Additional Information about The World Is Not Enough (VHS, 2000)
Complete with ski chases, casino hijinks, high-tech gadgetry, and sultry women, the 19th installment in the James Bond franchise features the increasingly at-ease Pierce Brosnan in his third appearance as 007, in a race to save the world's oil supply. Sophie Marceau (BRAVEHEART) stars as Elektra King, the daughter of a murdered oil tycoon, while Robert Carlyle (THE FULL MONTY) plays one of the most unusual Bond villains ever: Renard, who is unable to feel pain because of a bullet lodged in his brain. Director Michael Apted, known for such films as COAL MINER'S DAUGHTER, was brought in to make the story more dramatic and facilitate the addition of more complex female characters. One of the fruits of Apted's involvement is that M (Judi Dench) gets to move from behind her desk, while curvy Denise Richards (WILD THINGS) gets to show off more than her figure. Dangerous stunt work, exhilarating action sequences, and a rousing theme song from alternative rock band Garbage make this a worthy addition to the 007 series. The film also marks the 17th and final appearance of Desmond Llewelyn as Q; John Cleese is introduced as Q's successor, R.
Product Details
- Number of Discs: 1
- Rating: PG-13 (MPAA)
- UPC: 027616810335
"...Solid work by the nicely matched Pierce Brosnan and Sophie Marceau..." Variety - Todd McCarthy
"...The Bond machine, retooled and greased for the new millennium, still has a fearsome top speed..." Total Film - Ceri Thomas (06/01/2000)
"...[Brosnan] imprints his own personality on the role....Marceau gives Bond a real woman to deal with..." Entertainment Weekly - Michael Sauter (05/19/2000)
"...Sophie Marceau does a smashing turn as Elektra, in a mischievously sexy performance..." New York Times - Janet Maslin (11/19/1999)
"...One of the best post-Sean Connery Bonds....Solid and surprisingly sharp..." USA Today - Andy Seiler (11/19/1999)
"...A splendid comic thriller, exciting and graceful, endlessly inventive..." Chicago Sun-Times - Roger Ebert (11/19/1999)
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