"Sailor Moon R", "Revolutionary Girl Utena", "Mawaru Penguindrum", "Yuri Kuma Arashi"... A special feature that approaches the full picture of the rare anime director Kunihiko Ikuhara

table of contents*
■Conversation
Offering a Rose to the Beast Kunihiko Ikuhara Asumiko Nakamura Host: Mayuko Ueda

■Those who revolutionize the world
Take me to the end of the world Masaki Yamada
Just holding hands in a world without a prince Harumi Kawaguchi
A story of ideals that transcend reality, the power to revolutionize the world Ryo Yoshigami
Junior high school student Utena Ai Nishida
Funeral Procession of Roses: Revolutionary Girl Utena and the Sacrifice of Prince Charming in the Girl Community Mayuko Ueda
Battle with Roses Shoichi Nagata

■Interview
Something that represents my soul Kinoko Nasu Listener = Mihoko Aoyagi

■Ikuni Chronicle
Floral Pattern Enjo Tower
The great “older brother” named Kunihiko Ikuhara Mitsuki Tsujimura
Descent with imaginary wings Kentaro Nakata
Inside the eggshell - Toei Animation's Kunihiko Ikuhara and Tomoya Kimura
Kunihiko Ikuhara as a ``socialist'' -- From the lecture ``I've seen works like this.'' Ryota Fujitsu
Fourteen-year-old. The summer of confusion is the season of hell - Kunihiko Ikuhara and the aurora poetry of stories Seiji Kagami
Children without words: Reading “The Beast and the Bride” Hajime Yokota

■Color frontispiece - Ikuni Kaleidoscope
Uchiho Saito / Asumiko Nakamura / Lily Hoshino / Akiko Morishima

■Conversation
Fool's Hymn Kunihiko Ikuhara Kana Otsuki

■Love vowed to the future
Mirror of Nehellenia Boy Aya
"Alterations" in "Sailor Moon" and Kunihiko Ikuhara -- Girls' desires and the 1990s Keiko Saga
It all started with “Sailor Moon R the Movie” Mihoko Aoyagi

■Homage illustration
Kenjiro Hata/Aruco Wada/Ito/Sumito Odo/Seimei Domitsu

■Where fate leads
Creating a soundtrack with director Ikuhara Yukari Hashimoto
Survival strategy! The most fruitful Tahi
``Penguindrum'' does not ring - The third fantasy reversal railway Toshiki Sato
A circle connected by 3 Miki Ishida
Surrounding lives and answered prayers: Theory of possession in “Mawaru Penguindrum” Eimi Ozawa
What do they see and what do we see? - About illusions and banks in "Mawaru Penguindrum" Yumi Komatsu

■Interview
“Revolution,” she shouts Risa Aizawa (Dempagumi.inc) Interviewer = Editorial Department

■What we want
Director Kunihiko Ikuhara and his work's influence on Bonjour Suzuki
Mediator of escape: Theory of “Yurikuma Arashi” Toshihiro Furuya
A place where bears and people meet Kosuke Ikeda
Was “discontinuity” depicted?—“Different others” in “Yurikuma Arashi” Haruka Tsutsui
When the wish to "find me" comes true - Girls drawn by "Yurikuma Arashi" Miyoko Uchiyama
Yuri's Conquest Hironori Kato