| JOHN WILLIAMS COMPOSITIONS collector's list!! | MOVIES & TV LIST!! collector's list!! | |
| MOVIES | ||
| 1950s | ||
| Year | Title | Notes |
| 1954 | You Are Welcome | Promotional film Tourist Information Office of Newfoundland |
| 1958 | Daddy-O | Feature film debut |
| Credited as Johnny Williams. | ||
| 1960s | ||
| Year | Title | Notes |
| 1960 | I Passed for White | Credited as Johnny Williams. |
| Because They're Young | Credited as Johnny Williams. | |
| 1961 | The Secret Ways | Credited as Johnny Williams. |
| 1962 | Bachelor Flat | Credited as Johnny Williams. |
| 1963 | Diamond Head | Credited as Johnny Williams. |
| Gidget Goes to Rome | Credited as Johnny Williams. | |
| 1964 | Nightmare in Chicago | Television film |
| The Killers | Credited as Johnny Williams | |
| Adapted material by Henry Mancini | ||
| Redcap | Credited as Johnny Williams | |
| Television series; Episode "Nightwatch" | ||
| 1965 | None but the Brave | Credited as Johnny Williams |
| The Ghostbreaker | Credited as Johnny Williams | |
| Television series; Episode "Ghosts in Glass Houses" | ||
| John Goldfarb, Please Come Home! | Credited as Johnny Williams. | |
| 1966 | The Rare Breed | Credited as Johnny Williams. |
| How to Steal a Million | Credited as Johnny Williams. | |
| The Plainsman | Credited as Johnny Williams. | |
| Not with My Wife, You Don't! | Credited as Johnny Williams. | |
| Penelope | Credited as Johnny Williams. | |
| Time Tunnel | Credited as Johnny Williams | |
| Television series; Episode "Rendezvous With Yesterday" | ||
| 1967 | Valley of the Dolls | Credited as Johnny Williams |
| Songs written by André and Dory Previn | ||
| 1st collaboration with Mark Robson | ||
| Nominated—Academy Award for Best Scoring of Music — Adaptation or Treatment | ||
| A Guide for the Married Man | N/A | |
| Fitzwilly | Credited as Johnny Williams. | |
| 1968 | Sergeant Ryker | Credited as Johnny Williams. |
| Heidi | Television film | |
| 1969 | Daddy's Gone A-Hunting | 2nd collaboration with Robson |
| Goodbye, Mr. Chips | Nominated—Academy Award for Best Scoring of a Musical Picture — Original or Adaptation (shared with Leslie Bricusse) | |
| The Reivers | 1st collaboration with Rydell | |
| Nominated—Academy Award for Best Original Score — For a Motion Picture (Not a Musical) | ||
| 1970s | ||
| Year | Title | Notes |
| 1970 | Story of a Woman | Only score for a non-English language film |
| Jane Eyre | Television film | |
| 1971 | Fiddler on the Roof | Adapted from material by Jerry Bock |
| Academy Award Best Scoring: Adaptation & Original Song Score | ||
| 1972 | The Cowboys | 2nd collaboration with Rydell |
| The Screaming Woman | Television film | |
| The Poseidon Adventure | Nominated—Academy Award Best Original Dramatic Score | |
| Nominated—Golden Globe Award for Best Original Score | ||
| Pete 'n' Tillie | Credited as John T. Williams | |
| 1st collaboration with Ritt | ||
| Images | Composed with Stomu Yamashta | |
| 1st collaboration with Altman | ||
| Nominated—Academy Award Best Original Dramatic Score | ||
| 1973 | The Long Goodbye | Also title song (with Johnny Mercer) |
| 2nd collaboration with Altman | ||
| Tom Sawyer | Nominated—Academy Award for Best Scoring: Original Song Score and Adaptation (shared with Robert B. Sherman and Richard M. Sherman) | |
| Nominated—Golden Globe Award for Best Original Score (shared with Robert B. Sherman and Richard M. Sherman) | ||
| The Man Who Loved Cat Dancing | N/A | |
| The Paper Chase | N/A | |
| Cinderella Liberty | 3rd collaboration with Rydell | |
| Nominated—Academy Award Best Original Dramatic Score | ||
| Nominated—Academy Award for Best Original Song ("Nice to Be Around," lyrics by Paul Williams) | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| 1974 | Conrack | 2nd collaboration with Ritt |
| The Sugarland Express | 1st collaboration with Spielberg | |
