1926 CHRISTMAS HOLIDAY STOCKING SANTA CLAUS ELLEN PYLE ARTIST COVER [[SKU]  

DATE OF THIS  ** ORIGINAL **  ITEM: 1926

YOU ARE LOOKING AT AN ORIGINAL MAGAZINE COVER - SO LOOK CAREFULLY AT PHOTO FOR SIZE AND CONDITION!

ILLUSTRATOR/ARTIST:

Ellen Bernard Thompson Pyle (November 11, 1876 – August 1, 1936) was an American illustrator best known for the 40 covers she created for The Saturday Evening Post in the 1920s and 1930s under the guidance of Post editor-in-chief, George Horace Lorimer. She studied with Howard Pyle and later married Pyle's brother Walter.

Born in the Germantown section of Philadelphia on November 11, 1876, to Newcomb Butler and Kate Ashton Thompson, Ellen began her artistic studies at the Drexel Institute of Art, Science and Industry in 1895. In 1897, she began to study under the famous illustrator Howard Pyle, and in 1898 and 1899, she was one of his top students. She was given commissions for illustrations for periodicals and books, and she was invited to attend Howard Pyle's Brandywine School in Chadds Ford, Pennsylvania both years. Around this time, she met Howard's youngest brother, Walter. In 1900 or 1901, Ellen's study with Howard Pyle ended, but she continued to work from her parents' home, and she had a number of book and magazine illustrations published. In 1904, she and Walter married, and she moved to Wilmington, Delaware.

Walter and Ellen had four children between 1906 and 1914 and she suspended her art career to raise her family. in 1928 she wrote, “The absorbing task of raising four children put artwork in the background for a time. There has been a great deal of discussion as to whether a woman can keep on with her work and be a competent mother.”

In 1919, Walter died of Bright's Disease, and Ellen, then aged 42, returned to illustration art to support her family. She created magazine covers and book dust jacket art throughout the 1920s and 1930s, gaining in popularity each year. Two of her children attended art school and became successful artists. “I criticized their work, and they often pose for me, and at times it seems as if everyone in the house was either painting or being painted.” Pyle died on August 1, 1936, of heart disease, a few months short of her 60th birthday.

Ellen Pyle's youngest daughter, Caroline, married Nathaniel C. Wyeth, elder son of N. C. Wyeth. Musician Howard Wyeth was one of her many grandchildren.

Pyle's covers for the Saturday Evening Post in the 1920s and 1930s often featured flappers, athletic young women, and rosy-cheeked children, sometimes with their grandmothers. Her own children modelled for 20 of these covers. Friends and neighbors also commonly served as models. She wrote “The girl I am most interested in painting is the unaffected natural American type, the girl that likes to coast and skate in winter, who often goes without her hat, and who gets a thrill out of tramping over country roads in the fall.”

Some of her most memorable covers were:

  • Flapper - February 4, 1922.
  • Girl Hockey Player - January 22, 1927.
  • Sea in the Shell - August 6, 1927 - a toddler listens to a seashell.
  • Target Practice - October 8, 1927 - a young woman practices archery.
  • Radio Days - February 22, 1930 - a grandmother and child listen to an early radio.
  • Waiting for the Bus - December 13, 1930 - a grandmother and grandson wait for a bus.
  • Woman Tennis Player - August 30, 1932.
  • Flower Children - May 5, 1934 - two children sell flowers in the rain for “5 cents a Bunsh”.

An original Saturday Evening Post cover by Ellen Pyle was appraised at $25,000-35,000 in 2006 on the Antiques Roadshow

Her first career retrospective, organized by one of her great-grandchildren, was displayed at the Delaware Art Museum in 2009.


SPECIAL CHARACTERISTICS/DESCRIPTIVE WORDS:    

The Saturday Evening Post is an American magazine, currently published six times a year. It was published weekly from 1897 until 1963, and then every other week until 1969. From the 1920s to the 1960s, it was one of the most widely circulated and influential magazines among the American middle class, with fiction, non-fiction, cartoons and features that reached two million homes every week.

In the 1960s, the magazine's readership began to decline. In 1969, The Saturday Evening Post folded for two years before being revived as a quarterly publication with an emphasis on medical articles in 1971.

As of the late 2000s, The Saturday Evening Post is published six times a year by the Saturday Evening Post Society, which purchased the magazine in 1982. The magazine was redesigned in 2013.

The Saturday Evening Post was first published in 1821 in the same printing shop at 53 Market Street in Philadelphia, where the Benjamin Franklin-founded Pennsylvania Gazette was published in the 18th century. While the Gazette ceased publication in 1800, ten years after Franklin's death, the Post links its history to the original magazine.

Cyrus H. K. Curtis, publisher of the Ladies' Home Journal, bought the Post for $1,000 in 1897. Under the ownership of the Curtis Publishing Company, the Post grew to become the most widely circulated weekly magazine in the United States. The magazine gained prominent status under the leadership of its longtime editor George Horace Lorimer (1899–1937).

