Kaiserpanorama Stockerau: 5 Pks 1906-08, Owner Otto Aigner, Akil Technique

The description of this item has been automatically translated. If you have any questions, please feel free to contact us.

You bid five postcards from 1906-08.

Otto Aignesr, owner of Kaiser panoramas in Stockerau,turnsto the one founded in 1884 Tower clock factory Max Hahn in Zwickau, which has technically equipped numerous imperial panoramas. Today the company operates under the name "Uhren-Walter vorm. Zwickau tower clock factory Max Hahn.

Four cards also sent from Stockerau, along with one from Enns (with sender "Otto Aigner, currently Enns, OÖ, otherwise Stockerau").

Concerns orders for technical parts for the Kaiser Panorama, e.g.:

-"Glow socks for Panorama"

-"25 lamps for Petrpleum ... without brackets and screens"

-"40 pcs. Baby incandescent mantles for Panorama, 50 pieces of sieves [[with sketch]] and 2 complete sets of burners"

- "Petroleum lamps for panorama apparatuses", which he "would like to set up the apparatus for a few weeks in a place where there is no gas."

5 Heller postal stationery (9.2 x 14 cm).

Note:Otto Aigner also installed this in 1903 Kaiser Panorama in Wels as a fixed facility (it had previously been a traveling facility). The first place of installation was in the 1. Floor of the “Rehak-Haus”, Schmidtgasse1/Stadtplatz 38. Just over a year later, Anna Schor acquired the Panorama and moved into a new shop at Stadtplatz 10. -- The Kaiser Panorama in Wels can still be seen today in the city museum there.

Otto Aigner was also the owner of the Kaiser Panorama in St. Pölten (I offer a corresponding map at the same time).


Condition:Maps browned and stained; Corners slightly bumped. BPlease note also the pictures!

Internal note: Max Hahn Technik


About Kaiser Panoramas (source: wikipedia):

Als Kaiser Panorama (also Kaiser Panorama) is a name given to a panorama around the turn of the 20th century. Mass medium popular in the 19th century, which enabled up to 25 people to view a series of stereoscopic images through a peephole at the same time. Exotic travel destinations and landscapes unaffordable for the average person were mainly shown. One cycle of the series of images, which were automatically transported in a circle behind a cylindrical wooden panel, lasted half an hour.

This mass commercial use of stereoscopy for educational and entertainment purposes was promoted by the German physicist and entrepreneur August Fuhrmann (1844–1925) in various major cities in central Europe. He opened the first Kaiser Panorama in 1880 in Breslau. In 1883 he moved it to the Kaiserpassage in Berlin. By 1910 there were branches in about 250 cities on the basis of licensing; over 100,000 stereoscopic images circulated in ring loans. Originally preserved imperial panoramas can now be found in the city museums of Munich and Wels, in the German Historical Museum and in the Märkisches Museum in Berlin, as well as in a museum depot in Neugersdorf (Upper Lusatia), where it was operated until 1936. A support association tries to promote them, and replicas have also been made. In Vienna, an original Kaiser Panorama existed on the Schubertring until 1955. In Warsaw, a Kaiserpanorama device called “Fotoplastikon” is in operation, which has been in its original location at Jerozolimskieallee 51 since 1905.

The Kaiser Panorama also repeatedly found a literary echo, for example in The Sleepwalkers by Hermann Broch or in Berlin Childhood around 1900 and One-Way Street by Walter Benjamin.

timeline

from 1600: flip book – flip-off book with individual images

from 1671: Laterna magica – magic lantern: early device for image projection

from 1825: Thaumatrop – miracle disc with two threads

from 1830: Phenakistiskop – Phantaskop, wheel of wonder or wheel of life

from 1832: stroboscope – magic disks: flash device

from 1834: Zoetrop - miracle drum with slots

from 1861: Mutoskop – stereo animation scrolling by stroboscope

from 1877: Praxinoscope – Electrical high-speed viewer using a mirror arrangement

from 1879: Zoopraxiscope – projection device for serial images generated by chronophotography

from 1880: Kaiserpanorama – popular mass medium with stereoscopic image series

from 1886: Elektrotachyscop – projection device for sequential images

from 1891: Kinetoscope – first film viewer

This mass commercial use of stereoscopy for educational and entertainment purposes was promoted by the German physicist and entrepreneur August Fuhrmann (1844–1925) in various major cities in central Europe. He opened the first Kaiser Panorama in 1880 in Breslau. In 1883 he moved it to the Kaiserpassage in Berlin. By 1910 there were branches in about 250 cities on the basis of licensing; over 100,000 stereoscopic images circulated in ring loans. Originally preserved imperial panoramas can now be found in the city museums of Munich and Wels, in the German Historical Museum and in the Märkisches Museum in Berlin, as well as in a museum depot in Neugersdorf (Upper Lusatia), where it was operated until 1936. A support association tries to promote them, and replicas have also been made. In Vien
This mass commercial use of stereoscopy for educational and entertainment purposes was promoted by the German physicist and entrepreneur August Fuhrmann (1844–1925) in various major cities in central Europe. He opened the first Kaiser Panorama in 1880 in Breslau. In 1883 he moved it to the Kaiserpassage in Berlin. By 1910 there were branches in about 250 cities on the basis of licensing; over 100,000 stereoscopic images circulated in ring loans. Originally preserved imperial panoramas can now be found in the city museums of Munich and Wels, in the German Historical Museum and in the Märkisches Museum in Berlin, as well as in a museum depot in Neugersdorf (Upper Lusatia), where it was operated until 1936. A support association tries to promote them, and replicas have also been made. In Vien
This mass commercial use of stereoscopy for educational and entertainment purposes was promoted by the German physicist and entrepreneur August Fuhrmann (1844–1925) in various major cities in central Europe. He opened the first Kaiser Panorama in 1880 in Breslau. In 1883 he moved it to the Kaiserpassage in Berlin. By 1910 there were branches in about 250 cities on the basis of licensing; over 100,000 stereoscopic images circulated in ring loans. Originally preserved imperial panoramas can now be found in the city museums of Munich and Wels, in the German Historical Museum and in the Märkisches Museum in Berlin, as well as in a museum depot in Neugersdorf (Upper Lusatia), where it was operated until 1936. A support association tries to promote them, and replicas have also been made. In Vien
Erscheinungsort Stockerau
Region Europa
Material Papier
Sprache Deutsch
Autor Otto Aigner
Original/Faksimile Original
Genre Wissen & Technik
Erscheinungsjahr 1906
Produktart Handgeschriebenes Manuskript