| Earthquake | 3rd collaboration with Robson | |
| Nominated—Golden Globe Award for Best Original Score | ||
| The Towering Inferno | BAFTA Award for Best Film Music (shared with Jaws) | |
| Nominated—Academy Award Best Original Dramatic Score | ||
| 1975 | The Eiger Sanction | N/A |
| Jaws | 2nd collaboration with Spielberg | |
| Academy Award for Best Original Score | ||
| BAFTA Award Best Film Music (shared w The Towering Inferno) | ||
| Golden Globe Award for Best Original Score | ||
| Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special | ||
| 1976 | Family Plot | N/A |
| The Missouri Breaks | N/A | |
| Midway | N/A | |
| 1977 | Black Sunday | N/A |
| Star Wars | 1st collaboration with Lucas | |
| Academy Award for Best Original Score | ||
| BAFTA Award for Best Film Music | ||
| Golden Globe Award for Best Original Score | ||
| Grammy Award for Best Instrumental Composition ("Main Title from Star Wars") | ||
| Grammy Award for Best Pop Instrumental Performance | ||
| Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special | ||
| Nominated—Grammy Award for Album of the Year | ||
| Close Encounters of the Third Kind | 3rd collaboration with Spielberg | |
| Grammy Award for Best Instrumental Composition ("Theme from Close Encounters of the Third Kind") | ||
| Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| Nominated—Grammy Award Best Pop Instrumental Performance | ||
| 1978 | The Fury | N/A |
| Jaws 2 | N/A | |
| Superman | Grammy Award for Best Instrumental Composition ("Superman Main Title Theme") | |
| Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| Nominated—Grammy Award for Best Pop Instrumental Performance ("Superman - Main Title") | ||
| 1979 | Dracula | N/A |
| 1941 | 4th collaboration with Spielberg | |
| 1980s | ||
| Year | Title | Notes |
| 1980 | The Empire Strikes Back | BAFTA Award for Best Film Music |
| Grammy Award for Best Instrumental Composition (The Empire Strikes Back - Soundtrack) | ||
| Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| Nominated—Grammy Award for Best Instrumental Composition ("The Imperial March") | ||
| Nominated—Grammy Award for Best Instrumental Composition ("Yoda's Theme") | ||
| Nominated—Grammy Award for Best Pop Instrumental Performance ("Yoda's Theme") | ||
| 1981 | Raiders of the Lost Ark | 5th collaboration with Spielberg |
| Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—BAFTA Award for Best Film Music | ||
| Heartbeeps | N/A | |
| 1982 | E.T. the Extra-Terrestrial | 6th collaboration with Spielberg |
| Academy Award for Best Original Score | ||
| BAFTA Award for Best Film Music | ||
| Golden Globe Award for Best Original Score | ||
| Grammy Award for Best Instrumental Composition ("Flying" - Theme from E.T. the Extra-Terrestrial) | ||
| Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special | ||
| Grammy Award for Best Arrangement on an Instrumental Recording ("Flying" - Theme from E.T. the Extra-Terrestrial) | ||
| Nominated—Grammy Award for Best Instrumental Composition ("Adventure on Earth") | ||
| Nominated—Grammy Award for Best Pop Instrumental Performance (E.T. the Extra-Terrestrial soundtrack) | ||
| Yes, Giorgio | Songs only; score composed by Michael J. Lewis | |
| Nominated—Academy Award for Best Original Song ("If We Were In Love," lyrics by Alan & Marilyn Bergman) | ||
| Nominated—Golden Globe Award Best Original Song ("If We Were In Love," lyrics by Alan & Marilyn Bergman) | ||
| Monsignor | Nominated—Golden Raspberry Award Worst Musical Score | |
| 1983 | Return of the Jedi | Nominated—Academy Award for Best Original Score |
| Nominated—Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special | ||
| 1984 | Indiana Jones and the Temple of Doom | 7th collaboration with Spielberg |
| Nominated—Academy Award for Best Original Score | ||
| The River | 4th collaboration with Rydell | |
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| 1986 | SpaceCamp | N/A |
