The Warriors is a 1979 American action crime thriller film directed by Walter Hill. Based on Sol Yurick's 1965 novel of the same name, it was released in the United States in February 1979. The film centers on a fictitious New York City street gang who must travel 30 miles (48 km), from the north end of the Bronx to their home turf in Coney Island in southern Brooklyn, after they are framed for the murder of a respected gang leader. After reports of vandalism and violence, Paramount temporarily halted their advertising campaign and released theater owners from their obligation to show the film. Despite its initially negative reception, The Warriors has since become a cult film and has been reappraised by film critics. The film has spawned several spinoffs, including video games and a comic book series. In his book about the film, author Sean Egan summarized its appeal: "Whereas the milieu of The Warriors was one normally only depicted in motion pictures as an examination of a social problem, this movie portrayed life from the street gang’s point of view. It was an obvious but revolutionary approach that struck a chord with the urban working class, especially its adolescent subset."[3] Cyrus, leader of the Gramercy Riffs, the most powerful gang in New York City, requests that each of the city’s gangs send nine unarmed delegates to Van Cortlandt Park for a midnight summit. The Warriors, a multiracial gang from Coney Island, attend the summit. Cyrus proposes to the assembled crowd a citywide truce and alliance that would allow the gangs to control the city together, since they collectively outnumber the police by three to one. Most of the gang members applaud this idea, but Luther, the unbalanced and sadistic leader of the Rogues, shoots Cyrus dead as police officers arrive to raid the summit. In the ensuing chaos, Luther realizes that one of the Warriors, Fox, appears to suspect him, and makes a false accusation which leads the vengeful Riffs to attack the "Warlord", Cleon. Meanwhile, the other Warriors escape, unaware that they have been implicated in Cyrus's killing. The Riffs put out a hit on the Warriors through a radio DJ. Swan, the "War Chief," takes charge of the group as they try get home, though the Warriors's main enforcer and brawler Ajax disagrees with Swan being leader over him. The Turnbull ACs spot the Warriors and try to run them down with a modified school bus but the Warriors escape and board an elevated train. On the ride to Coney Island, the train is stopped by a building fire alongside the tracks, stranding the Warriors in Tremont. Setting out on foot, they encounter the Orphans, who are insecure about their low status in the gang hierarchy as they were excluded from Cyrus's meeting. After Mercy, the girlfriend of the Orphans' leader, instigates a confrontation, Swan throws a Molotov cocktail and the Warriors run to the nearest subway station. Impressed and desperate to escape her depressed neighborhood, Mercy follows the Warriors. When the group arrives at the 96th Street and Broadway station in Manhattan, they are pursued by police and separated. Three of them, Vermin, Cochise and Rembrandt, escape by boarding a subway car. Fox, struggling with a police officer, is thrown onto the tracks and is fatally hit by a passing train as Mercy flees the scene. Swan, Ajax, Snow and Cowboy are chased by the Baseball Furies into Riverside Park but defeat them in a brawl. After the fight, Ajax sees a lone woman sitting on a park bench and leaves the group despite Swan's objections. When Ajax becomes sexually aggressive, the woman, revealed to be an undercover police officer, handcuffs him to the bench and arrests him. Upon arriving at Union Square, Vermin, Cochise and Rembrandt are seduced by an all-female gang called the Lizzies and invited into their hideout. They narrowly escape the Lizzies' subsequent attack, learning in the process that the gangland community believes the Warriors murdered Cyrus. Acting as a lone scout, Swan decides to return to the 96th Street station, where Mercy joins him (although he spurns her promiscuity). After reaching the Union Square station, they reunite with the remaining Warriors and engage in a fight with a roller-skating gang, the Punks. Mercy proves herself formidable in combat. A member of a different gang visits the Riffs and tells them that he saw Luther shoot Cyrus. At dawn, the Warriors finally reach Coney Island, only to find Luther and the Rogues waiting for them. Swan challenges Luther to single combat but Luther pulls a gun. Swan dodges his shot and throws a switchblade (taken from one of the Punks) into Luther's wrist, disarming him. The Riffs arrive, acknowledging the Warriors' courage and skill before apprehending the Rogues. As the Riffs descend upon him, Luther screams. The radio DJ announces that "the big alert has been called off" and salutes the Warriors with a song, "In the City." The film ends with Swan, Mercy and the rest of the gang walking down a Coney Island beach, illuminated by the rising sun. Stunt coordinator Craig R. Baxley put the cast through stunt school because Hill wanted realistic fights depicted in the film.[11] In preparation for his role, James Remar hung out at Coney Island to find a model for his character. The entire film was shot on the streets in New York City with some interior scenes done at Astoria Studios. They would shoot from sundown to sunrise. The film quickly fell behind schedule and went over budget. While they shot in the Bronx, bricks were tossed at the crew. Actor Joel Weiss remembers that filming of his scene on Avenue A, in Manhattan's notorious Alphabet City, was canceled because there was a double homicide nearby. For the big meeting at the beginning of the film, Hill wanted real gang members in the scene with off duty police officers also in the crowd so that there would be no trouble.