These works of engravers and lithographers from the north of France demonstrate how, thanks to their talent, the print could render painted works with accuracy or perfection,
sculpted and drawn by the greatest masters.
The interpretative engraving, executed from paintings, drawings or sculptures by old masters but also by contemporary artists, was until the third third of the 19th century the most widespread genre of printmaking. As original printmaking and photography developed, such interpretations from the masters became rarer.
In the second half of the 19th century, until the first half of the 20th century,
several engravers from Lille or its region specialized in this genre and brilliantly produced prints using different techniques: chisel, etching, wood engraving, lithography... Some, like Alphonse Leroy, worked for the chalcography of the Louvre and engraved according to the drawings of the greatest masters: Leonardo da Vinci, Raphael, Titian, Veronese, Rubens...
Others, like Julien Deturck, Alfred Broquelet or Omer Bouchery, executed engravings for the Northern Engraving Society, founded in 1900 to promote engravers, works and collections from the North of France and Flanders. They engraved in particular after paintings still exhibited at the Museum of Fine Arts: after Goya, after Boilly, after Corot or after Courbet for example, after Carpeaux or after the paintings by Watteau from the Louvre Museum.
To the works of interpretation signed by the engravers (many will be offered in my ebay shop),
there are also superb unpublished original engravings published in very small numbers and with great care by this famous society of print lovers.