| 1987 | The Witches of Eastwick | Nominated—Academy Award for Best Original Score |
| Nominated—Grammy Award for Best Album of Original Instrumental Background Score Written for a Motion Picture or Television | ||
| Empire of the Sun | 8th collaboration with Spielberg | |
| BAFTA Award for Best Film Music | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| Nominated—Grammy Award for Best Album of Original Instrumental Background Score Written for a Motion Picture or Television | ||
| Superman IV: The Quest for Peace | Adapted & conducted by Alexander Courage, three new themes | |
| 1988 | The Accidental Tourist | Nominated—Academy Award for Best Original Score |
| Nominated—Golden Globe Award for Best Original Score | ||
| 1989 | Indiana Jones and the Last Crusade | 9th collaboration with Spielberg |
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Grammy Award for Best Album of Original Instrumental Background Score Written for a Motion Picture or Television | ||
| Born on the Fourth of July | 1st collaboration with Stone | |
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| Nominated—Grammy Award Best Arrangement on an Instrumental | ||
| Always | 10th collaboration with Spielberg | |
| 1990s | ||
| Year | Title | Notes |
| 1990 | Stanley & Iris | 3rd collaboration with Ritt |
| Presumed Innocent | N/A | |
| Home Alone | 1st collaboration with Columbus | |
| Replaced Bruce Broughton | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Academy Award for Best Original Song ("Somewhere in My Memory," lyrics by Leslie Bricusse) | ||
| Nominated—Grammy Award for Best Song Written Specifically for a Motion Picture or Television ("Somewhere in My Memory," lyrics by Leslie Bricusse) | ||
| 1991 | Hook | 11th collaboration with Spielberg |
| Nominated—Academy Award for Best Original Song ("When You're Alone," lyrics by Leslie Bricusse) | ||
| Nominated—Grammy Award for Best Pop Instrumental Performance | ||
| Nominated—Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | ||
| JFK | 2nd collaboration with Stone | |
| Nominated—Academy Award for Best Original Score | ||
| 1992 | Far and Away | 1st collaboration with Howard |
| Home Alone 2: Lost in New York | 2nd collaboration with Columbus | |
| 1993 | Jurassic Park | 12th collaboration with Spielberg |
| Nominated—Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | ||
| Schindler's List | 13th collaboration with Spielberg | |
| Academy Award for Best Original Score | ||
| BAFTA Award for Best Film Music | ||
| Golden Globe Award for Best Original Score | ||
| Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | ||
| 1995 | Sabrina | Nominated—Academy Award Best Original Musical, Comedy Score |
| Nominated—Academy Award for Best Original Song ("Moonlight," lyrics by Alan & Marilyn Bergman) | ||
| Nominated—Grammy Award for Best Song Written Specifically for a Motion Picture or Television ("Moonlight," lyrics by Alan & Marilyn Bergman) | ||
| Nixon | 3rd collaboration with Stone | |
| Nominated—Academy Award Best Original Dramatic Score | ||
| 1996 | Sleepers | Nominated—Academy Award Best Original Dramatic Score |
| 1997 | Rosewood | Replaced Wynton Marsalis |
| The Lost World: Jurassic Park | 14th collaboration with Spielberg | |
| Nominated—Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | ||
| Seven Years in Tibet | Nominated—Golden Globe Award for Best Original Score | |
| Nominated—Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | ||
| Amistad | 15th collaboration with Spielberg | |
| Nominated—Academy Award Best Original Dramatic Score | ||
| Nominated—Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | ||
| 1998 | Saving Private Ryan | 16th collaboration with Spielberg |
| Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | ||
| Nominated—Academy Award Best Original Dramatic Score | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| Stepmom | 3rd collaboration with Columbus | |
