Oedipus rex is an "Opera-oratorio after Sophocles" by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however, is performed in the language of the audience.

Oedipus rex was written towards the beginning of Stravinsky's neoclassical period, and is considered one of the finest works from this phase of the composer's career. He had considered setting the work in Ancient Greek, but decided ultimately on Latin: in his words "a medium not dead but turned to stone."

Oedipus rex is sometimes performed in the concert hall as an oratorio, similarly to its original performance in the Théâtre Sarah Bernhardt in Paris on 30 May 1927, and at its American premiere the following year, given by the Boston Symphony Orchestra and the Harvard Glee Club.

It has also been presented on stage as an opera, the first such performance being at the Vienna State Opera on 23 February 1928. It was subsequently presented three times by the Santa Fe Opera in 1960, 1961, and 1962 with the composer in attendance. In January 1962 it was performed in Washington, D.C., by the Opera Society of Washington (now the Washington National Opera) with the composer conducting.

In 1960 at Sadler’s Wells Theatre in London, a production by Colin Graham, directed by Michel Saint-Denis, conducted by Colin Davis and designed by Abd’Elkader Farrah. Oedipus was sung by Australian tenor Ronald Dowd with actor Michael Hordern as narrator. Although the performance's narration was in English, the company moved from its normal English-language practice and the singing remained in the original Latin. This was part of a double bill, the second opera being Bartok's Bluebeard's Castle. 

A production directed by Julie Taymor starring Philip Langridge, Jessye Norman, Min Tanaka, and Bryn Terfel was performed at the Saito Kinen Festival Matsumoto in Japan in 1992 and filmed by Taymor for television. Another filmed rendition survives from 1973, conducted by Leonard Bernstein during his sixth and last lecture for the Charles Eliot Norton chair at Harvard University.

Many insights to this opera are found in Leonard Bernstein's analysis of it in his sixth and last Norton lecture from 1973. Bernstein stated that Oedipus Rex is the most "awesome product" of Stravinsky's neoclassical period. Much of the music borrows techniques from past classical styles and from popular styles of the day as well. However, Stravinsky purposely mismatches the text subjects (in Latin) with its corresponding musical accompaniment.

Bernstein even goes so far as to link the opening four-note motif sung by the chorus to a specific sung quote in Verdi's Aida. The idea parallel of "power and pity" reigns in both operas even though the specific subject matters are quite different.

PLEASE PICK PRIORITY MAIL AS YOUR SHIPPING OPTION IF YOU NEED IT QUICKLY.
THE USPS HAS BEEN EXPERIENCING TERRIBLE DELAYS WITH MEDIA MAIL (UP TO A 2 WEEK DELAY)!