DATE OF THIS ** ORIGINAL ** ITEM: 1913 C. Bertram Hartman (1882–1960) was an American oil and watercolor painter. His paintings are exhibited in museums in the United States. C. Bertram Hartman was born in Junction City, Kansas in 1882. He studied at the Art Institute of Chicago and the Academy of Fine Arts, Munich. He also studied art in Paris.Hartman painted the Canyon de Chelly in Arizona in 1916–1917. He did oil and watercolor paintings.[He also did "batik textiles, book illustrations, stained glass, mosaics, and designs for rugs". His artwork is exhibited at the Hubbell Trading Post, the Butler Institute of American Art, the Spencer Museum of Art on the campus of the University of Kansas, and the Brooklyn Museum in New York City. Hartman was a member of the Chicago Society of Artists, the American Watercolor Society and the Mural Painters of America. Hartman and his wife Augusta (1885-1960), known as Gusta, resided in New York City and had a number of artist friends. They were very close with the Lachaises, to whom they introduced Dorothy Norman. Gaston Lachaise sculpted a portrait of Gusta known as "The Girl with Bobbed Hair" 1923. Casts can be seen at the Baltimore Museum of Art, the Toledo Museum of Art, and the Williams College Museum of Art. Bertram wrote numerous letters to Isabel Lachaise, which are held by the Beinecke Library at Yale University. Bertram died in New York in 1960. Judge was a weekly satirical magazine published in the United States from 1881 to 1947. It was launched by artists who had left the rival Puck Magazine. The founders included cartoonist James Albert Wales, dime novels publisher Frank Tousey and author George H. Jessop. The first printing of Judge was on October 29, 1881, during the Long Depression. It was 16 pages long and printed on quarto paper. While it did well initially, it soon had trouble competing with Puck. William J. Arkell purchased the magazine in the middle 1880s. Arkell used his considerable wealth to persuade the cartoonists Eugene Zimmerman ("Zim") and Bernhard Gillam to leave Puck. A supporter of the Republican Party, Arkell persuaded his cartoonists to attack the Democratic administration of Grover Cleveland. With GOP aid, Judge boomed during the 1880s and 1890s, surpassing its rival publication in content and circulation. By the early 1890s, the circulation of the magazine reached 50,000. Under the editorial leadership of Isaac Gregory (1886–1901), Judge further allied with the Republican Party and supported the candidacy of William McKinley largely through the cartoons of cartoonists Victor Gillam and Grant E. Hamilton. Circulation for Judge was about 85,000 in the 1890s. By the 1900s, the magazine had become successful, reaching a circulation of 100,000 by 1912. Harold Ross was an editor of Judge between April 5 and August 2, 1924. He used the experience on the magazine to start his own in 1925, The New Yorker. The success of The New Yorker, as well as the Great Depression, put pressure on Judge. It became a monthly in 1932 and ceased circulation in 1947. Judge was resurrected in October 1953 as a 32-page weekly. Contributors included Arthur L. Lippman and Victor Lasky. There were sections with light essays on sport, golf, horse racing, radio, theater, television, bridge and current books, along with submissions from college magazines, a crossword puzzle, single-panel cartoons and humorous pieces. There were several political sections; one-liners, cartoons and longer essays with mostly a conservative bent, in a style foreshadowing Emmett Tyrrell of today's The American Spectator.
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