28-135mm f/4-4.5

Standard Zoom Lens

The Ultimate

Maxxum Standard Zoom – Like a “G”

Near Mint Condition

If you are seriously considering adding this lens to your collection, you probably already know a lot about it. Simply put, it is one of Minolta’s finest zoom lenses in the standard range and it’s one of my favorites. Up until replacing it with a CZ2470, I’d used it as my standard zoom and probably had taken half of all my photos with this model of lens up to that point. 

This Sony Alpha mount lens will require an adapter for use with Sony E mount camera bodies.

I sold a copy of this lens to a good customer a while ago and this is what he had to say about it:

“Hi Rich,

I just received that beautiful beast of a lens. I knew it would be in good shape, but I had no idea that it would be that immaculate! I've never seen a used lens so clean.

Thanks again, and when you get bored with that 24-70CZ in a few years, I'll probably take that off your hands too!  ;-)

 - CM ”

This particular lens (S/N 191052xx) is in near mint condition as far as cosmetics go. There are just a few very light signs of wear to the enamel, and they are minimal. This is a great looking lens and in fantastic mechanical condition. 

Optically, the lens glass is perfect. There is no haze or fungus inside the lens.   

Both original caps are included with the lens.   

The rubber zoom grip looks great with no wear and it is not faded and crusty like so many lenses you see on Ebay. The mount looks great

I owned a Minolta 28-135mm and shot with it for years. I know this lens well and I make several important checks on this lens’ mechanics to determine its condition: 

1.    Lens creep – When hung upside down by the lens mount and nudged along past 28mm, this lens only creep from 50mm to 130mm. This is a good result for this lens – worn out copies really move. The zoom rotates smoothly with the characteristic little smooth bump at 135mm which is normal for this lens. When hung upside down at 28mm, (as when mounted to your camera and hanging the kit from your neck strap, the lens will not creep. 

2.    Lens focus – Very smooth and fast. No issues. 

3.    Front element “wobble” – After extending the zoom to 135mm, there is minimal wobble, (less than 1mm) to detect when attempting to move the front element laterally. This is a fantastic result which indicates minimal lateral wear. Try this test with your consumer grade plastic lens and see what happens! A high percentage of these 28-135mm’s do have a bit of a wobble, some a lot more than others. Significant wobble is a sign of excess use or a worn-out lens. 

4.    Aperture action – Snappy. No oil on either side of blades. 

5.  Macro Switch – Normal operation. 

The 28-135mm is truly a beauty. Big glass, solid vintage 1^st generation optics and construction, exotic engineering, Macro capability, rear internal focusing with a non-rotating front element, tack sharp reproduction from corner to corner…simply an awesome lens. Many compare it to the “G” line as far as its performance goes. 

Konica Minolta has now sold its Maxxum mount to Sony, but it has been years since Minolta even made glass like this. The 28-135mm f4-4.5 is getting harder to find, even on eBay, as knowledgeable enthusiasts and Sony DSLR/SLT owners snap up nice used copies for their bags. With the full frame A900 and A850 on the market, and new A99/A99II SLT available, this lens has become the affordable alternative to the Sony CZ 24-70/2.8 ($1000) Online reviews that put the two lenses head to head declare that the 28-135 is as sharp as the CZ. With an E mount adapter, it would be quite a retro (and affordable) full frame kit.

Minolta stopped making this lens years ago because apparently the profit margin was slim to none. Too much glass. Too much innovation, and just too expensive to produce. When first released, in today’s dollars, the lens would have cost well over $1000 new. I read somewhere that these lenses were hand assembled in a Leica factory when they were produced. 

The optical performance of the 28-135mm is amazing when you consider the focal range and maximum aperture of the lens. This lens covers twice the range of a standard zoom and has macro capability (1:4) and internal focus while maintaining a fast zoom aperture of f4-4.5. It is tack sharp at any setting. Its range and relative size and weight also make it a perfect traveling companion. This lens will be at home in tight urban environments or sweeping vistas at 28mm, and is great for unobtrusive candid shots at 135mm. Coupled with the Maxxum 70-210 f4, (another Leica legend) or a 100-300 APO, you are covered through at least 95% of your picture taking needs, with just 2 high quality Minolta lenses. And in the case of the 28-135, you have one highly collectible, rare Minolta zoom lens. 

Features: 

·                Construction: 16 elements in 13 groups

·                Angle of view: 75°-18°

·                Minimum focus (macro): 1.5m (0.25m)

·                Maximum magnification: 0.25X

·                Minimum f-stop: f/22-27

·                Dimensions: 75 x 109mm

·                Weight: 770 g

From a Minolta Website: “The Minolta AF 28-135mm f/4-4.5 zoom lens is the first zoom lens in the world to use a unique rear-focusing optical design. Three major design benefits are: faster autofocusing since the moving mass of lens elements is greatly reduced; reduction of overall size and weight; and closer minimum focusing distances.”

Combine Shipping for more savings!