One original ancient Greek silver coin

Greek city on the island of Euboea Histiaea. 196-146 BC. AR Tetrobol.

AR 13-14mm.1.71gm.

Obv./ Head of nymph Histiaia right, hair wreathed with vine.
Rev./
  / Nymph Histiaia sitting right on stern of galley, ornamented with crescent, holding stylis.

BMC 122


Rare and interesting coin as pictured.

Coin is good condition and a very rare and nice inclusion to the finest ancient coin collection.

Authenticity guaranteed.!!! COA included!!

Situated in the far north of the island, Histiaia did not begin producing coinage until the mid-4th Century B.C. From its extensive silver issues in the Hellenistic age it would appear to be a place of considerable commercial importance.

Istiaia (Ιστιαία) is a municipality in Euboea , Greece , and the former capital of the prefecture of Evia . Its population is 7,353 (2001). The town is located in the northern end of the island.

Istiaia is mentioned in the Iliad by the ancient Greek poet, Homer for its rich vineyards .


Waterhouse Hylas and the Nymphs Manchester Art Gallery 1896.15.jpg

In this 1896 painting by John William Waterhouse , Hylas is abducted by the Naiads , i.e. fresh water nymphs

 Echo, an Oread (mountain nymph) watches Narcissus in this 1903 painting by John William Waterhouse .

A nymph (Greek: νύμφη, nymphē) in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. Different from goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek polis . They are believed to dwell in mountains and groves , by springs and rivers, and also in trees and in valleys and cool grottoes . Although they would never die of old age nor illness, and could give birth to fully immortal children if mated to a god, they themselves were not necessarily immortal, and could be beholden to death in various forms. Charybdis and Scylla were once nymphs.

Other nymphs, always in the shape of young maidens, were part of the retinue of a god, such as Dionysus , Hermes , or Pan , or a goddess, generally the huntress Artemis . Nymphs were the frequent target of satyrs .

Etymology

Nymphs are personifications of the creative and fostering activities of nature, most often identified with the life-giving outflow of springs: as Walter Burkert (Burkert 1985:III.3.3) remarks, "The idea that rivers are gods and springs divine nymphs is deeply rooted not only in poetry but in belief and ritual; the worship of these deities is limited only by the fact that they are inseparably identified with a specific locality."

The Greek word νύμφη has "bride" and "veiled" among its meanings: hence a marriageable young woman. Other readers refer the word (and also Latin nubere and German Knospe) to a root expressing the idea of "swelling" (according to Hesychius , one of the meanings of νύμφη is "rose-bud").

Adaptations

The Greek nymphs were spirits invariably bound to places, not unlike the Latin genius loci , and the difficulty of transferring their cult may be seen in the complicated myth that brought Arethusa to Sicily. In the works of the Greek-educated Latin poets , the nymphs gradually absorbed into their ranks the indigenous Italian divinities of springs and streams (Juturna, Egeria , Carmentis , Fontus ), while the Lymphae (originally Lumpae), Italian water-goddesses, owing to the accidental similarity of their names, could be identified with the Greek Nymphae. The mythologies of classicizing Roman poets were unlikely to have affected the rites and cult of individual nymphs venerated by country people in the springs and clefts of Latium . Among the Roman literate class, their sphere of influence was restricted, and they appear almost exclusively as divinities of the watery element. Nymphs are also portrayed as selfish and as attention seekers who walk around naked in the middle of forests.









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