π₯ 17th β
18th Century, Circa: 1680s -1720s years. VERY RARE EXHIBITION !!!
TRIPTYCH, ROYAL IMPERIAL CHRISTIANITY ORTHODOX ICO, EGG TEMPURA
HOLY Virgin MARY, BLESSING of the BIRTH of JESUS CHRISTβ= 27 cm x 10 cm
π₯ HAND PAINTING IMPRESSIVE
UNIQUE TRIPTYCH FABULOUS MIRACLE
HOLY ICON!!!
π₯ PORTABLE
TRIPTYCH ICONOSTASIS
Explanation: MIRACULOUS HOLY IMAGE, ICON of IMPERIAL HERITAGE,
EGG TEMPERA PAINTING, AMAZING TREASURY, ART ICON PAINTING on HARDWOODEN PANEL MAGNIFICENT HOLY ICON UNIQUE ART - CHRISTIAN
TREASURY by RUSSIAN
SCHOOL PAINTING ART, CHURCH SCHOOL ANCIENT ICON PAINTING, HOLINESS RELIDGES
EXHIBIT from RUSSIA !!!
How Icon Works: The ICON WILL
HELP YOU to FEEL and GET the RELEASE of THE SOUL !!! YOU
WILL BE ABLE to BALANCE the ENERGY of SOUL and BODY, YOU WILL FEEL the HEAT of
ENLIGHTENMENT INSIDE, WHEN YOU FEEL the RELEASE of THE SOUL, YOU WILL CONNECT
the SOUL, BODY and COSMOS TOGETHER, REACH AWARENESS and HARMONY of the WORLD
AROUND, FILL WITH the ENERGY of the UNIVERSE FILL, This is HOW the RUSSIAN ICON
WORKS !!!!
Dimensions in the open TRIPTYCH ICON, mm (approx.): 270 mm height x 100 mm in
width x 15 mm in thickness
Dimensions in the open TRIPTYCH ICON, inch (approx.): 10.75 inch height x 4.0
inch in width x 0.65 inch in thickness
Material: BRONZE FRAYMED ICON AMAZING EGG TEMPURA PAINTING ICON βHOLY BIRTH of JESUS CHRISTβ on Hardwood Panel.
Travel Triptych Circa: 1680s -1720s years depicting the Trinity in
the inner field, the right and left fields each show 4 saints. Depicted from
left to right be the following saints: Saint Sosima and Savatij, Saint Elias
and Saint Seraphim, Saint John, Saint Antipas, Saint Nikita and Saint Tifon.
The solid brass frame is manufactured with the utmost precision and finely
engraved. A work of the Nevyansk Monastery from the second half of the 17th
century.
π₯Russian school, 17th - 18th century. TRAVEL ICON, PORTABLE
TRIPTYCH ICONOSTASIS
π₯'Holy Father brings baby Jesus Crist' HOLY Virgin MARY, BLESSING of
the BIRTH of JESUS CHRIST
Egg Tempera on hard wood panel. Measurements: 10.75" x 4"
inches. (Brass frame). Iconostasis as a religious object is one of the most
important phenomena of medieval Russian culture. Iconostases of the 17th - 18th
century can be divided into three types according to the number of row, or rows,
from two to five levels. In their
structure they are practically the same as ecclesiastical iconostases, but with
some slight changes that are linked above all to the convenience of use.
In the case of the lot of interest, it imitates the structure of an ecclesiastical iconostasis, since it has a central door, known as the 'sacred' door. It has no functional use, but serves to respect the structure. It is decorated with five figure saints of the annunciation, and this scene are miniatures of the four evangelists. On either side of the door are depictions of the Virgin and other local saints. The second icon is called the 'holy father brings baby Jesus'. This is where the important Gospel celebrations are located. It usually contains the images of the Virgin Mary. In the case of this image, scenes with a Marian theme can be seen. In the case of the present iconostasis, the author opted for an unusual composition. On the two sides of the third are miniatures of various saints, Virgin Mary with the Gospel on the table. This iconostasis is a religious work of a very high level, both compositionally and chromatically, as well as iconographically..
A
triptych (/ΛtrΙͺptΙͺk/ TRIP-tik) is a work of art (usually a panel painting) that
is divided into three sections, or three carved panels that are hinged together
and can be folded shut or displayed open. It is therefore a type of polyptych,
the term for all multi-panel works. The middle panel is typically the largest
and it is flanked by two smaller related works, although there are triptychs of
equal-sized panels. The form can also be used for pendant jewelry. For example,
the standard notebook and school exercise book of the ancient world was a
triptych consisting of a three of such plates that contained a recessed space
filled with on hard wood painting. Writing was accomplished by painting the
wood surface with a egg tempura paint. Ordinary versions had wooden frames, but
more luxurious triptych were crafted with more expensive materials.
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