| Replaced Patrick Doyle | ||
| 1999 | Star Wars: Episode I – The Phantom Menace | 2nd collaboration with Lucas |
| Nominated—Grammy Award for Best Instrumental Composition Written for a Motion Picture, Television, or Other Visual Media | ||
| Angela's Ashes | Grammy Award for Best Instrumental Composition (Theme from Angela's Ashes) | |
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| 2000s | ||
| Year | Title | Notes |
| 2000 | The Patriot | Nominated—Academy Award for Best Original Score |
| 2001 | A.I. Artificial Intelligence | 17th collaboration with Spielberg |
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| Nominated—Grammy Award for Best Score Soundtrack Album a Motion Picture, Television, or Other Visual Media | ||
| Harry Potter and the Sorcerer's Stone | 4th collaboration with Columbus | |
| Released internationally as Harry Potter and the Philosopher's Stone | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Grammy Award for Best Instrumental Composition ("Hedwig's Theme") | ||
| Nominated—Grammy Award Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | ||
| 2002 | Star Wars: Episode II – Attack of the Clones | 3rd collaboration with Lucas |
| Minority Report | 18th collaboration with Spielberg | |
| Harry Potter and the Chamber of Secrets | 5th collaboration with Columbus | |
| Adapted and conducted by William Ross | ||
| Nominated—Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | ||
| Catch Me If You Can | 19th collaboration with Spielberg | |
| Grammy Award Best Instrumental Arrangement ("Escapades" for Alto Saxophone and Orchestra - 2017) | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Grammy Award Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | ||
| 2004 | Harry Potter and the Prisoner of Azkaban | Nominated—Academy Award for Best Original Score |
| Nominated—Grammy Award Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | ||
| The Terminal | 20th collaboration with Spielberg | |
| 2005 | Star Wars: Episode III – Revenge of the Sith | 4th collaboration with Lucas |
| Nominated—Grammy Award for Best Instrumental Composition ("Anakin's Betrayal") | ||
| Nominated—Grammy Award Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | ||
| War of the Worlds | 21st collaboration with Spielberg | |
| Nominated—Grammy Award for Best Instrumental Composition ("The Ferry Scene") | ||
| Memoirs of a Geisha | BAFTA Award for Best Film Music | |
| Golden Globe Award for Best Original Score | ||
| Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Grammy Award for Best Instrumental Composition ("Sayuri's Theme and End Credits") | ||
| Munich | 22nd collaboration with Spielberg | |
| Grammy Award for Best Instrumental Composition ("A Prayer for Peace") | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | ||
| 2008 | Indiana Jones and the Kingdom of the Crystal Skull | 23rd collaboration with Spielberg |
| Grammy Award for Best Instrumental Composition ("The Adventures of Mutt") | ||
| Nominated—Grammy Award Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | ||
| 2000s | ||
| Year | Title | Notes |
| 2011 | The Adventures of Tintin | 24th collaboration with Spielberg |
| Williams' first score for an animated film | ||
| Annie Award for Music in a Feature Production | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—Grammy Award Best Score Soundtrack Visual Media | ||
| War Horse | 25th collaboration with Spielberg | |
| Nominated—Academy Award for Best Original Score | ||
| Nominated—BAFTA Award for Best Film Music | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| 2012 | Lincoln | 26th collaboration with Spielberg |
| Nominated—Academy Award for Best Original Score | ||
| Nominated—BAFTA Award for Best Film Music | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| Nominated—Grammy Award Best Score Soundtrack Visual Media | ||
