kHz, Unity Gain, Unweighted
  • Line Inputs Impedance
    10 kΩ
Headphone Outputs
  • Maximum Output
    100 mW/ch. @ 60Ω load
  • Frequency Response
    20 Hz to 20 kHz, +/-0.5 dB
  • Total Harmonic Distortion
    0.01%, 1 kHz, Maximum Gain, 20 Hz BW, Unweighted
Digital Audio
  • Dynamic Range
    ADC Dynamic Range: 115 dB (A-Weighted, 48 kHz), DAC Dynamic Range: 115 dB (A-Weighted, 48 kHz)
  • Bit Depth
    24
  • Supported Sample Rates
    48 kHz, 44.1 kHz





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