The Saturday Evening Post published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry with contributions submitted by readers, single-panel gag cartoons, including Hazel by Ted Key, and stories by leading writers of the time. It was known for commissioning lavish illustrations and original works of fiction. Illustrations were featured on the cover and embedded in stories and advertising. Some Post illustrations continue to be reproduced as posters or prints, especially those by Norman Rockwell.

In 1954, it published its first articles on the role of the U.S. in deposing Mohammad Mosaddegh, Prime Minister of Iran, in 1953. The article was based on materials leaked by CIA director Allen Dulles.

The Post readership began to decline in the late 1950s and 1960s. In general, the decline of general interest magazines was blamed on television, which competed for advertisers and readers' attention. The Post had problems retaining readers: the public's taste in fiction was changing, and the Post's conservative politics and values appealed to a declining number of people. Content by popular writers became harder to obtain. Prominent authors drifted away to newer magazines offering more money and status. As a result, the Post published more articles on current events and cut costs by replacing illustrations with photographs for covers and advertisements.

In 1967, The magazine's publisher, Curtis Publishing Company, lost a landmark defamation suit, Curtis Publishing Co. v. Butts 388 U.S. 130 (1967), resulting from an article, and was ordered to pay $3,060,000 in damages to the plaintiff. The Post article implied that football coaches Paul "Bear" Bryant and Wally Butts conspired to fix a game between the University of Alabama and the University of Georgia. Both coaches sued Curtis Publishing Co. for defamation, each initially asking for $10 million. Bryant eventually settled for $300,000 while Butts' case went to the Supreme Court, which held that libel damages may be recoverable (in this instance against a news organization) when the injured party is a non-public official, if the plaintiff can prove that the defendant was guilty of a reckless lack of professional standards when examining allegations for reasonable credibility. (Butts was eventually awarded $460,000.)]

William Emerson was promoted to editor-in-chief in 1965 and remained in the position until the magazine's demise in 1969.

In 1968, Martin Ackerman, a specialist in troubled firms, became president of Curtis after lending it $5M. With the magazine still in dire financial straits, Ackerman announced that Curtis would reduce printing costs by cancelling the subscriptions of roughly half of its readers. Those who lost their subscriptions were offered a free transfer to a subscription to Life magazine; Life publisher Time, Inc. paid Curtis $5M for the exchange, easing the company's mounting debts. The move was also widely seen as an opportunity for Curtis to abandon older and more rural readers, who were less valuable to the Post's advertisers. Columnist Art Buchwald lampooned the decision, suggesting that "if the Saturday Evening Post considered you a deadbeat, you didn't have much choice but to either pretend you were still getting the magazine and live a lie, or move out of the neighborhood before anyone found out."

These last-ditch efforts failed to save the magazine, and Curtis announced in January 1969 that the February 8 issue would be the magazine's last. Ackerman stated that the magazine had lost $5M in 1968 and would lose a projected $3M in 1969. In a meeting with employees after the magazine's closure had been announced, Emerson thanked the staff for their professional work and promised "to stay here and see that everyone finds a job".

At a March 1969 post-mortem on the magazine's closing, Emerson stated that The Post "was a damn good vehicle for advertising" with competitive renewal rates and readership reports and expressed what The New York Times called "understandable bitterness" in wishing "that all the one-eyed critics will lose their other eye". Otto Friedrich, the magazine's last managing editor, blamed the death of The Post on Curtis. In his Decline and Fall (Harper & Row, 1970), an account of the magazine's final years (1962–69), he argued that corporate management was unimaginative and incompetent. Friedrich acknowledges that The Post faced challenges while the tastes of American readers changed over the course of the 1960s, but he insisted that the magazine maintained a standard of good quality and was appreciated by readers

In 1970, control of the debilitated Curtis Publishing Company was acquired from the estate of Cyrus Curtis by Indianapolis industrialist Beurt SerVaas. SerVaas relaunched the Post the following year on a quarterly basis as a kind of nostalgia magazine.

In early 1982, ownership of the Post was transferred to the Benjamin Franklin Literary and Medical Society, founded in 1976 by the Post's then-editor, Corena "Cory" SerVaas (wife of Beurt SerVaas). The magazine's core focus was now health and medicine; indeed, the magazine's website originally noted that the "credibility of The Saturday Evening Post has made it a valuable asset for reaching medical consumers and for helping medical researchers obtain family histories. In the magazine, national health surveys are taken to further current research on topics such as cancer, diabetes, high blood pressure, heart disease, ulcerative colitis, spina bifida, and bipolsorder."[21] Ownership of the magazine was later transferred to the Saturday Evening Post Society; SerVaas headed both organizations. The range of topics covered in the magazine's articles is now wide, suitable for a general readership.

By 1991, Curtis Publishing Company had been renamed Curtis International, a subsidiary of SerVaas Inc., and had become an importer of audiovisual equipment. Today the Post is published six times a year by the Saturday Evening Post Society, which claims 501(c)(3) non-profit organization status.



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