To follow in my ebay shop...

from a private collector, a very nice set ofbelgian posters original, mostly 1950s/1960s

 


ORIGINAL BELGIAN poster  

Poster size: approx. 56 x 37 cm 

Movie Title: "THE VIRGINS"

-

The Virgins

For The Virgins (1962), Jean-Pierre Mocky takes up the idea of dredgers and this time focuses on women. On the advice of Jean Anouilh, he puts in the magazine Paris here a call for testimony from women on how they lost their virginity. Among the 3,500 testimonials selected, the screenwriters, including the novelist Catherine Claude, identify five categories and each of these categories is the subject of one of the five sketches of the film. The film was released in May 1963. Henri Gault, passed down to posterity as a food critic, signs in Paris-Presse-L'Intransigeant a vitriolic article entitled “We should stick 20 years to Mocky”. He criticizes him for having "deflowered a subject which was not taboo without some reason" A year after the release of the film, François Truffaut, under the pseudonym of Antoine Doinel, without being enthusiastic, defends the film and more generally the way of Jean-Pierre Mocky: “As often with Mocky, we see here unknown actors admirably chosen and used. Finally, a very appreciable sharpness of execution; there is only in the image what Mocky wants to put in it and wants us to see. It's clean, bare, precise, direct. In his interview with the magazine Noon Midnight Fantastic in 1967, Jean-Pierre Mocky denies having wanted to provoke and on the contrary sees Les Vierges as a romantic and "deeply moral" film


Year / Year: release of the film 1963

Director / Directed by: Jean-Pierre MOCKY


Cast / Starring:  

Charles AznavourGerard Blain, Jean Poiret, Francis Blanche

Charles Belmont, Stefania Sandrelli, etc...


Distributor / Firm: Cine Vog
Illustrator/designer of the poster / Art by: Anonyme
Poster printer / Printer: Maurice Panneels Brussels
 

 These posters have mostly about 70 years, and were used at the time of the release of the films, so possibility of small defects of use, various inscriptions, rubbing, small tears on the edges, various folds, inevitable traces of handling, small lack of paper on the edges, etc...


see visuals...


(the photographed poster is the copy sold, 

see the other visuals at the bottom of the page after the descriptive text)


Right here 

Very good used condition, 

various very minor creases, tiny pinholes in the margins


 Very rare


Item Sold in the condition described, as found

 

 

    P2360107 P2360108 P2360109 P2360110 P2360111
For The Virgins (1962), Jean-Pierre Mocky takes up the idea of dredgers and this time focuses on women. On the advice of Jean Anouilh, he puts in the magazine Paris here a call for testimony from women on how they lost their virginity. Among the 3,500 testimonials selected, the screenwriters, including the novelist Catherine Claude, identify five categories and each of these categories is the subject of one of the five sketches of the film. The film was released in May 1963. Henri Gault, passed down to posterity as a food critic, signs in Paris-Presse-L'Intransigeant a vitriolic article entitled “We should stick 20 years to Mocky”. He criticizes him for having "deflowered a subject which was not taboo without some reason" A year after the release of the film, François Truffaut, under the p
For The Virgins (1962), Jean-Pierre Mocky takes up the idea of dredgers and this time focuses on women. On the advice of Jean Anouilh, he puts in the magazine Paris here a call for testimony from women on how they lost their virginity. Among the 3,500 testimonials selected, the screenwriters, including the novelist Catherine Claude, identify five categories and each of these categories is the subject of one of the five sketches of the film. The film was released in May 1963. Henri Gault, passed down to posterity as a food critic, signs in Paris-Presse-L'Intransigeant a vitriolic article entitled “We should stick 20 years to Mocky”. He criticizes him for having "deflowered a subject which was not taboo without some reason" A year after the release of the film, François Truffaut, under the p