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(NOTE: BRAND NEW/FACTORY SEALED ITEM!)
(NOTE: LIMITED VINYL EDITION OF 299 COPIES ONLY!)
Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters's pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Working in his home, he quickly gained notoriety as a purveyor of a musical genre composed solely of pure, unadulterated noise. Embracing technology and the machine, first in an absolutely analog way and then welcoming digital innovation, Merzbow broke boundaries and pushed toward new territories of the extreme. Hybrid Noisebloom, originally issued by Vinyl Communications on CD in 1997, is the latest in this trilling bread crumb trail. It is also the first time that this seminal document from Merzbow's '90s period has ever appeared on vinyl. Composed and performed on EMS and Moog Synthesizers, Theremin, metal devices, noise electronics, and voice, all recorded at extreme volumes, Hybrid Noisebloom's five tracks present a fascinating sonic assault, heavily driven by the presence of electronic sounds, played against the sparse interjections of Akita's heavily processed vocals, that push toward new territories of the extreme, while subtly nodding toward historical gestures from the early years of the avant-garde. "Plasma Birds" investigates timbral relationships, the fragmentation of melody, and abrasive, provocative noise -- shifting from the sparse, airy, and restrained, to dance clusters of interplay and back again. "Minotaurus" finds a strange middle ground between the intuitive logics of their instruments; synth and electronics taking on decidedly percussive approaches, while metal device's fractured polyrhythms and beats often veer toward the presence of a notable tonality. "Mouse Of Superconcetion", formed by screeches and from swinging and chugging to stepped back and sparse combinations of rhythm and tone, moves from the lingering sensibilities of straight-ahead synth to radically out hard blow fire. Launching from a total wall of sound, "Neuro Electric Butterfly" takes the listening on an endlessly surprising journey through its devices' inner world, shifting between airy open passages that feature endless combinations of one or more effects, to furious moments of sonorous lashings where the sound falls in together in brilliant dialogical periods of conversant texture and psychedelic intervention. "The Imaginary Coversation Of Blue" embeds bristling fragments, percolating tones, and poignant dissonances within a sweeping field of echoes rumbles and drones. First vinyl release; edition of 299.
- Reissue of Merzbow's Hybrid Noisebloom, originally issued by Vinyl Communications on CD in 1997.
- Composed and performed on EMS and Moog Synthesizers, Theremin, metal devices, noise electronics, and voice, all recorded at extreme volumes.
- Hybrid Noisebloom's five tracks present a fascinating sonic assault, heavily driven by the presence of electronic sounds, played against the sparse interjections of Akita's heavily processed vocals.
- First vinyl release; edition of 299.
Tracks on this Double LP are as follows
| A1 | Plasma Birds / Minotaurus | |
| B1 | Mouse Of Superconcetion | |
| C1 | Neuro Electric Butterfly | |
| D1 | The Imaginary Coversation Of Blue |