[11] The studio would not allow Baxley to bring any stunt men from Hollywood and he needed someone to double for the character of Cyrus so he did the stunt himself dressed as the character.[11] Actual gang members wanted to challenge some of the cast members but were dealt with by production security. The actors playing The Warriors bonded early in the shoot, on and off the set. Originally, the character of Fox was supposed to end up with Mercy, while Swan was captured by a rival, homosexual gang known as the Dingos, only to escape later. However, Hill watched the dailies and realized that Beck and Van Valkenburgh had great chemistry; the script was rewritten so that their characters ended up together.[11] The Rogues' car in the Coney Island confrontation was a 1955 Cadillac hearse.[14] Originally, at the Coney Island confrontation at the end of the film, actor David Patrick Kelly wanted to use two dead pigeons but Hill did not think that would work.[11] Instead, Kelly improvised by clinking three bottles in his right hand and ad-libbing his famous line, "Waaaaarriors, come out to plaaaay". Kelly was influenced by a man he knew in downtown New York who would make fun of him. Hill wanted Orson Welles to do a narrated introduction about Greek themes but the studio did not like this idea and refused to pay for it.[11] However, this sequence was finally included in the 2005 Ultimate Director's Cut, with Hill providing the narration himself. "I wanted to take it into a fantasy element, but at the same time add some contemporary flash", said Hill. "Those were some of the hard ideas we had to get the studio to understand. But we did not get along very well with our parent company. After the movie came out and it did well, everybody was sort of friends. But up until then there was a lot of misunderstanding. They thought it was going to be Saturday Night Fever or something."[12] The Warriors received negative reviews from contemporary critics, who derided its lack of realism and found its dialogue stilted.[22] In his review for the Chicago Sun-Times, Roger Ebert gave it two out of four stars and wrote that, despite Hill's cinematic skill, the film is implausible in a mannerist style that deprives the characters of depth and spontaneity: "No matter what impression the ads give, this isn't even remotely intended as an action film. It's a set piece. It's a ballet of stylized male violence."[23] However, Ebert later wrote during a review of Hill's film Southern Comfort that he felt he overlooked some positive qualities in The Warriors out of his dislike for Hill's general approach to broad characterizations.[24] Gene Siskel gave the film one star out of four, likening the dialogue to that of "Harvey Lembeck in those silly '60s motorcycle pictures" and concluding, "You would think after watching 'The Warriors' that gang membership was a victimless crime, save for the occasional sadist who pops up as comic relief. This entire film is a romantic lie."[25] Linda Gross of the Los Angeles Times called the film "an insightful, stylized and shallow portrayal of gang warfare that panders to angry youthful audiences."[26] Gary Arnold of The Washington Post wrote, "None of Hill's dynamism will save The Warriors from impressing most neutral observers as a ghastly folly."[27] In his review for Newsweek, David Ansen wrote, "Another problem arises when the gang members open their mouths: their banal dialogue is jarringly at odds with Hill's hyperbolic visual scheme."[28] Frank Rich of Time wrote that, "unfortunately, sheer visual zip is not enough to carry the film; it drags from one scuffle to the next ... The Warriors is not lively enough to be cheap fun or thoughtful enough to be serious."[29] Yurick expressed his disappointment and speculated that it scared some people because "it appeals to the fear of a demonic uprising by lumpen youth", appealing to many teenagers because it "hits a series of collective fantasies."[15] President Ronald Reagan was a fan of the film, even calling lead actor Michael Beck to tell him he had screened it at Camp David and enjoyed it.[18] The Warriors has become a cult film, and some film critics have since re-examined it. As of August 2022, the film garnered an 88% approval rating at Rotten Tomatoes, based on 48 reviews. The critical consensus reads: "As violent as it is stylish, The Warriors is a thrilling piece of pulp filmmaking."[30] In 2003, The New York Times placed the film on its "Best 1,000 Movies Ever Made".[31] Entertainment Weekly named it the 16th-greatest cult film on its 2003 "Top 50 Greatest Cult Films" list,[32] and ranked it 14th in its 2008 list of the "25 Most Controversial Movies Ever".[33]  The Rogues are a gang hellbent on causing mayhem and having fun. At the conclave, Luther, the leader of the Rogues, shoots Cyrus. Luther happens to spot Fox and Cleon from The Warriors and frames them for shooting Cyrus. Before Cleon can get the word out to the others, or to prove his innocence, he is kicked to death by the Riffs. The other Rogues seem a bit reluctant to be following Luther and they fear that the Riffs will eventually find out the truth and go after them. To make it seem less suspicious, the Rogues get in their old hearse and join in with the other gangs to find The Warriors. Cropsey is Luther's second in command.  Other ROCKER patch in other pictures are for your reference only, available in my eBay Store. 

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