| 2013 | The Book Thief | Grammy Award Best Instrumental Composition ("The Book Thief") |
| Nominated—Academy Award for Best Original Score | ||
| Nominated—BAFTA Award for Best Film Music | ||
| Nominated—Golden Globe Award for Best Original Score | ||
| 2015 | Star Wars: The Force Awakens | 1st collaboration with Abrams |
| Grammy Award for Best Score Soundtrack for Visual Media | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—BAFTA Award for Best Film Music | ||
| 2016 | The BFG | 27th collaboration with Steven Spielberg |
| 2017 | Dear Basketball | Short film |
| Star Wars: The Last Jedi | Nominated—Academy Award for Best Original Score | |
| Nominated—Grammy Award Best Score Soundtrack Visual Media | ||
| The Post | 28th collaboration with Steven Spielberg | |
| Nominated—Golden Globe Award for Best Original Score | ||
| 2018 | Solo: A Star Wars Story | Credited for Han Solo theme and original Star Wars music |
| Score composed and adapted by John Powell[4][5] | ||
| 2nd collaboration with Howard | ||
| Nominated—Grammy Award for Best Instrumental Composition ("Mine Mission," shared with John Powell) | ||
| 2018 | Star Wars: The Rise of Skywalker | 2nd collaboration with Abrams |
| Williams's final score for a Star Wars film[7] | ||
| Nominated—Academy Award for Best Original Score | ||
| Nominated—BAFTA Award for Best Film Music | ||
| Nominated—Grammy Award for Best Score Soundtrack for Visual Media | ||
| The Olympics - Williams has composed music for four Olympic Games: | ||
| 1984 - "Olympic Fanfare and Theme" – 1984 Summer Olympics, Los Angeles - Written specifically for the opening ceremonies. In a 1996 re-release, the opening trumpet fanfare was replaced with "Bugler's Dream", a previous Olympic Theme written by Leo Arnaud. This recording has been used as the theme for NBC's Olympic coverage ever since. Williams received a Grammy for Best Instrumental Composition. | ||
| 1988 - "The Olympic Spirit" – 1988 Summer Olympics, Seoul - Commissioned by NBC Sports for their television coverage. Williams received a Grammy nomination for Best Instrumental Composition. | ||
| 1996 - "Summon the Heroes" - 1996 Summer Olympics, Atlanta, Georgia - Written in commemoration of the Centennial of the Modern Olympic Games. Premiering on July 19, 1996, the piece features heavy use of the brass and wind sections and is approximately six minutes in length. Principal Boston Pops trumpeter Timothy Morrison played the opening solo on the album recording. It has been arranged for various types of ensembles, including wind ensembles. This theme is now used prevalently by NBC for intros and outros to commercial breaks of the Olympics. | ||
| 2002 - "Call of the Champions" – 2002 Winter Olympics, Salt Lake City, Utah | ||
| Television | ||
| Year | Title | |
| 1958 | Playhouse 90 | |
| 1958-1959 | M Squad | |
| 1958-1964 | Wagon Train | |
| 1959 | Markham | |
| 1959-1960 | Bachelor Father | |
| 1960 | Tales of Wells Fargo | |
| 1960-1962 | Checkmate | |
| General Electric Theater | ||
| 1961 | Kraft Mystery Theatre | |
| 1961-1963 | Alcoa Premiere | |
| 1962-1963 | Wide Country | |
| 1963 | The Eleventh Hour | |
| 1963-1965 | Kraft Suspense Theatre | |
| 1963-1967 | Bob Hope Presents the Chrysler Theatre | |
| 1964 | Breaking Point | |
| 1964-1965 | Gilligan's Island | |
| 1965 | Ben Casey | |
| Lost in Space | ||
| 1966 | The Tammy Grimes Show | |
| 1966-1968 | The Time Tunnel | |
| 1968 | Land of the Giants | |
| CBS Playhouse | ||
| 1976 | 48th Academy Awards | |
| 1981-2005 | Evening at Pops | |
| 1985-1987 | Amazing Stories | |
| 2003-present | Star Wars TV shows | |
| 2009 | Great Performances | |
| 2020-present | Amazing Stories | |
| Jurassic World Camp Cretaceous | ||
| For NBC (United States): | ||
| NBC News – "The Mission" | ||
| NBC Nightly News | ||
| The Today Show | ||
| NBC Sunday Night Football | ||
| Meet the Press | ||
| NBC Sunday Night Football | ||