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SSS0245/48 "Kyle Belt+Cologne Broadcast Hibiki First Studio Recording Collection 1952-63"
Item Description
- Introduction of the contents "Kyle Belt+Cologne Broadcast Hibiki Studio Studio Recording Collection 1952-63" CD1) (1) Mozart: Symphony No. 30 G major K.202/186B (2) Mozart: Concerto Symphony Heart Heart K.297B (Anh .C14.01) (3) Mozart: Symphony No. 40 No. 40 K.550 CD2) (4) Beethoven: Symphony No. 4 Interest major in Country Op.60 (5) Schumann: Symphony No. 4 Ninja OP.120 CD3 (6) Beethoven: Symphony No. 9 in G minor Op.125 "Chorus" CD4) (7) Bruckner: Symphony No. 6 Ichiskye Kyle belt (conductor) Cologne Release Symphony Orchestra (2) Wilhelm Meyer (OB) _L Breacher (CL )_ Garehard Burdak (HR )_ Carl Weiss (FG) (6) Virma Lip (S )_ Lucrezia West (A )_Ernst Hefrigger (T )_Gotlob Flick (B) ) _ Helbert Shelnus (chorus) _ Cologne Broadcasting Chorus Recording: (1-3) September 14, 1957, (4) December 8, 1958, (5) June 6, 1952, (6) ) June 28, 1963 Cologne Broadcasting Kraus von Bismarquezal (monaural) artist * Studio recording of the first first appearance of the master Kyle Belt. This is a great performance with Cologne Radio Hibiki, which has a close relationship. Mozart is a tremendous performance that eliminates sentiment with a rapid tempo to the blunt. No. 30 and No. 40 are songs loved by Kyle Belt. In addition, the aggregate symphony, which has a solo greeting the master of Cologne Broadcasting Hibiki, is also a treat. This performance is welcomed, as Schumann's fourth is only SP recording with Prague German Hibiki. Performance with plenty of reality as absolute music rather than fantastic atmosphere. The sound is that the sound is thick and the sound is getting thicker without the tempo -ups such as the finale. Beethoven records No. 4 and No. 9. No. 4 is pushed through as a dignified large symphony without being strangely young. The rugged touch of the ninth, which did not leave regular recording, the thorns of the Timpani, and the propulsion was faster than the timing. A luxurious soloist singing. And you want to give a perfect score to the choir. At that time, I recognized the value of "Bull 6", which was popular at that time, and tried to introduce it with the Kyle Belt, but the Berlin Philharmonic and the studio recording were left, but at the same time as this live, Cologne -rising sounds. His excessive performance with a wilderness bruckner on the entire surface with an impression of a Iwao. If you think about it, the Kyle Belt, born in 1908 (Karajan, Asahina, the same year), was in his 40s and 50s, but this ripened. I think that many of the performers today have many young styles. Although it is a monaural, it is originally a name record, and it is a thorough sound quality due to the polite reprint of Dirk Franken. With a liner note (with English translation).
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