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at auction and in my shop "AmidesLivres"

an important set devoted to the Dance and Ballet, specifically

Opéra Garnier in Paris, in the 1980s/90s

Rudolf NOUREEV, Sylvie GUILLEM, PATRICK DUPOND, LAURENT HILAIRE,

MAURICE BEJART, Jerome ROBBINS

&CC...

PHOTOGRAPHS

BOOKS - VARIOUS DOCUMENTS - PROGRAMS - POSTERS

FROM THE PERSONAL COLLECTION OF

JOSSELINE LE BOURHIS

Josseline LE BOURHIS

Literary studies (license in classic and modern letters)
Simultaneously musical studies and University Theater
Master's degree in theater studies at the Sorbonne (Dramaturgy Section)
Public Relations, Information/Publications, Communication and Press Manager for the Maison de la Culture in Angers then the Maison de la Culture in La Rochelle and Dance Company "Théatre du Silence"
Assistant director at the Musical Theater of Angers
Programming - Dance in La Rochelle

From 1983 to 2002, Josseline LE BOURHIS was in charge of Dramaturgy and Publications
of Dance at the Paris Opera, and in particular with Rudolf Nureyev, Director of Dance from 1983 to 1989, and who had moreover wanted the creation of such a post

Also teaching, History of Dance at the CNSM of Lyon, collaboration on several films made on dance for the 5 and Arte and collaborations on several books on dance

We are now going to put on sale a very large number of photographs, documents and posters from the personal archives of Josseline LE BOURHIS , concerning the

periods prior to his presence at the Paris Opera

Angers University Theater,

House of Culture of Angers, House of Culture of La Rochelle, Dance Company "Théatre du Silence"

Angers Musical Theater

&vs...

In its multiple collections and this vast set a very special place is

reserved for graphic designer and poster artist from Tourangeau
Jean-Jack MARTIN

Jean-Jack Martin was born on December 29, 1941 in Tours.

Great graphic designer and talented "Man of the Art" of the Poster

His favorite technique is screen printing, which he masters perfectly,

his productions are quite remarkable...

and deserve to be better known

Adorer of nonsense and humor in all circumstances, very attached to traditions and popular culture,

he never considered a career in advertising (lucrative of course) and decided to devote himself once

for all to promote Culture (mainly in their region of origin)

He will therefore produce countless posters for the Maisons de la Culture of Angers and La Rochelle,

for various Festivals, for Dance and Theater Companies, etc...

We are lucky to be able to offer here a large number of these posters, from the 70s/80s

preciously collected and preserved by Josseline LE BOURHIS

Most of the time we only have one copy, so don't miss the (Rare)

chance to buy one...

And now some posters...

ORIGINAL POSTER

Size 78x32cm

First Printing

Jean Luc Ponty

Experience

Jean-Luc Ponty: violin and violectra

Joachim Kuhn: Piano and Saxo-Alto

Phillip Catherine: guitar

Olivier Johnson: drums

Peter Warren: Double bass

Jean Luc Ponty

Jean-Luc Ponty, born September 29, 1942, in Avranches,

is a French jazz violinist and composer.

First prize for classical violin, in 1960, at the National Conservatory

superior of music and dance in Paris, his attraction to jazz

is due to the music of Miles Davis and John Coltrane.

In 1967, he won the Django-Reinhardt prize awarded by the Jazz Academy and appeared on the double CD 50 years of the Django-Reinhardt prize, released by Nocturne in 2005. He denies any influence from Stéphane Grappelli, whom he nevertheless greatly appreciated.

This French musician has obtained a real international reputation, first through his collaborations with Frank Zappa and John McLaughlin then, from 1975, by inventing a very personal career, made up of his great classical culture, his desire to popularize his fields of expression, finally his taste for experimentation and stylistic interbreeding which earned him here - in his country of origin - a number of mockers, even and especially among the ex-most fervent admirers of this "Coltrane of the violin"

that they had originally seen in him.

Purely bebop violinist in his early days, faced with the difficulty of surviving in the little space and recognition offered to him by his "first version" career,

he gives in to the American sirens who were, for him, George Duke and Frank Zappa,

then deviating towards a more popular music, rock, thus losing many

of his "purists" who took pleasure in seeing him play in Parisian clubs, such as Le Caméléon, during the 1960s.

However, his electronic experiments were crowned with success, the artist obtaining the recognition of a wider public - as evidenced by the concerts of the Mahavishnu Orchestra at the MONTREUX jazz festival - soon benefiting from enough aura to form his own groups. , conducting in turn some very talented instrumentalists, such as Patrice Rushen, Allan Zavod, Allan Holdsworth, Dan Sawyer, Leon Chancler...

In addition to breathtaking virtuosity, also endowed with a real talent as a composer and melodist, Jean-Luc Ponty was also an ambitious experimenter, among the first to combine the violin with MIDI, distortion effects and wah-wah pedals. Immediately identifiable, its sounds - in attack as in phrasing - are true signatures, also obtaining the scale of a synthesizer on the

only strings of his violins.

He modified these and thus used a five-string electric violin, fitted with a bass string tuned to C. He also sometimes used a violectra, first four-stringed and then six-stringed, with basses in C and F. The Zeta violin thus replaced the old barcus berry with which Jean-Luc Ponty had been one of the precursors of jazz-rock. However, he plays again on a barcus berry on his last album.

The Acatama Experience, released in 2007.

He worked in 2014 with the legendary singer of the group Yes, Jon Anderson, with whom he released an album in 2015 entitled Better late than never.

AMCA
(1968-1974)

Angers

Culture House

December 17, 1971

Municipal Theater

Poster signed Jean-Jack Martin

Serigraphy Gibert-Clarey - Tours

Beautiful Poster!

Superb screen printing quality

intense colors, velvety appearance

Very good condition, very well preserved, very clean and fresh, almost new, never displayed or framed

some tiny creases or usual rubbing on edges, etc...